In 'The Blue Umbrella' by Ruskin Bond, the prominent themes include the power of envy. The beautiful blue umbrella causes Ram Bharosa to be envious of Binya. It also shows the significance of simple things in life. That umbrella, which is just an ordinary object in a way, becomes so important in the village. Additionally, the theme of generosity is there. Binya's act of giving the umbrella to Ram Bharosa at the end is an act of great generosity. Moreover, it touches on the theme of community. The whole story is set in a village community and how the events related to the umbrella play out within that community.
Well, 'The Blue Umbrella' by Ruskin Bond mainly focuses on Binya, a little girl. Binya has this blue umbrella that she loves dearly. In the village, this umbrella stands out. Ram Bharosa, the shopkeeper, is really drawn to it. He tries different ways to get it. There are some interactions between Binya, her family, and Ram Bharosa regarding the umbrella. In the end, Binya realizes that the umbrella has caused a bit of a stir and decides to give it to Ram Bharosa. It shows how a simple object can create complex emotions and relationships in a small community.
One of the main themes is the beauty of nature. The growth of the cherry tree from a seed to a blooming tree showcases the wonder of nature. Another theme is perseverance. The boy has to keep taking care of the tree despite difficulties, which shows his determination.
The main themes in 'The Eyes Have It' include the idea of misperception. The narrator and the girl both misperceive each other's situation as they are unaware of each other's blindness. There is also the theme of the importance of non - visual communication. They communicate effectively without seeing each other. And finally, there is a sense of the beauty in the unknown. The narrator's journey of discovery about the girl, which is ultimately revealed in the end, shows how the unknown can hold a certain allure.
I'm not sure about the exact main themes in this story as I haven't read it. But based on Bond's other works, it could be about the relationship between humans and the supernatural, like how people react to the presence of a 'pret' (spirit).
Another theme might be danger. Arsenic is a dangerous substance, and its presence in the story would likely create an atmosphere of danger. This could be related to the relationships between the characters, where one character poses a threat to others through the use of arsenic or the threat of its use. Also, the theme of mystery could be present. Why is arsenic involved? What are the characters' motives? These questions add to the mystery of the story.
The main characters are the thief, who is a young boy, and an old man.
The main themes often include nature, friendship, and the simple joys of life. For example, in many of his stories, the beauty of the Himalayan landscape is vividly described, which shows his love for nature. And the friendships between children or between children and animals are also common themes, teaching kids about loyalty and kindness.
Love and friendship are common themes. In many of his stories, characters form deep bonds with each other, like in 'The Blue Umbrella' where Binya's relationship with Ram Bharosa is a mix of friendship and a bit of rivalry turned into mutual respect.
In Ruskin Bond's 'A Tiger in the House', the central characters are Grandfather and the tiger cub Timothy. Grandfather is a kind - hearted man who has an interest in the wild. When he finds the tiger cub, he doesn't hesitate to take it home. Timothy, on the other hand, is the tiger cub that becomes a part of the family. It experiences a life in the house, among humans, and as it grows, it shows different aspects of its character, from being a cute cub to a more wild - natured adult tiger. These two characters drive the story forward with their interactions and the changes that occur over time.
The primary character in 'Tiger in the Tunnel' is the tunnel watchman. He is the one around whom the whole story revolves. There's also the tiger which is more of a menacing presence in the story rather than a fully developed character in the traditional sense.