Wang Juan mentioned in the interview that the most difficult part of the adaptation of Joy of Life was how to deal with the suspense at the end of the script and how to arrange the plot of the second and third seasons. He said that the suspense at the end of the first season was a little too much, and the plot arrangements for the second and third seasons needed to better show the core of the original work and maintain the enjoyment. Although the specific details were not clear, it could be inferred that these were the main challenges he encountered during the adaptation process.

Joy of Life2's scriptwriter, Wang Juan, said that adapting the work was a huge challenge for him. As a fan of the original novel, he needed to be consistent with the audience's imagination of the original novel during the adaptation process. He realized that this was a difficult task because he needed to create and adapt while maintaining the spirit of the original work. However, he also faced criticism and doubts from the audience, especially when it came to using cliches and plot transfers. Although he had achieved success in his past works, each of them had different challenges and feedback. Therefore, regarding the difficulty of the adaptation of Joy of Life2, Wang Juan expressed his understanding and accepted the audience's opinion.
Wang Juan's adapted books included " Legend of Dance and Music,"" Records of the Great Song Youth,"" Wind and Cloud in the Wood Mansion,"" Douluo Continent," and Sword Snow Stride
When the scriptwriter Wang Juan talked about Fan Xian and Lin Wan 'er's love scene, he said that he thought Fan Xian and Lin Wan' er were soul mates. The love between them was pure. He believed that there would be some white lies between husband and wife, but they could not be especially big things. He believed that if they chose to hide from each other instead of being honest with each other, they would still fall in love in the end, which would go against their original intention of falling in love. In addition, he also mentioned that Fan Xian and Lin Wan 'er's scenes were still sweet, and there were parts where their hearts were connected. Thus, it could be said that Wang Juan had a certain understanding and imagination of Fan Xian and Lin Wan 'er's love scene.
Writing martial arts novels wasn't a waste of time, but a new era. Wuxia novels had gone through many changes and transformations, from the traditional sect struggles, Jianghu grudges to modern cities, fantasy, fantasy, and other elements. It had become an important genre in the field of literature. Although wuxia novels were still popular among readers, the difficulty of creation and the pressure of competition were increasing. Compared to the past, the demands of modern readers for novels were more diverse and demanding. They needed higher literary attainments and plot design skills. At the same time, the rise of online literature and adapted games also caused the market for martial arts novels to gradually shrink. If you want to make a name for yourself in the contemporary literary market, you need to constantly improve your literary level and creativity to adapt to the needs and preferences of readers. At the same time, you need to maintain patience and perseverance to constantly try new ways and methods.
Director Wang Juan had expressed in an interview that he hoped that the original cast of Joy of Life 3 could star in it, but whether it could be realized would depend on the actors 'schedule and pay.
Wang Juan was the screenwriter of Joy of Life. He was a male screenwriter born in Shanghai City. He had loved literature since he was young and had a background in design. Wang Juan and Yu Rongguang were golden partners. The two of them had worked together on many TV shows, and every one of them had received good reviews. His representative works included " The Wind and Cloud of the Wood Mansion,"" The Legend of the Soul of the National Guard,"" The Legend of Dance and Music,"" The Youth of the Great Song Dynasty," and " Joy of Life." He was famous for his nimble and ever-changing style of work, and was known as the "gold screenwriter." In the adaptation of Joy of Life, he successfully maintained the spirit of the original work and found a better way to integrate it on the basis of reasonable adaptation.
Yes, the screenwriter of the live-in son-in-law drama was Wang Juan.
Wang Juan was a male screenwriter and literary planner from mainland China. He had a high reputation and reputation in the screenwriter industry. His representative works included the original drama " Legend of Dance "," Song Dynasty Youth Chronicles ", as well as the adapted screenplays " Wood Mansion Storm "," Joy of Life "," Douluo Continent ", and Sword Snow Stride ". Wang Juan's works were nimble and flexible, and he was known as the "gold screenwriter". He focused on innovation and brought a unique drama experience to the audience by colliding modern ideas with ancient systems. His works emphasized the values of patriots, equality, and professionalism. Wang Juan's script portrayed vivid characters, rich emotions, and wonderful dialogue, often bringing unexpected surprises to the audience. His works were not only highly sought after in China, but also internationally recognized and praised. In short, Wang Juan was a screenwriter with an obvious personal style and outstanding talent. His works had an important position and influence in the China screenwriter industry.
Joy of Life adapted Teng Zijing's identity and personality. In the original novel, Teng Zijing was a servant of Count Sinan's manor, a subordinate of Fan Jian. There was nothing special about him. However, in the drama, Teng Zijing's identity was changed to a spy of the Inspection Council and he became friends with Fan Xian. His personality had also changed, and he was no longer a cautious servant. In addition, the TV series also changed Fan Xian's age setting. It omitted the description of his childhood and only focused on showing his story after he grew up. There were also some adjustments to the character settings. For example, Xie Bian was the only one of the eight generals under the Second Prince, and Fan Xian's power was exaggerated in the play, so he had some scruples about Xie Bian. In addition, some of the lines were modified, and some plots were deleted or changed. Overall, although there were some changes, the TV series Joy of Life still maintained the basic plot and character settings of the original book.
Joy of Life adapted some parts. First, there was a change in the age of the male lead, Fan Xian. The TV series omitted the description of Fan Xian's childhood and only focused on his story as he grew up. In addition, there were some adjustments to the character settings. For example, Xie Bian was the only one of the eight generals under the Second Prince, and Fan Xian's power was exaggerated in the play, so he had some misgivings about Xie Bian. Some of the lines in the play were also modified, and some plots were deleted or changed. Overall, although there were some changes, the TV series Joy of Life still maintained the basic plot and character settings of the original book.