The most classic five-character quatrains included Li Bai's 'Silent Night Thoughts' and Meng Haoran's 'Spring Daylight'. These two poems expressed profound emotions and artistic conception in concise language, and were widely read and praised. " Meditation in a Quiet Night " described the scene of a person missing his hometown at night, while " Spring Dawn " described the early morning scenery of spring. These poems moved the readers 'hearts with their plain and true expressions, becoming classics.
The peak of the five-character quatrains included "Climbing the Stork Tower" and "Silent Night Thoughts." These two poems were both classic works of the Tang Dynasty and were widely regarded as the pinnacle of five-character quatrains. Climbing the Stork Tower was Wang Zhihuan's work. He expressed his thoughts and pursuit of life by depicting the natural landscape and the magnificent buildings of mankind. " Meditation in a Quiet Night " was Li Bai's work. It used simple and clear language to describe the scene of a person missing his hometown at night. These two poems, with their beautiful language and profound artistic conception, became the model of five-character quatrains.
The following are some must-memorize quatrains: 1. "Climbing Stork Tower" Tang Dynasty·Wang Zhihuan. The white sun is at the end of the mountain, and the Yellow River flows into the sea. If you want to see thousands of miles away, go up another floor. 2. "Meditation in a Quiet Night" by Tang Li Bai. The bright moon in front of my bed is like frost on the ground. Looking up at the bright moon, looking down at home. 3. Lu Chai, Tang Wang Wei. There was no one in the empty mountain, only the sound of people talking. Back into the deep forest, and then shine on the moss. 4. "River Snow" Tang·Liu Zongyuan. Birds fly away from thousands of mountains, and people disappear from thousands of paths. An old man in a coir raincoat fishing alone in the cold river. 5. "Send Master Ling Che" Tang·Liu Changqing. Green bamboo forest temple, the sound of the bell is late. The sun is setting, and the green mountains are far away. These quatrains were classic works of ancient Chinese poetry. They were concise in language and had a profound artistic conception. They were worth memorizing and appreciating.
There were many beautiful seven-character quatrains, some of which were famous works such as Wang Changling's Leaving the Fortress, Li Bai's Yellow Crane Tower Sending Meng Haoran to Guangling, and Du Fu's Ascending the Mountain. These poems displayed the poets 'unique perception of nature, life, and emotions through concise sentences and profound artistic conception. They deeply touched the readers 'hearts with beautiful and touching strokes and rich emotional expressions, becoming classics that have been passed down through the ages.
The seven-character quatrain was a genre of traditional Chinese poetry. It originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. It was finalized and matured in the Tang Dynasty. A seven-character quatrain was composed of four sentences, each of which had seven words and had strict requirements for rhythm. His representative works included Wang Changling's "Furong Lou Farewell Xin Jian," Li Bai's "Early Departure from White Emperor City," and Du Fu's "Meeting Li Guinian in Jiangnan." The seven-character quatrain, with its unique form and beautiful language expression, became one of the most important styles of ancient Chinese poetry.
Seven-character quatrains were a genre of traditional Chinese poetry, belonging to the category of modern poetry. It was composed of four sentences, each of which had seven words, and had strict requirements for rhythm. The seven-character quatrains originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. They were shaped and matured in the Tang Dynasty. In the Tang Dynasty, the seven-character quatrains reached its peak, and many famous poets created excellent seven-character quatrains. Among them, Wang Changling was known as the " Seven Ultimate Divine Hands ", and Li Bai was also one of the important representatives of the seven-character quatrains. Li Bai's " Moon Song of Mount Emei " and Su Shi's " Dongpo " were both their classics. The seven-character quatrain became one of the most important forms of ancient Chinese poetry with its unique rhythm and beautiful expression.
Li Bai's most domineering seven-character quatrain was " Climbing the Phoenix Terrace in Jinling." This poem depicted a phoenix playing on the Phoenix Platform. After the phoenix left, there was only an empty river flowing on the platform. The poem also mentioned the flowers and plants in the Wu Palace and the clothes of the Jin Dynasty, as well as the scene of the three mountains falling into the blue sky and the two rivers dividing the White Egret Island. The whole poem ended with the clouds covering the sun and the scene of Chang 'an being invisible, expressing the magnificence of the magnificent scenery of Chang' an that could not be covered.
A six-character quatrain was a type of ancient poetry. The entire poem was a six-character quatrain. Although there were many five-character and seven-character poems in the past, there were also some excellent six-character quatrains. Some of the six-character quatrains that were considered to be the pinnacle of works included Li Yu's Kaiyuan Music, Wang Wei's Self-comfort, and Spring Sleep. The six-character quatrains had strict requirements for rhythm, strong sense of rhythm, and the conversion of level and tone was based on syllables. Each sentence had six words, and the formal case was divided into two/four parts. However, the division of the four sentences was mostly the same. Each sentence had two beats, and the rhyme was flat. Generally speaking, although a six-character quatrain was rare in ancient poetry, there were some excellent works.
There were many beautiful sentences describing spring in the quatrains. Some of the famous sentences included: " Don't share flowers in the heart of spring. An inch of lovesickness is an inch of ash!" This sentence expressed the poet's deep longing and sorrow. And "One day apart feels like three autumns!" This sentence vividly described the feelings of longing. In addition, there is also the saying," I hate you but you are like the moon in the river tower. When you are full, you will suffer losses. When you are full, you will suffer losses. When will you be reunited?" This sentence used the waxing and waning of the moon as a metaphor for the change of human emotions, expressing the endless longing for the lover and the desire for reunion. There was also the saying," It's hard to find water even if you've seen the sea, and it's hard to find clouds except for Mount Wu." This sentence used the scene of the vast sea and the Wushan Mountain to describe the deep feelings he had experienced, expressing the depth and uniqueness of certain emotions. These sentences all described the beauty of spring and people's feelings for love and longing in simple and beautiful language.
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in spring you swim in apricot blossoms blowing on my head. the stranger sends away my distant sorrow. I yearn for a place by the water. the moonlit night is short on the pine hills. (Note: This poem was written by Li Yu, a poet of the Tang Dynasty. In the Song of Everlasting Sorrow, there was a sentence that meant "playing in the spring with apricot blossoms flying." the stranger sends away my distant sorrow. I yearn for a place by the water. The moonlit night is short on the pine hills.")