The seven basic stories are typically identified as such: Overcoming a challenging monster or obstacle, achieving success from a humble start, going on a meaningful quest, having a journey with a return, creating comedic scenarios, experiencing tragic events, and undergoing a process of rebirth or renewal. Different scholars and critics might have slightly different takes on this, though.
One important element is the protagonist. In all the'seven basic stories', there's a central character that drives the story forward. For example, in the 'Voyage and Return' story, the traveler (the protagonist) is the one whose experiences during the voyage and return shape the entire story.
We tell stories to share experiences, entertain, and connect with others. It's a way to pass on knowledge and wisdom.
The main reasons could be to entertain, to educate, to share experiences, to express emotions, to pass on knowledge, to build connections, and to inspire.
Well, one way is through character arcs. For example, in the 'Overcoming the Monster' basic story, the hero in modern lit can be facing a corporate giant as the'monster' instead of a literal beast. The plot structure remains similar - the hero starts as an underdog, faces challenges from the 'corporate monster', and finally overcomes it, perhaps by exposing its unethical practices.
It basically explores the common themes and structures that underlie most stories and explains why we are drawn to them.
In 'Why We Tell Stories' from 2005, the seven basic plots might be something like the Hero's Journey, Love Conquers All, Coming of Age, Revenge, Mystery/Suspense, Redemption, and Transformation. However, different readers might interpret them differently.
We tell stories to entertain, educate, and connect with others. The seven basic plots are Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth.
The seven basic plots provide a framework that resonates with human experiences and emotions. They help us make sense of the world and connect with others through shared themes.
Well, the seven basic plots are essential because they give a sort of blueprint. They make it easier for us to understand and predict storylines, and they also offer familiar patterns that we find comforting and interesting.
The basic forms of seven-character rhymed poems are mainly the four types: the first type, the second type, the third type, the fourth type. The rules of its flat and oblique rhythms can be summarized as "replace, pair, stick". "For" refers to the alternating of sentences, usually with two syllables (two words) as a foot, and the level and tone are alternated; In terms of rhyme, the whole article has four or five rhymes, usually every even sentence rhymes, that is, the last word of the second, fourth, sixth, and eighth sentences must be the same rhyme; In antithesis, three or four sentences, five or six sentences are required to be antithesis. The method to save him was as follows: 1. ** Self-saving sentence **: In the sentence pattern of "Ping Ping Ze Ping Ze"(in the Seven Laws, it is "Ze Ze Ping Ze Ping Ze"), the third word should be "Ping" and "Ze" should be used. You can add a flat tone word in the fourth word position (in the Seven Laws, it is "Five Obstacles and Six Salvation", or "Three Obstacles and Five Salvation"), which becomes "Ping Ze Ping Ze"(in the Seven Laws, it is "Ze Ze Ping Ze Ping Ze"). 2. ** Solitary and flat to save **: In the sentence pattern of "Ze Ze Ping Ze Ping", except for the flat tone words that rhyme at the end of the sentence, if the first word becomes a flat tone, it will be a solitary and flat tone. At this time, the third word must be changed to a flat tone to remedy (in the seven words, if the third word is a flat tone, then the fifth word must be adjusted to a flat tone). 3. ** Couplet rescue **: If the sentence is "Ze Ze Ping Ze", the fourth word should be flat and Ze (or even connected with multiple tones), the third word position of the couplet "Ping Ping Ze Ping" should be changed to a flat tone word to remedy it.