Zhou Huijun's semi-cursive copybook was published by Shanghai Calligraphy and Painting Press on January 1, 2006. His "Ancient Poetry Selection" contains many ancient poems. She also had "Running Calligraphy: Lu Xun's Poetry Selection", which was completed in 1974. The binding was simple and elegant, with a reddish-brown cover. The strokes were elegant and the strokes were vigorous and free. At that time, she resonated with the scholars of calligraphy. In just a few years, more than ten versions were printed, with a total of more than one million copies printed. It became an essential copybook for people to learn calligraphy at that time, which was of great significance to the popularity of calligraphy at that time. Although from a modern rational point of view, it was far from the inherited calligraphy, the level of the method was relatively low, and the artistic elements were relatively simple. However, it could be used to study the current state of calligraphy at that time. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
There were videos related to Zhou Huijun's semi-cursive techniques, such as "Zhou Huijun's Calligraphy Techniques (Part 1)","Zhou Huijun's Calligraphy Art and Techniques_Standard definition","Calligraphy Lecture [Zhou Huijun 02]", and "Zhou Huijun teaches semi-cursive (rice style)". The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's semi-cursive script had a unique artistic charm. His strokes were vigorous and beautiful, and his strokes were agile and unrestrained. The overall style was fresh and refined, natural and smooth. He started, ran, and finished his writing perfectly. She combined the dignified atmosphere of regular script with the elegant agility of running script in an innovative form, presenting a unique beauty. Her semi-cursive script had the rhythm of Yan Zhenqing and Mi Fu. Her calligraphy works included well-known ancient prose and poems of the past dynasties, which could be copied and used for reference in calligraphy creation. For example, Zhou Huijun's Running Script-Lu Xun's Poetry Selection is elegant and upright, and the pen is vigorous and free. Zhou Huijun's semi-cursive script reflected her profound calligraphy skills. She had a high attainments in semi-cursive writing, which was worth pondering and understanding from many aspects such as the rules. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's semi-cursive script had many unique features. His cursive works have a good rhythm and have the spirit of Yan Zhenqing and the essence of Mi Fu. The content contained well-known ancient prose and poems of the past dynasties. It could be used to copy copybooks and could also be used as a reference for calligraphy creation. Her calligraphy skills were profound, like flowing clouds and flowing water. Her handwriting was vigorous and beautiful. She had held important positions such as the chairman of the Shanghai Calligraphy Association. She had high attainments in the art of calligraphy and was appreciated by many people. Although different people had different evaluations of her works, it was undeniable that she had outstanding achievements in semi-cursive. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun (1939-) was a famous calligrapher from Zhenhai, Zhejiang Province. Her calligraphy style was vigorous, smooth and bright, with her own style. Her strokes were like a horse in the wind, dripping with joy. Her strokes were clean and vigorous, very similar to Mi Fu's "brushing words". She used this style to create the cursive "Going to Drink", which vividly displayed the unrestrained, unrestrained, bold, and happy gratitude and hatred in Li Bai's poems. "Drinking" was written by Li Bai and his friend Cen Xun when they were guests at Yingyang Mountain Residence in Yuandan Hill of Mount Song. At that time, Li Bai's official career was frustrated, so he borrowed wine to write poems. The whole poem was heroic, emotional, fluent, and extremely infectious, which vividly reflected Li Bai's rebellious character. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's running-regular script, Thousand-Character Script, had many characteristics. His works followed the aesthetic law of "knowing the white and guarding the black" in terms of technique. The lines were natural and simple, impermanent, strong and powerful, full of changes, and the white outline was very beautiful. The writing style was flexible and three-dimensional. Although the direction of the pen was randomly cut, resulting in different tilting angles, the center of gravity was stable and balanced. Zhou Huijun had a deep foundation in calligraphy. She had learned Ouyang Xun, Chu Suiliang, Yan Zhenqing, etc. in regular script. She started with the four schools of Song Dynasty and traced back to the two kings. She was also guided by famous teachers. She had also studied the Han steles of the Northern Wei Dynasty, combining the elegance of Tang Kai and the momentum of the Northern Stele. A large number of cursive inscriptions made her cursive works mature day by day. Her running script, Thousand Character Script, had the same style as Zhi Yong and Mi Fu. For beginners, Thousand-Character Script was a good practice font. Zhou Huijun's Thousand-Character Script could be used as an introductory note (although it was difficult and required guidance). It could also be used as a reference for further study and help to distinguish the Jianghu style (Jianghu style basically had no concept of cloth and white, which was in stark contrast to Zhou Huijun's calligraphy). The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The characteristics of cursive script were: 1. Fast speed: The cursive script is the fastest art form in Chinese calligraphy. The writing speed is very fast, and the strokes are often connected to form a variety of shapes. 2. The beauty of form: The writer of cursive script pays great attention to the beauty and artistry of the glyph. It pursues a kind of beautiful realm. 3. Successive strokes: The strokes of cursive script are often coherent and there is no obvious boundary between the characters. The characteristics of semi-cursive: 1. Flowing and free: Running script is the fastest form of calligraphy. The writing is smooth and free. There is no obvious boundary between the characters and there are many changes. 2. Harmonization: The font and strokes of semi-cursive script are coordinated and varied, but the overall look is very harmonious. 3. Gentle and tactful strokes: The strokes of running script are gentle and smooth. Writers often use curved strokes and curves to save the country. The characteristics of regular script: 1. Dignity and preciseness: Regular script is the most dignified and rigorous art form in Chinese calligraphy. The writer pays great attention to the standard and correction of the glyph. 2. Stroke specifications: Regular script's stroke specifications are neat and tidy. Writers often use clear strokes and strict stroke requirements. 3. The structure of regular script is rigorous. The relationship between symmetrical strokes and glyphs is very rigorous and there are relatively few changes.
Zhou Huijun is good at regular script, especially good at cursive. His regular script learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools, and went up to the North Stele; His cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". Her cursive strokes were bright, vigorous, vigorous, and wonderful; her seal script had the interest of cursive strokes, vigorous, bold, and elegant. The style of the book was bold and unconstrained, and the words revealed a stubborn aura. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Rabbit's cursive writing method could be referred to the works of calligraphers such as Zhao Ziang, Huang Xiang, Mao Ze Dong, Xu Boqing, Sun Guoting, and so on. These calligraphers had all created cursive works of the rabbit character. The specific cursive writing method could be found in calligraphy copybooks or calligraphy pictures.
Zhou Huijun had written many school names, such as "Shanghai City Chongming Middle School","Shanghai City Bilingualism School", and so on. She also wrote inscriptions on horizontal boards. Her inscriptions had a unique style. Her handwriting was carefree, capable, and powerful, showing a strong feeling. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun had many excellent works in the art of calligraphy. It was difficult to pinpoint which one was the best. His cursive works displayed a unique charm. The strokes were bright, the momentum was open, the strokes were vigorous, and the art was wonderful. For example, her semi-cursive calligraphy of Mi Fu's Shu Su Tie was selected for the first Shanghai City calligraphy exhibition after the establishment of the Shanghai China Calligraphy and Seal Cutting Research Association. Her seal script was full of cursive interest, the strokes were crisp and fierce, the strokes were bold and straightforward, ancient and clumsy, and very elegant and interesting. The elegant diction and majestic calligraphy in Zhou Huijun's Regular Script Jingsi Garden Ode were also excellent manifestations of his calligraphy art. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!