Are there really 'thirty persen wild chinese novel' in literature?
No, I don't think there is such a clear - cut categorization in the world of Chinese novels. The idea of 'wild' is very subjective. What one person may consider wild, another may not. And the percentage concept just doesn't seem to fit well here without a very strict and commonly agreed - upon definition of 'wild' Chinese novels.
Since 'thirty persen' is not a proper term, it's hard to say. If we were to assume it means 30 percent, it's still very difficult to define which Chinese novels are 'wild' and then calculate if they make up such a percentage. There are so many different types of Chinese novels with a vast range of themes and styles that it's almost impossible to categorize them in such a way.
Well, first of all, as mentioned before, 'thirty persen' is not a correct expression. But if we try to understand it as 30 percent, there is no official or even a generally accepted classification like this in Chinese literature. Chinese novels are extremely diverse, and while there are some novels that may be more experimental or out - of - the - ordinary, it's not possible to simply say that 30 percent of them are 'wild' without a proper and comprehensive study of all Chinese novels, which is nearly impossible given their huge quantity.
What does 'thirty persen wild chinese novel' mean?
It's really hard to say precisely without more context. 'Wild' could imply that these Chinese novels are full of bold ideas, unique storylines, or deviate from the more traditional forms. However, as 'thirty persen' is an unclear term, it's difficult to give a more definite answer.
Thirty Years of Modern Chinese Literature
Thirty Years of Modern Chinese Literature is a literature summary. It presents the development and changes of modern Chinese literature by combing and evaluating the important works, schools, awards, etc. of modern Chinese literature in the past thirty years. The work was divided into two parts. The first part mainly introduced the modern Chinese literature from the 1930s to the 1950s, including the works of literary masters such as Lu Xun, Lao She, Ba Jin, Mao Dun, and the representative figures of the new literature such as Xu Zhimo, Hai Zi, Yu Hua, etc. The second part focuses on modern Chinese literature from the 1960s to the 1990s, including works of various schools such as realism, realism, and contemporary literature, as well as modern poetry, novels, essays, plays, and other representative works. The whole work presents the development and changes of modern Chinese literature through the combing and evaluation of the important works, schools, awards, etc. of modern Chinese literature in the past 30 years. It also deeply probes into the theme, ideology, style and achievements of modern Chinese literature.
About Thirty Years of Modern Chinese Literature
The 30 years of modern Chinese literature refers to the development of Chinese literature from 1949 to 1966. In the past 30 years, Chinese literature had undergone tremendous changes and challenges, and a number of excellent literary works had emerged. In the past thirty years, Chinese literature had experienced a transformation from traditional realism to modern modernist literature. In the 1950s, Chinese literature began to be influenced by Western culture, and modern literary trends such as the "New Moon School" and "Modern School" appeared. In the 1960s, Chinese literature returned to traditional realism and began to explore social reality and human nature, such as "scar literature" and "revolutionary literature". In the past 30 years, a number of excellent literary works have emerged in Chinese literature, including many classic works such as Dream of the Red Chamber, Journey to the West, Water Margins and so on. These works reflect China's history and social reality, displaying the wisdom and cultural charm of the Chinese people. The thirty years of modern Chinese literature was an important stage in the development of Chinese literature. It not only laid a solid foundation for the development of Chinese literature, but also had a profound impact on Chinese literature and culture.
Is Chinese literature really inferior to Western literature?
Both Chinese literature and Western literature had their own unique charms and characteristics, and it was difficult to judge them simply by "inferior" or "comparable". The development of Chinese literature and Western literature had different cultural backgrounds, so they had different requirements and evaluations for literary works. Although there were some differences between Chinese literature and Western literature, they also had their own brilliance. For example, Chinese literature had a profound historical and cultural heritage and unique artistic styles, such as Tang poetry and Song poetry, Ming and Qing novels, etc., while Western literature paid more attention to expressing personal feelings and thoughts, such as shakespeare's plays and dickens 'novels. In addition, Chinese literature and Western literature had different writing characteristics and styles in different historical periods. For example, ancient Chinese literature focused on expressing social reality and human nature, while Western literature focused more on exploring religion, philosophy and other fields. Therefore, we should not simply think that Chinese literature is inferior to Western literature. Instead, we should respect the differences between different cultures and understand more about the literary works of various countries in order to understand world literature in a more comprehensive and in-depth way.
How to evaluate the book Thirty Years of Modern Chinese Literature
I'm not a fan of online novels. I'm a person who likes to read novels. I don't have the ability to read novels. I can only answer questions about literature and language. If you have any questions about literature and language, I will try my best to help you.
How to evaluate the book Thirty Years of Modern Chinese Literature
Thirty Years of Modern Chinese Literature is a book of great historical value. It makes a profound analysis and summary of the development of Chinese literature. The book systematically combed the development of modern Chinese literature in the past 30 years and analyzed the performance and influence of various literary schools and works. It has important reference value for the study of the history of modern Chinese literature. However, the content of the book was more professional and might be difficult for non-literary professionals to understand. In addition, due to the author's prejudice and subjective colors towards various schools, readers need to judge and evaluate according to their own actual situation. Thirty Years of Modern Chinese Literature is a work of great historical value. It is of great significance to the study of the history of modern Chinese literature, but readers need to evaluate it according to their own actual situation.
Has Chinese contemporary literature really fallen?
Although there have been some criticisms in the literary market in recent years, there are still many excellent contemporary Chinese literature. The development of contemporary Chinese literature has gone through many periods, with different writing styles and literary schools in different historical periods. In the 1980s, the works of Haizi, Yu Hua, Mo Yan, and others showed a strong sense of social and political criticism, leading a new wave of literary movement. In the 1990s, the works of Yang Jiang, Qian Zhongshu, and Lu Xun still had profound thoughts and cultural implications. In recent years, with the popularity of the Internet and the development of the literary market, the creation of contemporary Chinese literature has also shown a trend of variation and innovation. At the same time, many literary organizations on the internet began to release various types of literary works, including novels, essays, poems, and so on. Therefore, it could be said that Chinese contemporary literature had not fallen, but was constantly being innovative and progressing.
Ancient Chinese Thirty-Six Stratagems
The 36 Stratagems of ancient China was a book on the art of war, which contained many stories. Among them, the first plan was to deceive everyone. In 208 B.C., Emperor Wu of the Han Dynasty sent Zhang Liang and Chen Ping to lead an army to attack the State of Chu. Xiang Yu, the general of the Chu State, sent people to pile up a large amount of firewood and vegetation upstream of the Huai River, waiting for the Han army to cross the river, and then…
Online novel recommendation, wild literature
The following are some recommendations of the completed prehistoric web novels: 1. " The Emperor's Reversal of the Wilderness ": This novel was written by Tian Zihui. The plot revolved around the protagonist being brought to the era of gods by the " Kongtong Seal, the supreme treasure of the human race " and becoming King Zhou of Shang Dynasty. This novel had 4.78 million words, with more than 2 million words. It was very enjoyable. 2. [Kai Tian Lu]: This novel is a blood-red 4.48 million word complete novel. It tells a story about survival and hardship. It was a primeval fantasy novel written by a platinum author. Its style of writing was outstanding. 3. " Huangting Taoist Master ": This novel tells the story of Lu Qingfeng, a young man from Earth, who transmigrated to the Xianxia World and obtained the login ring of the prehistoric game " Primordial ". This was a novel set in a prehistoric game. It was very interesting. 4. " The Biography of Erlang in the Wilderness ": This novel tells the story of a dying man who suddenly wakes up in a dream. The protagonist is in a world of unknown years. This novel had 2.99 million words and was a complete novel. The above are some recommendations of the completed prehistoric web novels. Each novel has a different storyline and characteristics. You can choose to read it according to your personal preferences.
What are the shortcomings of "Thirty Years of Modern Chinese Literature"(Urgent!) (I hope you can be more detailed)
Thirty Years of Chinese Modern Literature is a very authoritative and influential literary research work. Although it is a good book, it also has some shortcomings as follows: 1. Too general: This book is too general about the combing and induction of contemporary Chinese literature for 30 years, lacking specific details and in-depth analysis. It mainly focused on the achievements and trends of literature, but ignored many literary works in different fields such as poetry, drama, prose, etc. Therefore, this book might be too general and one-sided, lacking in comprehensiveness and accuracy. 2. Too subjective: The authors of this book are usually literary critics and scholars. Their analysis and judgment are often based on subjective bias and personal preferences. For example, they might ignore other excellent works of literature. This kind of subjective nature might affect the readers 'understanding and evaluation of literary works. 3. Lacking in novelty: Although this book covers the important events of 30 years of contemporary Chinese literature, it may lack new analysis and insights. It might rely too much on past research and perspectives and lack in-depth thinking and innovation on current literary phenomena. Time Limit: This book is usually arranged in order of time, so it may ignore some important historical events and literary phenomena. In addition, due to time constraints, it may lack in-depth analysis and interpretation of literary works, resulting in incomplete understanding and evaluation of some works. Although Thirty Years of Chinese Modern Literature was a good book, it also had some shortcomings that readers needed to pay attention to and think about during the reading process.