Original crime novels often have a fresh take on the detective character. Instead of the traditional tough - as - nails detective, it could be a reclusive librarian or a child prodigy. The way the mystery is presented also matters. If it's told in a non - linear way, like jumping between different time periods in a way that adds to the intrigue rather than confuses, that can make it very original. The use of language too. If it has a distinct voice, like using very poetic language to describe a gritty crime scene, that's original. Take 'The Name of the Rose' by Umberto Eco. It's set in a medieval monastery, has a very intellectual detective, and the language is rich and complex, making it a highly original crime novel.
A unique setting can make a crime novel original. For example, if it's set in an unusual location like a remote island with its own strange customs. Also, an unexpected killer or a motive that is not the typical revenge or greed can set a crime novel apart. For instance, if the motive is related to a complex philosophical idea.
The plot structure can be a big factor in making a crime novel original. Some novels use multiple interwoven storylines that all converge at the end in a surprising way. For example, a crime novel might have a storyline about a missing person, another about a political conspiracy, and a third about a family feud, and they all end up being related. The exploration of themes not commonly associated with crime novels can also make it stand out. Such as exploring the concept of identity in a crime - solving context. Or having a crime novel that focuses on the psychological after - effects of a crime on the community rather than just on solving the crime itself.
Well - developed characters also contribute. In 'The Talented Mr. Ripley' by Patricia Highsmith, Tom Ripley is a complex character. His motives and actions are not straightforward, and understanding his psychology adds to the intelligence of the novel. Additionally, the exploration of themes such as morality, justice, and human nature can make a crime novel intelligent. 'Crime and Punishment' by Fyodor Dostoevsky is a prime example. It's not just about the crime but about the moral and psychological implications of it.
The writing style is crucial. A beautiful crime novel might have a lyrical or evocative prose. Take 'The Big Sleep' by Raymond Chandler. His use of vivid descriptions of the seedy underbelly of society and his sharp, witty dialogue make the novel not just a crime story but a work of art. Also, the exploration of themes like justice, morality, and human nature can make a crime novel beautiful. If a novel makes the reader think about these big ideas while also following the crime plot, it becomes more than just a simple whodunit.
The complex themes. There are so many things going on in the book like poverty, social inequality, morality, and redemption. These themes are intertwined in a way that makes the story rich and thought - provoking. For example, Raskolnikov's crime is not just a simple act of violence but is deeply related to his view of the world shaped by his social circumstances.
A great crime author in fiction often has a unique ability to create complex and believable characters. For instance, characters who are both victims and perpetrators in different ways. They also need to be able to craft a plot full of twists and turns. Take Gillian Flynn's 'Gone Girl' for example. The plot keeps flipping and the characters' true natures are gradually revealed in unexpected ways.
Violence against vulnerable characters can also heighten the sense of violence in a mystery novel. When the victims are children or the elderly, for instance, it tends to be more disturbing. In some mystery novels that deal with crimes against children, the violence is not only physical but also psychological, which makes the story more complex and the overall feeling of violence more intense.
Excessive gore can make a horror novel disgusting. For example, if a novel describes in great detail how a character is brutally mutilated, with every cut and organ spillage accounted for, it can be nauseating. 'Saw' series - inspired novels often have this kind of over - the - top gore.
One factor is when the lovers are separated by external forces like society or family. For example, in 'The Great Gatsby', Gatsby's love for Daisy is hindered by her upper - class status and her marriage. Another factor is death. In 'Love Story' by Erich Segal, the death of the female protagonist makes the love story extremely tragic. Also, misunderstandings can create tragic love novels. If the lovers misinterpret each other's actions or words and it leads to their separation or downfall, as seen in many classic love novels.
One factor is the detailed portrayal of the physical and emotional landscapes of war. In 'All Quiet on the Western Front', the author describes the muddy, rat - infested trenches, the stench of death, and the fear and despair of the soldiers. This creates a very detailed picture of the war environment. Another aspect is the multi - faceted view of the war. A detailed war novel doesn't just show the fighting but also how civilians are affected, how the economy is impacted, and how the war changes cultural values, as can be seen in 'Gone with the Wind' during the Civil War.
Original concepts make a horror novel inventive. For example, a unique take on monsters like in 'Coraline' by Neil Gaiman. It has the Other Mother, a really creepy and original villain. Unusual settings also contribute. In 'The Ritual' by Adam Nevill, the deep forest with its ancient and malevolent presence is very inventive. Also, a different narrative structure, such as the found - footage style in 'The Blair Witch Project' book adaptation, can make a horror novel stand out as inventive.
One of the interesting cases could be the ones involving serial killers. Their complex motives and modus operandi always keep the viewers on the edge of their seats.