Xu Boqing's cursive calligraphy
Xu Boqing was a famous calligrapher. In the 1970s, he edited and published a set of cursive calligraphy for the Shanghai Painting and Calligraphy Press, which included 5,000 words. Mr. Xu Boqing was born in a family of traditional Chinese medicine in Yandang Mountain, Wenzhou, Zhejiang Province. He had been passionate about calligraphy since he was young and had received guidance from famous teachers such as Zhang Daqian, Wu Hufan, and Xie Zhiliu. His dedication to calligraphy and his passion for calligraphy education made him the backbone of today's calligraphy world. Xu Boqing's cursive calligraphy had a profound impact on several generations, especially his book, Children's Calligraphy, which had influenced many people. Xu Boqing's cursive works included the characters Qing, Ya, Shang, Dou, and Zhong. Tens of millions of copies of Xu Boqing's cursive calligraphy had been printed, and his works had a high status in the calligraphy world.
Yan Zhenqing's cursive calligraphy
Yan Zhenqing's semi-cursive masterpiece is "Sacrifice Nephew Manuscript."
Cursive Script for Calligraphy Appreciation
The cursive script was an art form of Chinese calligraphy. Its characteristics were that the strokes were bold and unrestrained, full of changes, and often appeared in the form of continuous curves and strokes. Cursive script was known as the most difficult calligraphy style in Chinese calligraphy because it required the calligrapher to have superb pen and ink skills and aesthetic ability. Cursive script was widely used not only in calligraphy exhibition but also in painting, poetry and other fields. In calligraphy appreciation, cursive script is often regarded as a unique art form because it has a unique beauty and expression. The characteristics of cursive strokes included: One stroke was unrestrained and full of changes. Cursive calligraphers usually used continuous curves and continuous strokes to make the strokes appear smooth and dynamic. 2. The font was uneven in density and fat and thin. The cursive script was often composed of multiple parts, and there was a certain amount of space and density between each part. 3. The pen is concise and the ink is dripping. The strokes of cursive script were very concise and usually did not require too much ink. The fluency and change of the strokes were the main emphasis on the structure and overall effect of the characters. 4. Pay attention to charm and pursue artistic conception. A cursive calligrapher would usually pay attention to the charm and artistic conception of the words. Through the changes and combinations of strokes, they would express a unique artistic conception and beauty. Cursive script played a very important role in Chinese calligraphy. It required calligraphers to have superb pen and ink skills and aesthetic ability, as well as rich imagination and creativity. In calligraphy appreciation, cursive script was often regarded as a unique art form that could bring unique aesthetic experience and feelings to the audience.
60 cursive poems, Tang poems and calligraphy
The book was a collection of 60 cursive Tang poems written by Wei Yuping. The book was published by Chongqing Press in 1983. We are unable to know the specific content of the book and other related information.
Xu Hong's Calligraphy
Xu Hong was an artist, and his calligraphy works were exhibited in the solo exhibition "Paradise in the Deep Valley". The exhibition displayed Xu Hong's paper manuscripts, drawer series, and paintings on shelves, totaling 24 pieces. Xu Hong's writing style and characteristics could not be learned from the search results provided.
Xu Hongchen's Calligraphy
Xu Beihong's calligraphy works inherited the essence of the previous generation's calligraphy and displayed a unique personality and style. His calligraphy works could be divided into five categories according to their content: letters, handwritten notes, manuscripts and prefaces; couplets, screen-strips, banners; fasting names, hall names, horizontal boards, and banners. Xu Beihong's calligraphy was influenced by the Wei steles and inscriptions on gold. He repeatedly copied the steles of Zheng Wengong, the inscription on the stone gate, and Zhang Menglong. His calligraphy works were full of personality and skill, showing a distinct artistic charm. Xu Beihong's calligraphy works were considered to have a high aesthetic value in the modern era, and he was known as the first-class calligrapher in modern times. However, there was no information about Xu Hongchen's calligraphy works, so no conclusion could be drawn.
Xu Hong's Calligraphy
Xu Beihong was a famous Chinese painter, and his calligraphy art was also studied and appreciated. Xu Beihong's calligraphy style was unique, influenced by the Northern Stele and the inscriptions on gold. He had started learning the inscriptions when he was young, and after becoming Kang Youwei's disciple, he continued to study the Northern Stele System. Xu Beihong's calligraphy works showed his personal style. His strokes were coherent, handsome, and naive. His calligraphy works integrated the characteristics of the inscriptions in form, while retaining the style of calligraphy of Wang Duo and others in the Ming Dynasty. Xu Beihong's calligraphy works expressed his enthusiasm for fighting. His calligraphy was regarded as the best in modern times and had a high aesthetic value. Xu Beihong's calligraphy art has inspired and guided contemporary calligraphy lovers and calligraphers.
Xu Hongmin's Calligraphy
Xu Hongmin was a famous calligrapher, and his calligraphy works were highly praised. However, the search results did not provide any specific information about Xu Hongmin's calligraphy. Therefore, I don't know Xu Hongmin's calligraphy style, the characteristics of his works, or any other relevant information.
Xu Hongdao's Calligraphy
Xu Hongdao was a calligrapher, but the search results provided did not reveal the specific content or style of his calligraphy works. Xu Hongdao was born in November 1944 in Hangzhou City, Zhejiang Province. He was a professor-level senior engineer, a member of the Chinese Poetry Society, the executive director of the Zhejiang Province Poetry Society, and many other organizations. Xu Hongdao also participated in the work of some painter associations and clubs. However, detailed information about his calligraphy works was not mentioned in the search results provided.
The following calligraphy work known as "the world's first semi-cursive" is [ ] A....
The calligraphy work that was known as the " world's first semi-cursive script " was Wang Xizhi's " Preface to the Orchid Pavilion Collection ".
Xu Hongqian's Painting and Calligraphy
Xu Beihong was a modern Chinese painter and art teacher. He was known as the founder of modern Chinese art. His works covered sketching, sketching, traditional Chinese painting, oil painting, calligraphy, and many other fields. Xu Beihong was good at drawing horses. His observation and anatomical knowledge of horses made his horse paintings lifelike. In addition, he also liked to paint people, animals, mountains and rivers, and other subjects. His works were full of rich content and the spirit of the times. Xu Beihong had not only made outstanding achievements in painting, but also had high attainments in calligraphy and seal cutting. His calligraphy works combined ancient and modern techniques, which had an important impact on the history of art. Xu Beihong's artistic achievements and contributions made him an important figure in the Chinese art world.