Well, a story in a story often creates layers of narrative. It might reveal background info or offer contrasts to the main plot. Sometimes it even serves as a metaphor or allegory.
A story within a story usually adds depth and complexity. It can provide different perspectives or hidden meanings.
A story within a story typically enriches the overall storytelling. It can offer insights that wouldn't be possible in a straightforward narrative. It might also surprise the reader or make them think in new ways.
One characteristic is the nested structure. There is an outer story that provides the context or frame for the inner short stories. Another is the variety of voices. Since there are often different characters telling the inner stories, there are multiple voices and perspectives. For example, in 'The Canterbury Tales', each pilgrim has their own style and view. Also, it can expand the thematic scope. The inner stories can explore different themes that might not be fully explored in just the outer story.
The use of frames is a key characteristic. The outer story acts as a frame for the inner stories. In books like 'The Decameron', where a group of people are in a retreat and each tells a story, the retreat story is the frame. This can create a sense of context and setting for the inner stories. Moreover, it can allow for a contrast in tones. The main story might have a certain tone, while the stories within can vary greatly in mood, which makes the reading experience more diverse.
There is a sense of nested narratives. In 'One Thousand and One Nights', each story might be a reaction to a situation in the main story or used to teach a lesson. And the stories can be quite diverse, from adventures to moral tales. This makes the book rich and complex as there are different types of stories interacting with each other.
One characteristic is the layering of narratives. For example, in 'The Arabian Nights', the outer story of Scheherazade's nightly storytelling frames all the other tales she tells. Another characteristic is the ability to offer different perspectives. The inner stories can provide unique viewpoints that add depth to the overall theme of the main story.
One characteristic is the added depth. For example, in 'The Arabian Nights', the stories within stories can be seen as different layers of wisdom or entertainment. Each sub - story can have its own theme and moral, yet still be part of the larger framework.
One characteristic is the presence of multiple narrative levels. For example, in 'The Canterbury Tales', there's the overarching story of the pilgrims' journey, and then each pilgrim tells their own individual story. This creates a complex structure.
One characteristic is the element of surprise. For example, in 'The Arabian Nights', you never know what new story Scheherazade will start next, which keeps the reader engaged.
These books often have complex plotting. Take 'The Night Circus' as an example. It begins as a somewhat historical - fiction - like story set in a circus. But as the story unfolds, it adds elements of magic and fantasy, and to weave all these different genre elements together requires a very intricate plot structure.
You could call it 'The Nested Tale'. It gives the sense of one story being inside another, and then another, like nested objects.
One characteristic is the creation of multiple narrative levels. It can add depth to the story as the inner novel often has its own plot, characters, and themes, which interact with the outer novel's framework. For example, in 'The Princess Bride', the story within the story enriches the overall reading experience.