An extras pov novel is a type of novel that is written from the perspective of an 'extra' character. In many stories, there are main characters who drive the plot forward. But an 'extra' is someone on the periphery. In this kind of novel, we get to see the story through their eyes. It can offer a unique view of the story's world, events, and other characters. For example, in a fantasy epic about a hero's journey, an extra could be a peasant who witnesses the hero's passing through their village. Their pov might focus on how the hero's actions impact the simple life of the village rather than the grand battles and magic that the hero experiences.
To write an effective extras pov novel, first, you need to fully develop the extra character. Give them a distinct personality, background, and motivation. Then, make sure their perspective adds something new to the story. For example, if it's a historical novel, the extra could be a servant in a noble household. Their pov could show the daily life and behind - the - scenes happenings that the nobles are unaware of. Also, use their unique voice. If they are uneducated, their language should reflect that. And don't make them just a passive observer; let them influence the story in some way.
The extra system novel was a type of urban novel. It mainly described the experiences of the main character, Chen Feng, and Zhao Zhilong, in the entertainment industry. This type of novel usually involved the protagonist entering the entertainment industry through a binding system or other means and achieving success. Among them, Chen Feng and Zhao Zhi Long were the main characters of the novel " I, an extra, became famous in the entertainment circle after binding to the system ". The plots of such novels were often full of suspense and passion, attracting the attention of a large number of readers. However, other than this basic information, the search results did not provide any more detailed information about the system novels.
First - person POV can be great for novels. It allows readers to directly experience the story through the eyes and mind of a single character. This creates an intimate connection as we get to know the character's thoughts, feelings, and motives very closely. For example, in 'The Catcher in the Rye', Holden Caulfield's first - person narration makes the story feel very personal and real.
Yes, it can be effective. Using multiple POVs in a so - called 'one POV novel' can add depth and complexity. It allows the reader to see different aspects of the story and gain a more comprehensive understanding. For example, in a mystery novel, the main POV might be the detective, but by adding the POV of a suspect or a witness, new clues and perspectives can be introduced.
No, they are not appropriate. Visual novels should be a form of art and entertainment that promotes positive values, not something that objectifies or focuses on inappropriate body parts.
Limited third - person POV is another excellent choice. It focuses on one character's perspective, usually the main character. This way, the readers get to know the character well and experience the thrills and chills through their eyes, like in 'The Girl with the Dragon Tattoo' where we follow Lisbeth Salander's point of view and get drawn into her dangerous world.
If you want to create a unique and immersive experience, second - person can be considered. However, it's a bit more difficult to pull off. But if done right, it can make the reader feel like they are the main character in an adventure, which is great for some contemporary, experimental novels.
First person POV can be great for romance novels. It allows the reader to really get into the protagonist's head and feel their emotions directly. For example, when the main character is falling in love, the reader experiences their butterflies in the stomach, their insecurities, and their joy in a very personal way.