Shorter mystery novels often have a more focused plot. They cut to the chase quickly without a lot of extraneous details. For example, in a short mystery, the crime might be introduced right at the start and the detective gets to work immediately. They also tend to have fewer sub - plots, so the reader can easily follow the main mystery.
Shorter Dickens novels can be more accessible to new readers. Since they don't require as much investment of time, they are a good starting point. Take 'Great Expectations', it has a relatively simple central narrative that is easy to follow at the beginning, which gradually unfolds into a complex exploration of human nature. The language, while still Dickensian, is perhaps less daunting in a shorter work.
Shorter crime novels often have a more focused plot. There's less room for extraneous details, so they usually cut straight to the chase. For example, they might introduce the crime early on and then quickly move into the investigation.
The shorter fiction often has a more concise plot. It can quickly draw readers into the story and deliver its main idea without much elaborate build - up. For example, it might focus on a single event or a brief moment in time.
Shorter fiction often has a more concentrated plot. It needs to quickly draw readers in and deliver its main ideas or emotions. For example, short stories usually focus on a single event or a brief period in characters' lives. They don't have the luxury of long, drawn - out character developments like novels. Also, shorter fiction tends to use fewer sub - plots. This makes it easier for readers to follow the core story. The language in shorter fiction is also more concise, every word counts as there is limited space to convey the message.
A shorter story usually has a concise plot and limited characters. It gets to the point quickly and doesn't have a lot of subplots or complex backstories.
A shorter version of a novel, often called an abridged version, usually has the main plot intact. It cuts out some of the sub - plots, detailed descriptions, and less essential characters. This makes it more concise and easier to read for those who don't have much time or prefer a quicker read through the story.
Well, I would suggest 'And Then There Were None' by Agatha Christie. Although it's not extremely short, it's relatively concise compared to some of her other works and is full of mystery and twists. Also, 'The Woman in White' by Wilkie Collins. It has a great mystery plot and is a classic that can be read in a relatively short time. Oh, and 'The Moonstone' by the same author is also a good choice.
The characteristics of classical Chinese are concise, using as few words as possible to express the same meaning, usually using a single word or phrase to express, avoiding the use of multiple words or repeated words. The grammar and structure of classical Chinese were more complicated than modern Chinese, but they were also more rigorous.
One characteristic is its brevity. It gets to the point quickly without much elaborate world - building like a novel. For example, a short story might focus on one event or a short period of time in a character's life.
A common characteristic is the element of surprise. In 'Magpie Murders', just when you think you've figured out one part of the mystery, another twist comes along. The authors use red herrings effectively. They lead the reader down one path, only to reveal that it was a false lead. This keeps the readers engaged and constantly re - evaluating their assumptions.