The use of atmosphere is crucial. A short story can create a really creepy atmosphere in just a few paragraphs. By using descriptive language about a dark, damp cellar or an old, creaky house, the author can immediately put the reader on edge. And when the horror elements are introduced into that already tense atmosphere, it becomes even more effective.
The element of surprise. In a short story, there's not much room for long build - ups, so when the horror hits, it's sudden and shocking. For example, in a story where a character thinks they're alone in a house but then suddenly a hand grabs their ankle from under the bed.
Relatable characters also play a part. If we can put ourselves in the shoes of the character in the story, we feel their fear more intensely. For instance, if it's a story about a normal person like us in a familiar situation, like being alone in a house at night, and then something scary starts to happen, we can easily relate to that fear. And the more we can relate, the scarier the story becomes.
The element of the unknown. In actually scary stories, not knowing what's going to happen next creates fear. For example, in a story about a haunted attic, you don't know what the ghostly presence will do.
They often involve elements that are relatable yet terrifying. For example, being alone in a spooky place like an old house or a deserted forest. These are places that we might encounter in real life, but in the stories, they are filled with ghosts or monsters. Also, the way they are told, with a hushed voice and in the dim light of the campfire, adds to the spookiness. It makes us feel like we are part of the story, and that the danger could be lurking just around the corner.
They are effective because they quickly get to the point. There's no time for long - winded build - up. For example, in 'The Yellow Wallpaper', the main character's descent into madness is shown in a short span, which makes it scarier.
The brevity of short scary stories makes them effective. They quickly get to the point. There's no time for long - winded build - up, so the scares hit hard and fast. For example, in a short story, a single sentence like 'The face at the window had no eyes' can send chills immediately.
Really scary short stories are effective because they can create a vivid sense of dread in a short amount of time. For instance, in 'The Wendigo' by Algernon Blackwood, the very concept of the Wendigo, a half - man, half - beast creature of the wilderness, is enough to send shivers down your spine. The authors use of language is crucial too. They use descriptive words to paint a picture of the horror. In 'The Pit and the Pendulum', Poe's detailed description of the torture device and the protagonist's situation makes it a truly scary read. Also, the element of surprise. Stories like 'The Most Dangerous Game' start off one way and then take a terrifying turn.
Well, for one, they often have a sense of the unknown. When readers don't know what's going to happen next, it creates fear. For example, in 'The Monkey's Paw', we don't know exactly how the wishes will turn out horribly. Also, the use of atmosphere. Dark, gloomy settings like in 'The Tell - Tale Heart' add to the scariness. And the characters can be very disturbing, like the unreliable narrator in that same story.
The element of surprise. In short scary stories, the unexpected twists and turns can quickly shock the reader. For example, in 'The Landlady', the seemingly kind landlady has a dark secret about her previous guests. The sudden revelation that she has been poisoning them is a great shock.
The suspense. In short scary stories, they often build up a sense of unease and mystery quickly. For example, in 'The Monkey's Paw', we don't know what the next wish will bring. And the unexpected twists. Like in 'The Cask of Amontillado' when the narrator walls up his friend.
Often, it's the relatability. Many short scary stories draw on common fears like being alone in the dark, strange noises in the house, or getting lost. When readers can put themselves in the situation easily, it becomes scarier. For example, a story about a person hearing footsteps in an empty apartment at night. Most people can imagine how that would feel. Also, the element of the unknown. Since these stories are short, they can leave a lot to the imagination, which is where the real horror lurks.