There is also 'Bury My Heart at Wounded Knee' which is a powerful account of the mistreatment of Native Americans by white settlers. Although it is more of a historical non - fiction, it has elements that are similar to what could be in a 'white indian novel' in terms of the portrayal of the relationship between the two groups.
One example could be 'The Last of the Mohicans'. It features white characters interacting with Native American (referred to as 'Indian' in the old term) tribes. It shows the complex relationships, including friendship and conflict, between the two groups.
One well - known 'Jerusalem Novel' could be 'To the End of the Land' by David Grossman. It delves deep into the Israeli - Palestinian conflict and the lives of those in Jerusalem. Another might be works by Amos Oz that often touch on the complex social and cultural fabric of Jerusalem.
Well, 'Half the Night Is Gone' by Amitabha Bagchi was a significant 2016 Indian novel. It played with the structure of the narrative and explored themes of family, memory, and the passage of time. In general, 2016 Indian novels covered a wide range of topics from historical events to contemporary social issues, and they added to the rich tapestry of Indian literature.
Arundhati Roy's works also continue to be relevant. Although not strictly a 2010 novel, her writing style and themes have influenced Indian literature. Her earlier works like 'The God of Small Things' set a benchmark for exploring family, society, and power dynamics in India, which might be seen as an influence on novels of 2010.
One of the notable themes is unrequited love. The protagonist experiences deep feelings for someone who may not fully reciprocate. Another theme could be loneliness, as the white nights might symbolize a time of isolation or longing. Also, the concept of hope in the face of difficult emotional situations is likely present.
Well, one notable feature could be its unique setting. It might have a distinct landscape in the White Mountains that sets the mood for the story. Another could be the characters. They might be complex and interesting, with their own motives and backstories that drive the plot forward.
Alan Moore's 'Watchmen' could also be considered in some ways. It has characters with extraordinary and often amoral or inhumane behaviors. The complex moral and ethical situations in the story, along with the extreme actions of some characters, give it an inhuman feel. For instance, Rorschach's uncompromising and often brutal approach to justice.
There are ads for anti - censorship platforms that might be based on the '1984' concept. In the novel, there was strict control over information. So these ads could use that as a reference point to promote their cause. Also, some independent media outlets may use the idea of fighting against a totalitarian - like information control as in '1984' in their promotional ads to attract viewers who value free speech and uncensored news.
Well, 'The Inheritance of Loss' by Kiran Desai is a great Western Indian novel. It delves into the lives of characters dealing with issues like globalization, identity, and cultural clashes. For instance, it shows how the characters are affected by the changing world around them. Then there's 'A Fine Balance' by Rohinton Mistry. This novel portrays the harsh realities of life in India during a particular period, with vivid descriptions of the struggles of the common people.
A suitable 'Great Indian Novel' is also 'Train to Pakistan' by Khushwant Singh. It depicts the harrowing partition of India and Pakistan. Through its narrative, it shows the impact on the common people, the chaos, the violence, and the upheaval that this partition brought, which is a crucial part of Indian history.
One of the well - known Indian autobiographical novels is 'The Story of My Experiments with Truth' by Mahatma Gandhi. It gives deep insights into his life, his struggles for justice and non - violence. Another is 'A House for Mr Biswas' by V.S. Naipaul which has autobiographical elements. It tells the story of a man's search for a place to call his own in a post - colonial society.