Yes. Let's say the catchphrase 'I'll be back'. In a story about a time - traveling adventurer. He gets into a really tough situation, like being surrounded by enemies in a strange, dangerous time period. Right before he's seemingly defeated, he smirks and says, 'I'll be back.' Then he activates his time - travel device and vanishes. This not only gives a cliffhanger but also adds a sense of his indomitable spirit. It's a simple way to show the character's determination and confidence. The catchphrase is so well - known that it immediately makes the character seem more badass and the story more exciting.
Sure. For example, the catchphrase 'May the Force be with you' from Star Wars. In a story, you could have a young Jedi apprentice about to face a great challenge. As he steps forward, his master says, 'May the Force be with you.' This catchphrase instantly adds a sense of the Star Wars universe to the story. It gives a feeling of the lore and the power within that world. It also helps to create a connection for the readers or listeners who are familiar with Star Wars. It can set the mood, like creating a sense of hope or a connection to something bigger, in this case, the Force that is so central to the Star Wars mythology.
Definitely. The catchphrase should add value to the story. If it doesn't contribute to the plot, character development, or mood, it's not worth including. For example, in a story about a lonely artist trying to find inspiration. When she finally gets an idea, she whispers to herself 'Eureka!' This catchphrase not only shows her moment of discovery but also gives a historical and intellectual context. It also helps to make the story more relatable as many people know the feeling of that 'Eureka' moment. You can also modify a catchphrase slightly to fit your story better. For example, instead of 'I'm lovin' it' as is, you could have a character in a food - related story say 'I'm cookin' it, and I'm lovin' it'.
It's really tough to use this phrase in a sentence in a traditional sense. But we could say 'His speech was a bit like rock on 2 full story. He had two main points that he elaborated on fully and with great energy, and it was like he was on a roll, just like when you say rock on, but with this two - part story - like aspect.' This shows how we can stretch the meaning to fit it into a sentence when the phrase is so unclear.
Let's consider the element of a menacing figure. For instance, a serial killer in a horror story. The killer's actions, like leaving behind creepy notes or making phone calls to the victim, build up tension. His or her unknown motives and the threat of being attacked at any moment make the story scary. It makes the reader constantly worried about the safety of the characters.
He was just a mere humsafar in my life, and now, mere humsafar end story, he's gone and I'm left with the memories.
I don't think it's a common or proper phrase to use in a sentence in the normal sense. But if we were to force it, perhaps: 'She always grows a cock story when she wants to get attention, but no one really believes her.' However, this still seems very strange and not a typical usage.
For a movie, the 'back story' of the villain could be that he was bullied as a child and turned to a life of crime as a result. The director could'spell backstory' by showing flashbacks of his childhood, with each scene carefully chosen to show the events that led to his villainy. 'Back story' is the overall history, and'spelling backstory' is the act of showing or telling that history in a detailed and structured way. For example, in a video game, the 'back story' of a quest might be that an ancient artifact was lost long ago. The game developers could'spell backstory' by having characters in the game tell the story of how the artifact was lost through a series of dialogues.
You could say 'We had this wild adventure with Quondo Rondo, and then, quondo rondo end of story, we all went our separate ways.'
Sure. If you were telling a story about how you found a lost dog. You could say how you first heard the dog barking, then how you searched for it, and finally when you found it and reunited it with its owner. At the end, you could say 'and that is the rest of the story'.
The story of Louis Braille could be considered. He was a boy who lost his sight at a young age. But he developed the Braille system, which is now used worldwide for the blind to read. His story is publicly used to show the power of determination and innovation in the face of adversity. It is an inspiration for people with disabilities and also for those who want to make a difference in the world.
I'm not sure how to use 'worry a novel' in a proper sentence as it's an odd phrase. But perhaps something like 'She seemed to worry a novel with her constant over - analysis of every plot twist.'