A crime writer novel is centered around crime and its solution. One characteristic is the presence of red herrings, which mislead the reader and the characters within the story. The motives for the crime can range from money, revenge, love, or power. These novels also tend to explore the darker side of human nature. The descriptions of the crime scenes are detailed, which helps the reader visualize what happened. The dialogue is sharp and often used to reveal clues or the personalities of the characters.
Typically, a crime writer novel often features complex mysteries. It usually has a well - crafted plot full of twists and turns. There is often a detective or an investigator as a main character who tries to solve the crime.
Often, they have a deep understanding of the criminal underworld. They need to research about the mafia's hierarchy, their codes, and how they operate. For example, Mario Puzo did extensive research for 'The Godfather' to accurately portray the Corleone family.
Typically, they have a great sense of mystery. They know how to plant clues subtly throughout the story, like a breadcrumb trail for the reader to follow. For example, in many of Agatha Christie's novels, she drops little hints here and there that seem insignificant at first but are crucial to solving the mystery.
As I don't know the works of this 'crime writer 95', I can't say for sure. But typically, pulp fiction crime works might have elements like a morally ambiguous protagonist, a lot of suspense, and a setting that often includes the seedy parts of the city.
Perhaps it was Elmore Leonard. He had a lot of his novels adapted into movies. In 1990, if one of his crime novels made it to the big screen, it would be in line with his successful career in writing engaging crime stories that Hollywood found appealing.
There are many crime writers who had best - selling novels in 1990. One possible writer could be Patricia Cornwell. Her novels often feature forensic pathology and strong female protagonists. Her work has been extremely popular and has contributed to the growth of the crime genre.
The ability to write engaging dialogue is important too. In crime novels, dialogue can reveal clues, develop characters, and create tension. Writers like Patricia Cornwell are known for their sharp and realistic dialogue. It's not just about what the characters say, but how they say it and what it implies in the context of the crime. All these elements combined can make a writer stand out as a 'god of crime novel'.
In 1930 crime novels, the protagonists were often morally ambiguous. They had to navigate a world full of corruption. The stories usually revolved around a crime that needed to be solved, whether it was a murder or a heist. The descriptions of the crime scenes were detailed, and the authors often used the setting as an important part of the story, with the dark alleys and smoky bars adding to the overall atmosphere.
A crime novel typically features elements such as suspense. The setting can be very important, whether it's a gritty urban environment or a small, seemingly idyllic town. The pacing is crucial too. It builds up the tension as the detective tries to piece together the clues. There are often red herrings to mislead the reader and make the mystery more engaging.
Yes, of course. Crime writers are known for their ability to write novels. They often have a vivid imagination and a deep understanding of criminal psychology and the legal system, which enables them to create engaging and suspenseful stories in the form of novels.
Imagination. A crime writer needs to be able to imagine all kinds of criminal acts and the motives behind them. Also, knowledge of the law and police procedures helps.