They can be more intense in terms of pacing. Since they don't have the luxury of a lot of pages to build up slowly, they tend to keep the action and suspense high throughout. Like a short story, they need to grab the reader's attention from the start and hold it until the end.
Character development in shorter crime novels might be more streamlined. Instead of delving deeply into a character's backstory over many chapters, they'll present the key aspects of a character that are relevant to the crime and the plot. This can make the characters seem more mysterious and the story more fast - paced.
Shorter crime novels often have a more focused plot. There's less room for extraneous details, so they usually cut straight to the chase. For example, they might introduce the crime early on and then quickly move into the investigation.
One great shorter crime novel is 'The Postman Always Rings Twice'. It's a classic noir with a tight plot full of suspense and moral ambiguity. The story is about a drifter who gets involved in a dangerous affair with a married woman and the web of crime they spin together.
Shorter mystery novels often have a more focused plot. They cut to the chase quickly without a lot of extraneous details. For example, in a short mystery, the crime might be introduced right at the start and the detective gets to work immediately. They also tend to have fewer sub - plots, so the reader can easily follow the main mystery.
Shorter Dickens novels can be more accessible to new readers. Since they don't require as much investment of time, they are a good starting point. Take 'Great Expectations', it has a relatively simple central narrative that is easy to follow at the beginning, which gradually unfolds into a complex exploration of human nature. The language, while still Dickensian, is perhaps less daunting in a shorter work.
The shorter fiction often has a more concise plot. It can quickly draw readers into the story and deliver its main idea without much elaborate build - up. For example, it might focus on a single event or a brief moment in time.
Shorter fiction often has a more concentrated plot. It needs to quickly draw readers in and deliver its main ideas or emotions. For example, short stories usually focus on a single event or a brief period in characters' lives. They don't have the luxury of long, drawn - out character developments like novels. Also, shorter fiction tends to use fewer sub - plots. This makes it easier for readers to follow the core story. The language in shorter fiction is also more concise, every word counts as there is limited space to convey the message.
A shorter story usually has a concise plot and limited characters. It gets to the point quickly and doesn't have a lot of subplots or complex backstories.
A shorter version of a novel, often called an abridged version, usually has the main plot intact. It cuts out some of the sub - plots, detailed descriptions, and less essential characters. This makes it more concise and easier to read for those who don't have much time or prefer a quicker read through the story.
Crime mystery and crime novels usually feature a central mystery that drives the story forward. The characters are diverse, including law enforcement officers, suspects, and witnesses. There is a lot of focus on clues and evidence. The pacing is often fast - paced to keep the reader engaged. The atmosphere can be dark and moody, adding to the overall sense of mystery. The best ones make the reader think and try to solve the mystery along with the characters.
The settings in 1920 crime novels were quite interesting. They often depicted the urban landscapes of the 1920s, with its speakeasies, underworld characters, and the contrast between the rich and the poor. For example, in some novels, the seedy parts of the city were where most of the criminal activities took place, while the wealthy neighborhoods seemed to be sheltered from such chaos at first glance. Also, the characters in these novels were diverse. There were the shrewd detectives, the cunning criminals, and the bystanders caught in the middle. The dialogue was sharp and sometimes full of slang that was characteristic of the era.
The characteristics of classical Chinese are concise, using as few words as possible to express the same meaning, usually using a single word or phrase to express, avoiding the use of multiple words or repeated words. The grammar and structure of classical Chinese were more complicated than modern Chinese, but they were also more rigorous.