Yang Zihua's Northern Qi Collated Calligraphy
Yang Zihua was a painter during the Northern Qi Dynasty. His work,"The Painting of the Northern Qi School of Calligraphy", was a painting painted on silk. This painting depicted the seventh year of Tianbao in the Northern Qi Dynasty (556 AD), when Emperor Wenxuan Gao Yang ordered Fan Xun and others to collate the history of the Five Classics collected by the state. There were three groups of people in the picture. Four of them were scholar-bureaucrats sitting on the couch. Some were deep in thought, some were writing, some wanted to leave, and some wanted to stay. The scene vividly showed the expressions and details of the characters. The strokes were smooth and the colors were simple and beautiful. The Northern Qi School Map is now in the collection of the Boston Art Museum.
Yang Zihua's Northern Qi School Map
Yang Zihua's " Northern Qi School Maps " had a high-definition version.
Northern Qi painting and calligraphy
Northern Qi calligraphy and painting referred to the calligraphy and painting arts of the Northern Qi period. Among them," Northern Qi School Painting " was a silk colored painting created by Yang Zihua during the Northern Qi Dynasty. It depicted the scene of Emperor Wenxuan of the Northern Qi Dynasty ordering Fan Xun and other 11 people to publish the history of the Five Classics collected by the state. This painting is now in the Art Museum of Boston, USA, and is a copy of the Song Dynasty. The expressions of the characters in the painting were vivid, and the details were described in detail. The colors were simple and beautiful. Yang Zihua was good at painting noble figures and palace scenes. His paintings had a profound impact on the art of the Sui and Tang Dynasties. There was no other information regarding the Northern Qi calligraphy and painting.
Northern Qi Calligraphy Representative
The representative works of Northern Qi calligraphy were Northern Qi's Li Qing's Virtue Reporting Statue Stele and Northern Qi's Zhangsun Yan's Epitaph. These two works both displayed the characteristics and style of Northern Qi calligraphy and were considered masterpieces of the Northern Dynasty. The Northern Qi Dynasty's Li Qing's Virtue Reporting Statue Stele was a Buddhist cliff calligraphy. The calligraphy was profound, with regular script and official script, and was good at using square pen. The Northern Qi's Zhangsun Yan Epitaph was an epitaph. The calligraphy was elegant and ancient, mixed with the style of official script. The handwriting was elegant and square, slightly flat. It was considered to be the top grade epitaph in Northern Qi. These works displayed the talent and style of Northern Qi calligraphers.
The Study of Calligraphy in Northern Qi Dynasty
Calligraphy research during the Northern Qi period showed that the calligraphy style of the Northern Qi Dynasty showed the characteristics of "flat strokes and wide knots", including a style that "had many official meanings, loose knots, vigorous strokes, and strange momentum", and another style that "contained a little official meaning, proper posture, simple and elegant, clumsy and skillful". Northern Qi's calligraphy mainly included regular script, official script, and a mixture of regular script and official script. The number of regular script gradually increased, and official script occupied the mainstream position in the inscription style. Northern Qi's calligraphy works were artistic. The font was flat and wide, with the lingering charm of official script and the structure of regular script. The characteristics of Northern Qi calligraphy also included the flat and overlapping of the characters, and the horizontal style of the characters. The study of Northern Qi calligraphy is of great significance to reveal the artistic value of Northern Qi and its influence on later generations.
Northern Qi School Calligraphy and Clothing
The Northern Qi Colloquial Painting depicted the clothing of the Northern Qi period. According to historical records and pictures, men's clothing during the Northern Qi period mainly included robes, inner shirts, and skirts. During the Jin Dynasty, robes were used with crossed collars and right lapels, wide sleeves, collar, sleeves, lapels and other parts inlaid with edges. The robes of the Northern Dynasty were either cross-collared or round neck, with the right side of the skirt, narrow sleeves, and fitting. The collar, sleeves, and lapels were either inlaid with edges or not. The inner garment was a sleeveless cloak, usually made of white cloth. It was tied with a tie that could be draped over the shoulder and tied around the neck to block the cold. As for the skirt, it was worn by the music artist who was wearing the traditional skirt. The specific style and shape were unknown. Generally speaking, men's clothing during the Northern Qi period was mainly loose and elegant, paying attention to decoration and details.
Northern Qi School Calligraphy and Art Works
The Painting of the Northern Qi School of Calligraphy was an art piece from the Northern Qi period, created by the Northern Qi painter Yang Zihua. This painting is currently in the Museum of Fine Arts in Boston, USA. It is a copy of the Song Dynasty. The painting depicted the scene of Gao Yang, Emperor Wenxuan of the Northern Qi Dynasty, ordering Fan Xun and 11 scholars to publish the history of the Five Classics collected by the state. The expressions of the characters in the picture were vivid, the details were detailed, and the colors were simple and beautiful. This work not only showed the superb level of calligraphy art during the Northern Qi Dynasty, but also reflected the development of ancient Chinese culture and art. For scholars and enthusiasts who studied ancient Chinese calligraphy, painting, and cultural history, this work had important research value.
Gao Yang of Northern Qi
Gao Yang of Northern Qi (526-November 25, 559), also known as Zijin, was originally from Bo Hai County (Jing County, Hebei Province). He was the founding emperor of Northern Qi during the Northern and Southern Dynasties and the second son of Gao Huan, Emperor Shenwu of Northern Qi. He was born in 529 in Jinyang (near Taiyuan, Shanxi Province), nicknamed Jinyang Le. Gao Yang inherited his father and brother's regime and became the ruler of Eastern Wei. In the year 549, after his brother Gao Cheng was assassinated, Gao Yang quickly took control of the government and was conferred the title of King Qi by the Emperor of Wei. The following year, he forced Emperor Xiaojing of Wei to abdicate and ascended the throne himself, establishing the Northern Qi Dynasty. In the early days of Gao Yang's reign, he displayed a wise and decisive ability to govern. He carried out a series of reforms, strengthened the power of the central government, and promoted the economic and cultural development of Northern Qi. However, in the later stages of his rule, he became tyrannical and capricious. He drank too much and killed too many people, causing the political situation in Northern Qi to become unstable. Gao Yang died in the year 559 at the age of 34. In short, Gao Yang was an Emperor full of contradictions and complexity. His talent and decisiveness allowed Northern Qi to be established, but his tyranny and bloodlust also made his rule full of controversy.
Yang Zihua's crosstalk
Yang Zihua was a crosstalk artist from mainland China. He was born in Beijing in 1932. He studied crosstalk at the Qiming Tea House in Beijing since he was a child and began working with Ma Zhiming in the early 1970s. Yang Zihua's crosstalk style was humorous and popular with the audience. His representative works included " Fake Sky " and others, which earned him fame and status. Although Yang Zihua was already over 90 years old, he was still active on the crosstalk stage and was a veteran in the crosstalk world. His artistic level had been tested by time, and his techniques were unique and could withstand the test of time. Yang Zihua's artistic achievements in crosstalk could not be ignored. He had made an important contribution to the inheritance and development of Chinese crosstalk culture.
Gao Yang of the Northern Qi Dynasty
Gao Yang was the founding emperor of the Northern Qi Dynasty. During his reign, he had achieved good achievements in civil and martial arts. However, he later became violent and absurd, and became famous for his drunkenness, which led to his early death and infamy. Although he had shown some talent and achievements in the early days of his reign, Gao Yang was generally a cruel and absurd person. He had an unhappy childhood, often teased or toyed with by his brothers, and his mother did not like him. Because of this, the Northern Qi Dynasty became a short-lived dynasty.
Wang Qi's Zhang Cao Calligraphy
Wang Yuchang was a famous calligrapher, especially good at Zhang Cao calligraphy. His Zhang Cao works were famous for their concise strokes and rich changes in word structure. He had established a unique style of writing, and through the use of word forms and strokes, he had displayed a unique and ancient style. Wang's cursive script was unique and was called the grass. He proposed five principles and four variations in order to achieve the beauty and density of the structure. Wang Yuchang's Zhang Cao works were revived from the end of the Qing Dynasty to the Republic of China. He was enlightened by Shen Zengzhi and read extensively. However, the given information did not provide a detailed description of Wang Qu's Chang Zhangcao calligraphy works.