Zhou Huijun's Calligraphy of Song of Everlasting Regret
Zhou Huijun's Song of Everlasting Regret was published in 1986. She had been personally taught by famous calligraphers such as Shen Yinmo, Gong Delin, Weng Kaiyun, and had high attainments in the art of calligraphy. Her regular script, Song of Everlasting Regret, showed her artistic achievements in regular script calligraphy. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Song of Everlasting Regret
Zhou Huijun's Song of Everlasting Sorrow was quite unique. Zhou Huijun was a famous female calligrapher. Her calligraphy had two main characteristics. One was that her strokes were bright and concise, and the other was that her composition was wonderful. It gave Mi Fu a feeling of "brushing". Her calligraphy style could also be "full of twists and turns". In his calligraphy philosophy, it was clearly stated that he should know the white and guard the black. For example, in the Song of Everlasting Sorrow, the blank space in the word (white cloth) was also a component of the word. Although the degree of exquisiteness could not be described as an absolute shape, it had to conform to the aesthetics of some geometric figures, such as symmetrical, clear edges, pictograms, etc. Her Song of Everlasting Sorrow's running-standard script was the best of the modern running-standard script. It was very tasteful and was not inferior to Tang Kai's. It was worthy of appreciation. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy
Zhou Huijun is good at regular script, especially good at cursive. His regular script learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools, and went up to the North Stele; His cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". Her cursive strokes were bright, vigorous, vigorous, and wonderful; her seal script had the interest of cursive strokes, vigorous, bold, and elegant. The style of the book was bold and unconstrained, and the words revealed a stubborn aura. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Calligraphy of Song of Everlasting Regret
Many calligraphers had written the Song of Everlasting Regret. For example, Yang Jingke had a semi-cursive version of Song of Everlasting Regret, Lu Zhongnan had a regular script version of Song of Everlasting Regret, and Tian Yingzhang had a hard-pen semi-cursive version of Song of Everlasting Regret. There were 840 words in total, which could be used for printing practice. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, Calligraphy Calligraphy Practice
There was Zhou Huijun's running-regular script " Song of Everlasting Regret," published in 1986. There was also Bai Juyi's long-scroll calligraphy script, a small long-scroll calligraphy script with hairpin flowers, and a small calligraphy script with a brush. It could be used to copy the entire piece by hand and copy it in red. The price was from 8.45 to 33.15 RMB. The minimum price was one piece. The delivery location was Jinhua City, Zhejiang Province. The courier fee was 6.00 RMB. The delivery would be arranged within three days after payment was successful. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret's Regular Calligraphy
Lu Zhongnan had created a calligraphy work called Song of Everlasting Regret. He was born in 1950. He was a director of the China Calligraphy Association, a member of the China Museum Society, and the director of the Design Department of the China People's Revolutionary Military Museum. He created his own artistic style based on the ancient people. When his regular script, Song of Everlasting Sorrow, was matched with Bai Juyi's famous poem, Song of Everlasting Sorrow, it could give people an unparalleled artistic impact and also provide nutrients for many students. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy Collection
At present, the information only mentioned Zhou Huijun's calligraphy collection, which contained her inscriptions," Ode to Jingsi Garden in Regular Script." At the request of the garden owner, Mr. Chen Jingen, he wrote two long volumes of " Ode to Jingsi Garden " and " Jingsi Garden " for her. It was published in April 2015. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, Bai Juyi's Calligraphy
There was Zhou Huijun's running-script copybook, Bai Juyi's Song of Everlasting Sorrow, and Lu Zhongnan's running-script version of Bai Juyi's Song of Everlasting Sorrow. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's Song of Everlasting Regret Calligraphy
Lu Zhongnan meticulously wrote the regular script version of Song of Everlasting Sorrow. He studied under Mr. Ouyang Zhongshi and served as the deputy director of the Hard Pen Calligraphy Committee of the China Calligrapher's Association. His Song of Everlasting Sorrow had the necessary annotations and appreciation. The font was full, vigorous, charming, and vigorous. Tian Yingzhang had the Song of Everlasting Regret written in hard-pen running script. The strokes of the hard-pen running script were neat and standardized, which could be copied and learned by people of different ages. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
What is the level of Zhou Huijun's calligraphy?
Zhou Huijun's calligraphy skills were extremely high. She was the only female calligrapher who had won the lifetime achievement award of the " Orchid Pavilion Award." Her calligraphy was not inferior to that of contemporary famous male calligraphers. Judging from her style, her calligraphy skills had two main characteristics. One was that her writing style was bright and clear, and the other was that her writing style was wonderful. He didn't pay much attention to the center of the brush, but he could reach the realm of agility and sharpness in all eight directions. His brush strokes were like the wind mast array horse, dripping and happy. His strokes were clean and vigorous, with the taste of Mi Fu's "brushing words". The long painting was full of twists and turns, with the intention of the valley. She combined the "round brush" from the calligraphy and the "square brush" from the stele. The words were straight and straight, the structure was clear, and the strokes were free and easy. She paid attention to the overall charm and gave people a feeling of flowing water. Her calligraphy lines were dignified, experienced, domineering, and powerful. However, the overall style was both elegant and handsome, with strange and natural aesthetic characteristics. It perfectly fused the seemingly contradictory aesthetic elements and artistic characteristics of hardness and softness, lightness and heaviness, emptiness and reality, strangeness and uprightness, magnificence and elegance, solemnity and emptiness, and formed a strong personal style. As early as the end of the 1980s, it had formed a unique personal style. In terms of influence and status, she became famous as early as the 1970s with her "Running Calligraphy: Lu Xun's Poetry Selection", and her influence has continued to this day. She was the vice president of the China Calligraphy Association, the president of the Shanghai Calligraphy Association, and other important positions. She is now a consultant of the China Calligraphy Association. In many people's perception, even among the famous calligraphers today, not many people could compare with her calligraphy. Some calligraphers even thought that her calligraphy level was above the current chairman of the China Calligraphy Association, Sun Xiaoyun. From the perspective of calligraphy evaluation standards, in terms of personal style, she had formed a strong and unique personal style. In terms of calligraphy theory, although there was no mention of whether she had enlightening opinions, from the perspective of creative practice, her idea of combining the north and south and taking the road of combining inscriptions had certain inspirations for calligraphy creation. In terms of leading the trend of calligraphy, she had many followers, and her calligraphy had demonstration and learning value for many people. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's calligraphy is really not good
This statement was not accurate. Zhou Huijun had outstanding achievements in the field of calligraphy. She learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other masters in regular script, and also involved the Northern Stele. Cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings", learning from others. Her cursive strokes were bright and vigorous, and her style was wonderful. The seal script is full of the meaning of cursive, the strokes are refreshing, strong and fierce, the strokes are bold and unrestrained, the strokes are ancient and clumsy, but also very elegant and elegant. The style of the book was vigorous, smooth and bright, with its own style. The words revealed a stubborn spirit, showing a unique personality and artistic style. She had also won the 5th China Calligraphy Orchid Pavilion Award-Lifetime Achievement Award and many other awards. She had served as the vice president of the Chinese Calligraphy Association and many other important positions, which was enough to prove her influence in the calligraphy world and the artistic value of her calligraphy works. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!