Fan Xian's Doujin song referred to a musical work created by fans with Fan Xian as the theme. We can see some links to Fan Xian's doujin songs and related information. Among them, document [1] and document [3] mentioned Fan Xian's original doujin songs," Leisure Travel " and " May this auspicious event live up to leisure." Files 2 and 4 also mentioned Fan Xian's doujin song, but there was no specific name. Based on this information, we can conclude that Fan Xian's doujin songs were created by fans with Fan Xian as the theme, including songs such as " Leisure Tour " and " May This Auspicious Fortune Not Be Blocked to Leisure."

Fan Xian's fan was the Second Prince. Fan Xian demonstrated his familiarity and talent in poetry by reciting poems. This made the Second Prince develop a great interest and admiration for him. Fan Xian's act of memorizing poems not only displayed his talent, but also established a special relationship between him and the Second Prince, making the Second Prince his fan.
Fan Xian's sister, Fan Ruoruo, liked Fan Xian, but Fan Xian treated her as his own sister and had no feelings for her. Although Fan Ruoruo had always had deep feelings for Fan Xian, Fan Xian had made it clear that they were only siblings. In the end, Fan Ruoruo chose to marry King Jing's son, Li Hongcheng, and became King Jing's consort. Although Fan Ruoruo liked Fan Xian, she was not with him.
Fan Xian's sister, Fan Ruoruo, liked Fan Xian. From a young age, she had a deep love and admiration for Fan Xian, but Fan Xian treated her as his own sister and had no romantic feelings for her. Fan Ruoruo had always suppressed her feelings. In the end, she chose to marry King Jing's son, Li Hongcheng, and let go of her obsession with Fan Xian.
The song,"Sanrio Crossdressing," contained the Melody elements of Sanrio and was sung by the CEO, Little Seven/Mustang V. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The first key solfa was a method of determining the position of the "do" sound according to the tonic of different modes. In a major, sing the tonic as "Duo". For example, in C major, C would be sung as "Duo"; in G major, G would be sung as "Duo"; in F major, F would be sung as "Duo", and the other notes would be pushed down along with the tonic. The first key solfa method was easy to use in the simplified musical scores used in Chinese folk music. When using it, one had to first determine what key the music was in. 1 = what key it was. Then, one had to sing this note do, and then confirm the pitch behind it according to the interval relationship. Its advantages include: easy to change the tune of the music, easy to cultivate the sense of melody, and more sense of music mode; easy to grasp the relative pitch; when encountering a midway change, you can immediately sing the name of the new tune; it is more suitable for guiding the creation of tunes, and it is clearer about the harmony and change of the end; when encountering a half-tone in the scale, there are different singing methods to distinguish; it is easier to distinguish the big and small tones of the music. The disadvantages included: because do was mobile, the positions of the roll names were different from each other, and it was difficult for beginners to adapt at first; it was difficult to cultivate a fixed pitch, and it was more troublesome to operate when it came to music that changed midway; it was very helpful for the training of absolute pitch, listening to music, and training the singing of atonal music. The corresponding relationship between the name of the roll and the name of the note was not fixed. The corresponding relationship between the name of the roll and the notes on the piano was also not fixed. Every time a note was seen, it had to go through " conversion " before it could be sung. Then, it would consider its position on the piano. Therefore, this kind of singing method was generally not used when learning musical instruments. However, it was more convenient for solfegning training and singing some simple songs, because this kind of singing method was very direct to feeling the characteristics of the melody. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fan Xian's feelings for Fan Sizhe were complicated. Fan Xian had once taught Fan Sizhe a lesson and sent him to Northern Qi. However, in the process of interacting with Fan Sizhe, Fan Xian gradually changed his view of him. He saw Fan Sizhe's true feelings and outstanding business talent, and he was full of respect for him. Fan Xian also realized the huge business opportunity hidden behind Fan Sizhe's " Story of the Stone." Thus, even though Fan Xian had a grudge against Fan Sizhe, in the end, he chose to give Fan Sizhe a chance and support him wholeheartedly. Fan Xian's feelings for Fan Sizhe had undergone a change. From the initial resentment to the final support and respect.
Fan Ruoruo was a character in Joy of Life. She was Fan Xian's sister. Fan Ruoruo had liked Fan Xian since she was young, but Fan Xian had always treated her as his own sister and had no romantic feelings for her. In the end, Fan Ruoruo married Li Hongcheng, the son of King Jing.
Fan Ruoruo's feelings for Fan Xian were complicated. She had always regarded Fan Xian as her dearest brother. She had a special reliance and love for him, and even had a crush on him. Fan Xian also treated Fan Ruoruo like his own sister, full of love and protection. Fan Ruoruo's feelings were a kind of admiration and dependence, while Fan Xian only had a sibling relationship with Fan Ruoruo. The emotional entanglement and deep friendship between them were very touching in the play. Fan Ruoruo's feelings might have surpassed the feelings of a brother and sister, but Fan Xian's feelings for her did not exceed this pure brotherly love. Thus, Fan Ruoruo's feelings for Fan Xian could be said to be a complicated mix of feelings.
Fan Xian had deep feelings for Fan Jian. Fan Jian had deep feelings for Fan Xian's mother, Ye Qingmei, so he adopted Fan Xian. Fan Xian had always thought of Fan Jian as his father, and Fan Ruoruo and Fan Sizhe as his sister and brother. Fan Jian's love for Fan Xian was like " a silent spring that cherishes a trickle." Although it was not obvious, it had always been there. As Fan Xian grew up, he gradually felt this fatherly love. In order to protect Fan Xian, Fan Jian had even abandoned his own son to give Fan Xian a suitable identity. Fan Xian's feelings for Fan Jian could be said to be selfless, deep, and firm.
Fan Xian's feelings for Fan Sizhe were complicated. At first, Fan Xian had a grudge against Fan Sizhe because Fan Sizhe's mother had once plotted against Fan Xian's life. However, as the two of them got along, Fan Xian gradually changed his view of Fan Sizhe. He saw Fan Sizhe's true feelings and outstanding business talent, and he was full of respect for him. Fan Xian also realized the hidden value behind Fan Sizhe's " Story of the Stone." Fan Xian decided to give Fan Sizhe a chance and send him to Northern Qi to support him in expanding his business there. Fan Xian's feelings for Fan Sizhe were filled with complicated emotions, but in the end, he chose tolerance and support.