Copyright doesn't always demand novelty. What matters is that the work shows a certain level of creativity and originality in its expression. For example, a unique way of presenting a common story can be copyrighted.
Yes, it does. Originality, which implies newness or novelty, is a fundamental aspect of copyright. A work that is completely unoriginal and lacks any new contribution cannot be copyrighted. For instance, in the field of visual arts, if an artist creates a painting that is a blatant copy of another well - known painting without adding any new creative aspects such as a different color scheme, a new perspective, or unique brushwork, it cannot be copyrighted. New or novel elements are what distinguish a work as being the creator's own and eligible for copyright protection.
Doujinshi usually referred to the second creation of a classic work, including adaptation, continuation, rewrite, creation of derivative works, etc. As the creations of the same literature were often based on the plot, characters, worldview and other elements of the original work, they had certain copyrights. According to the copyright law, copyright included the right to create, publish, adapt, translate, and compile a work. For works of the same genre, the creative rights usually belonged to the author, that is, the author's right to re-create the original work. However, because works of the same genre are usually created based on the elements of the original work, some copyright issues may be involved. The specific situation needs to be judged according to the specific situation. Doujinshi works carry a certain amount of legal risk, so you need to be careful when creating them to avoid copyright issues. If it involves copyright issues, it is recommended to consult a professional lawyer.
Generally speaking, the outline of a web novel did not have copyright because it only described the plot and main characters of the novel and was not authorized by the copyright owner. However, if the outline of a web novel was discovered by the copyright owner and the copyright owner believed that some of the content in the outline had intellectual property rights, the author might be required to pay the copyright fee. This is because the content in the outline may be considered to have been produced in the process of writing the novel and thus have certain intellectual property rights. Therefore, if the outline of a web novel was discovered by the copyright owner, the author had to abide by the copyright law and pay the copyright owner a copyright fee to ensure that his work met the requirements of the copyright law.
Yes, a copyright needs to be novel and useful. It ensures the protection of original and valuable creative works.
The ownership of the copyright of an OST singer was determined based on the specific situation. Under normal circumstances, OST, especially the theme song, ending song, interlude, background music, etc., were all customized by the producer of the film and television series. The copyright belonged to the producer, which was also the producer and co-producer of the film and television series. However, there were also some musicians who had already released the relevant songs or soundtracks before the production of the film and television works. In this case, the copyright of OST usually belonged to the musicians, but it would also be authorized to the producers. In addition, some singers might buy the copyright themselves when they participated in music or solo concerts. Therefore, whether an OST singer owned the copyright depended on the specific contract and agreement.
Qidian authors did not have full copyright when they wrote on the Qidian platform. Qidian usually signed a contract with the author, agreeing that the copyright of the work belonged to the platform. This meant that the platform had the right to copy, distribute, and adapt the work in any form, and the author usually only received a certain percentage of the profit. However, although the platform had copyright, the author was not completely without protection. The specific method of copyright ownership may vary according to the terms of the contract, such as buying out the copyright, sharing the copyright, or the author retaining part of the copyright. Therefore, when Qidian authors wrote on the platform, the ownership of the copyright was a complicated issue that needed to be determined according to specific contracts and laws.
In most cases, authors who signed novels that became popular did not have full copyright. Once the author signed a contract with the website, the copyright of the novel usually belonged to the platform. The author might only retain the right of signature, but for film and television copyright and publishing rights, the author had no management rights and had limited income. However, the exact ownership of the copyright might vary from platform to platform. Some platforms might sign a contract with the author to let the author retain part of the copyright, but this was not a common situation. In short, authors who signed novels that became popular often had relatively less rights in terms of copyright.
Yuewen Group was a well-known literary website and cultural industry group in China. It mainly operated literary websites such as Qidian Chinese Network, but it also involved movies, television dramas, games, and many other fields. I am not sure about the copyright of the Dungeon Fighter Online (Dungeon Fighter Online) novel because Dungeon Fighter Online is a Korean game. The copyright of the novel may belong to the Korean or the game company. If you want to know if Yuewen Group owns the copyright of Dungeon Fighter Online, you can consult Yuewen Group or the game company.
The copyright usually referred to the copyright of a work, including the ownership of the adaptation, translation, distribution, display, and sale of the work. Therefore, the copyright of the Zombie King novel needed to be analyzed. If the novel was an original novel, then its copyright was usually owned by the author or the copyright owner. In this case, if the novel was adapted into a movie, TV series, comic, game, or other form of work, the copyright owner had the right to decide whether to grant others the right to adapt, translate, distribute, display, and sell it. If the copyright owner decided to allow others to make the adaptation, the person who made the adaptation would need to obtain permission from the copyright owner. If the novel is a work that has been authorized by the copyright owner, its copyright status may be different. In this case, the author would need to obtain the explicit permission of the copyright owner to make the adaptation. If the copyright owner did not give explicit permission, the person who adapted it could face legal risks. If the novel had been adapted by the copyright owner, its copyright status might be different. In this case, the creator would need to obtain permission from the original copyright owner before making the adaptation. If you don't get the permission of the original copyright owner, you may face legal risks. In summary, to determine the copyright status of the Zombie Prince novel, one needed to analyze the specific situation.
Whether an 8-year-old child had copyright depended on local laws and regulations. Under normal circumstances, copyright referred to the rights enjoyed by literary, artistic, and scientific works, including reproduction, distribution, exhibition, performance, screening, broadcasting, information network transmission, and so on. Therefore, whether an 8-year-old child's work constituted a work and enjoyed copyright had to be determined according to local laws and regulations. In some countries or regions, the age of copyright protection is 6 or 12 years old, while in other countries or regions, the age of copyright protection may be higher or lower. Therefore, the specific situation needed to be consulted with local laws and lawyers to ensure that the rights and interests were fully protected.