Zhou Huijun's Song of Everlasting Regret
Zhou Huijun had held many calligraphy related positions and had achieved great success in calligraphy. Her regular script, Song of Everlasting Sorrow, reflected her unique calligraphy style. His calligraphy had two major characteristics. One was that his strokes were bright and bright, and the other was that his composition was wonderful. She clearly put forward the calligraphy concept of "knowing the white and guarding the black" and explained the concept of "white" in "The Book Road's Hard Journey", that is, the word is composed of stippling, and the blank space is also a part of the word. Only when the virtual and the real complement each other can it become a work of art. Her regular script, Song of Everlasting Sorrow, might also reflect these styles in terms of strokes and white. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret
Zhou Huijun was a famous female calligrapher in modern China. She was from Zhenhai, Zhejiang Province. Her running-regular script, Song of Everlasting Sorrow, was very tasteful and comparable to Tang Kai's. Her calligraphy had the characteristics of bright and concise strokes, wonderful layout, etc., which deeply impressed Mi Fu's "brush" feeling. The calligraphy style could also be "full of twists and turns" with the artistic conception of the Yellow Valley. In her calligraphy, she clearly put forward the concept of "knowing the white and guarding the black", which was also reflected in her Xingkai "Song of Everlasting Regret". For example, there was something unique about the white cloth. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret
Zhou Huijun was a famous calligrapher. She had the calligraphy of Song of Everlasting Sorrow. Zhou Huijun was born in Zhenhai, Zhejiang Province in 1939. She had held many important positions in the Calligraphy Association. Her calligraphy was taught by famous calligraphers such as Shen Yinmo, Gong Delin, and Weng Kaiyun. Her regular script, Song of Everlasting Regret, could be enjoyed by calligraphy lovers. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret
Zhou Huijun's Song of Everlasting Sorrow was quite unique. Zhou Huijun was a famous female calligrapher. Her calligraphy had two main characteristics. One was that her strokes were bright and concise, and the other was that her composition was wonderful. It gave Mi Fu a feeling of "brushing". Her calligraphy style could also be "full of twists and turns". In his calligraphy philosophy, it was clearly stated that he should know the white and guard the black. For example, in the Song of Everlasting Sorrow, the blank space in the word (white cloth) was also a component of the word. Although the degree of exquisiteness could not be described as an absolute shape, it had to conform to the aesthetics of some geometric figures, such as symmetrical, clear edges, pictograms, etc. Her Song of Everlasting Sorrow's running-standard script was the best of the modern running-standard script. It was very tasteful and was not inferior to Tang Kai's. It was worthy of appreciation. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret
Zhou Huijun's running-script 'Song of Everlasting Regret' was quite unique. Her calligraphy strokes were bright and concise, and the layout was wonderful. It had the feeling of Mi Fu's "brushing words", and the calligraphy style could also have the artistic conception of the Yellow Valley. Her copybook for Song of Everlasting Sorrow was published in 1986 when she was 47 years old. People could appreciate her unique calligraphy charm by appreciating her Song of Everlasting Sorrow. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy: Song of Everlasting Regret
Zhou Huijun's "Song of Everlasting Regret" was a running-regular script. It was published in 1986, when Zhou Huijun was 47 years old. In this copybook, she embodied the calligraphy concept of "knowing the white and guarding the black". For example, in the writing of words, the blank space (white cloth) was also considered as a component of the word. For example, the part indicated by the blue arrow of the word "Liu" was the white cloth. The white cloth needed to be written exquisitely. Although its shape could be changed at will, it had to meet the aesthetic requirements of geometric figures such as symmetrical, clear edges, pictograms, etc. This required calligraphy comprehension. This copybook could be called the ceiling level work of contemporary running-script. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy of Song of Everlasting Regret
Zhou Huijun's Song of Everlasting Regret was published in 1986. She had been personally taught by famous calligraphers such as Shen Yinmo, Gong Delin, Weng Kaiyun, and had high attainments in the art of calligraphy. Her regular script, Song of Everlasting Regret, showed her artistic achievements in regular script calligraphy. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret Calligraphy
Zhou Huijun's Song of Everlasting Regret was published in 1986. In this work, Zhou Huijun embodied her calligraphy concept of "knowing the white and guarding the black". She believed that words were composed of stippling, and the blank space was also a component of the word. Only when the virtual and the real existed and defended each other could they become a work of art. For example, the word " stay " in the work, the part indicated by the blue arrow was the white part, and it had to be written exquisitely. The white cloth involved the vague category of calligraphy aesthetics. Although there was no absolute shape to describe its exquisiteness, it had to conform to the aesthetics of geometric figures such as symmetrical, clear edges, pictographs, etc. It required calligraphy comprehension, and the white cloth could change its shape at will. Her calligraphy had two main characteristics. One was that her strokes were bright and bright, and the other was that her composition was wonderful. Her strokes were like a horse in the wind, dripping with joy. Her strokes were clean and vigorous, and she had the taste of Mi Fu's "brushing words". Her long paintings were full of twists and turns, with the feeling of a valley. The copybook of Song of Everlasting Sorrow that she published could be enjoyed by book lovers, and its brilliance could be said to be the ceiling level of contemporary running-regular script. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy Song of Everlasting Regret
Zhou Huijun was a famous female calligrapher in modern China. She had a running-regular script, Bai Juyi's Song of Everlasting Regret. His calligraphy had two main characteristics. One was that his strokes were bright and concise, and the other was that his composition was wonderful. His strokes were like a horse in a battle, dripping with joy. His strokes were clean and vigorous, with the taste of Mi Fu's "brush". The long painting was full of twists and turns, with the intention of a valley. In her calligraphy philosophy, she clearly put forward the idea of "knowing the white and guarding the black", emphasizing that the blank space of the word was also a component of the word. Only when the virtual and the real existed together could it become a work of art. Although the white cloth could change its shape at will, it had to conform to the aesthetics of geometric figures such as symmetrical, clear edges, pictograms, etc. The brilliance of her 'Song of Everlasting Sorrow' could be said to be the ceiling level of contemporary running-script. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Song of Everlasting Regret
Song of Everlasting Sorrow had many forms of works: - In terms of music, there was Yang Sen, a musician from Xi'an, who wrote the China style pop song "Song of Everlasting Sorrow" in 2005 when he was in college. In 2008, he completed the arrangement, recording and mixing. He also won the Best Newcomer Song Award in the first "My Music, My Originality-Northwest Original Music" competition and the Excellent Song Award in the Letian Original Song Competition. There was also the ancient style original song "Song of Everlasting Sorrow" created by Qin Mo and Qian Xian's ancient style original music team. The lyrics were written by Yi Yi, and Qin Guxi composed and arranged the song. Qian Jie sang it. - In literature, Bai Juyi wrote a long narrative poem, Song of Everlasting Sorrow, which described the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The poem described how Emperor Xuanzong of the Tang Dynasty sought after a beautiful woman. Concubine Yang was favored after entering the palace. However, the An Lushan Rebellion broke out, and the six armies rebelled and demanded the execution of Concubine Yang. After that, Emperor Xuanzong of the Tang Dynasty missed Concubine Yang endlessly. There were scenes such as Linqiong Taoist priests searching for Concubine Yang's soul in heaven and earth. Among them, poems such as " The Emperor of the Han Dynasty longed for beauty and could not find it for many years... In heaven, he wished to be a pair of birds, and on earth, he wished to be a pair of branches " were passed down through the ages. - In terms of performing arts, there was Xi'an's dance drama Song of Everlasting Sorrow. The performance was shocking. Even in the face of heavy rain and other bad weather, the actors would persist in performing, vividly reflecting the sadness of Emperor Xuanzong of Tang Dynasty. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's Song of Everlasting Regret Song of Everlasting Regret
Song of Everlasting Regret was a long narrative poem written by Bai Juyi, a poet of China Tang Dynasty. In the winter of the first year of Yuanhe (806), when Bai Juyi visited Xianyou Temple, he was inspired by the story between Emperor Ming of Tang Dynasty and Yang Guifei, so he wrote this poem. The poem told the story of Emperor Ming's love for Concubine Yang and his neglect of government, which led to the death of Concubine Yang after the chaos in the world. It also told the love story between the two of them from their acquaintance, love, and longing. The poem used many rhetorical devices such as antithesis, parallel comparison, and thistle to show the love story between Li Longji and Yang Guifei, as well as the historical events of Emperor Ming of Tang Dynasty, which reflected the perfect combination of realism and romanticism. The poem described the beauty of Yang Guifei, such as,"A natural beauty is hard to give up, and once she was chosen by the king. Looking back at her, she smiled and bewitched, and the six palaces had no color. Emperor Ming of Tang's love for her was like,"Spring night is short and the sun rises high. From then on, the king will not go to court early." There were three thousand beauties in the harem, and three thousand dotes were all on one person. After the An Lushan Rebellion broke out, Emperor Xuanzong of the Tang Dynasty fled with Concubine Yang. On the way, there was a mutiny in Mawei, and Concubine Yang was killed."The six armies had no choice but to die in front of the moth's eyebrows." Later, Emperor Xuanzong of the Tang Dynasty missed Yang Guifei and sent a Taoist priest to look for her. The Taoist priest said that he saw Yang Guifei on Penglai Immortal Island. Yang Guifei also asked the Taoist priest to bring back gold hairpins and other things to express his meaning. At the end, it read,"7th day of the 7th month, the Temple of Immortals, in the middle of the night when no one was whispering. In heaven, I wish to be a pair of lovebirds, on earth, I wish to be a pair of branches. There will be an end to this forever, and this hatred will never end." Later scholars discussed the theme of the Song of Everlasting Sorrow, and generally formed the views of irony, love, and double theme. It had a great influence on the literature of later generations, opening up the way of poetry narration, romance, and reality. For example, works such as "Wutong Rain" and "Longevity Palace" were all based on "Song of Everlasting Regret." Japan's "The Tale of Genji" and "Pillow Grass" were also influenced by it. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!