Cui Hanbai's Calligraphy Lecture Video Collection
Information about the complete collection of Cui Hanbai's calligraphy lecture videos could be found in the search results. According to the search results, there were many episodes of Cui Hanbai's calligraphy lecture videos, including " The Culture and Art of Calligraphy,"" Su Shi's Life and Calligraphy," and " How the Ancients Written Calligraphy," etc. However, the specific number of episodes and content were not mentioned in the search results provided. Therefore, he couldn't accurately answer the question of Cui Hanbai's calligraphy lecture video collection.
Cui Hanbai's Calligraphy Works
Cui Hanbai was a famous Chinese calligrapher, and his calligraphy works were highly praised. He had won the gold medal of the 7th China Calligraphy Orchid Pavilion Award and became the only top scholar in the award. His works included calligraphy works of different subjects and styles such as big regular script, small regular script, and small running script. His big regular script work, Cui Hanbai's Big Regular Script Xin Jiaxuan's Ci Collection, copied two Ci poems of Xin Qiji, a poet of the Southern Song Dynasty, in regular script, showing his familiarity with Xin Qiji's Ci works and his grasp of artistic effects. In addition, Cui Hanbai's calligraphy style was featured by a natural, smooth, and unorganized writing style. He emphasized that the brush moved with the heart, and the shape, texture, and structure appeared naturally. His works were frequently shown in important shows such as the National Calligraphy Exhibition and the Lanting Awards, demonstrating his talent and attainments. In general, Cui Hanbai's calligraphy works were praised for their vivid and natural style.
Cui Hanbai's Calligraphy Review
Cui Hanbai's calligraphy was widely evaluated and commented on. Some people thought that his font and composition were very good. Overall, it looked very good, but if you looked closely, you would feel that it was a little impatient, and some of the strokes were sloppy. However, his calligraphy was very pleasing to the eye and full of wit. He integrated American culture into his calligraphy, showing a modern and international approach. At the same time, he was also a doctor and had other professional abilities to correct calligraphy. His calligraphy blended into the overall trend of the world today, finding a balance between casual and deliberate. In addition, Cui Hanbai also evaluated other calligraphers, including Mr. Qigong, who felt that his brush style lacked the ability to stir and control flexibility. Cui Hanbai's comments caused some controversy, but some people thought that his courage and different voices were necessary for the improvement of art appreciation. In general, Cui Hanbai's calligraphy level had received the attention and evaluation of professional critics and the majority of netizens. His works had a certain influence in the calligraphy world.
Cui Hanbai talks about calligraphy
Mr. Cui Hanbai mentioned the importance of brush strokes in his calligraphy video. He believed that the strokes of calligraphy were not complicated. As long as he used the brush like he used chopsticks to pick up vegetables, he could master the strokes of calligraphy. Through vivid examples, he taught calligraphy lovers how to use the brush and how to master the strokes, making it easy to learn calligraphy. Mr. Cui Hanbai's calligraphy concept and experience were widely concerned in the media, and his calligraphy works were also favored by collectors. However, Mr. Cui Hanbai did not explain the specific skills and methods in detail. Therefore, regarding the specific content of Mr. Cui Hanbai's lecture, there was no clear answer in the information provided so far.
Cui Hanbai's criticism of Qi Gong's calligraphy is just like that
Mr. Cui Hanbai criticized Mr. Qigong's calligraphy in the live broadcast, saying that Mr. Qigong had some flaws in his calligraphy and handwriting. Mr. Cui Hanbai pointed out that Mr. Qigong lacked control over the flexibility of the brush. His strokes were simple and easy to imitate, more like the knot of hard pen calligraphy. He also mentioned that Mr. Qigong was not professional enough when answering questions about the relationship between writing style and knots, and gave an answer that was considered ignorant. Mr. Cui Hanbai felt that Mr. Qigong's calligraphy lacked the element of agitation, and the flexibility of his strokes was not strong enough. Almost all of his strokes were linear and lacked the element of agitation. However, Mr. Cui Hanbai's evaluation caused some controversy. Many netizens thought that Mr. Cui Hanbai was not qualified to comment on Mr. Qigong. After all, there was a huge gap in the reputation of calligraphy between the two. Therefore, there were different opinions on Mr. Cui Hanbai's evaluation of Qi Gong calligraphy.
Cui Hanbai's Big Script
Cui Hanbai's calligraphy was famous for its thick and straight style. His big script usually had a lower center of gravity, and his words were usually written longer, in order to make his words stand out. He combined the characteristics of moving the center of gravity down in the words and formed a good effect. Cui Hanbai's big regular script works had won the Lanting Gold Award, and he was good at using his pen to make the strokes appear thick, solid and heavy. His big regular script works demonstrated his unique ability to form characters and his rich writing experience. Overall, Cui Hanbai's standard calligraphy was recognized.
Cui Hanbai's Early Small Regular Script
Cui Hanbai's early small regular script had undergone tremendous changes in the development of his calligraphy. According to the records in the document [2], Cui Hanbai's Xiaojie works had changed drastically between 2010 and 2011, and he himself had recorded this process in 2012. In his past works, his small regular script had the elegance of running script and the style of the Wei stele. His stippling was crisp and neat, showing a clean and neat style. However, the document did not mention the characteristics and style of the early Xiaojie. Therefore, the current information was not enough to provide an answer to the specific characteristics of Cui Hanbai's early Xiaojie.
Seventeen Calligraphy Lectures of Lao Shi's Calligraphy Lecture
The Seventeen Calligraphy Forms was one of Wang Xizhi's representative works of cursive script. It was a group of famous cursive calligraphies from the Tang Dynasty, composed of Wang Xizhi's letters. There were 107 lines and 943 characters in the Seventeen Calligraphy Forms. It was written for 14 years and was an important material for studying Wang Xizhi's life and the development of calligraphy. The style of this group of posts was blunt and elegant, neither aggressive nor fierce, showing a kind of fair and peaceful atmosphere. It was regarded as the supreme model for learning cursive script and was regarded as the "dragon and elephant in the book" by calligraphers. The order of the " Seventeen Calligraphy " was also very particular. From the calm dotting at the beginning to the unrestrained and unrestrained in the middle, then to the regular script that was slightly rested, and finally to the wild cursive script as the end. The entire post was like a symphony. Although the Seventeen Calligraphy Forms was a printed copy, it could still be used as a reference to learn the painting method.
Calligraphy Collection
We can get the following answer: " Calligraphy Collection " is a broad concept that can include all kinds of calligraphy works. In the search results provided, there were some content related to calligraphy collections, such as cursive calligraphy, four-word calligraphy collection in the living room, single-word calligraphy collection, and so on. However, there was no detailed information or examples of specific calligraphy collections. Therefore, I don't know what the specific collection of calligraphy is.
Yan Zhenqing's Calligraphy Collection
Yan Zhenqing had a lot of copybooks, some of which were famous, including Zhushan Hall Couplet Poetry Calligraphy, Gongshen Calligraphy, Sacrifice Nephew Manuscript, Liu Zhong Envoy Calligraphy, Huzhou Calligraphy, etc. These copybooks showed the style and skills of Yan Zhenqing's regular script and cursive script. Yan Zhenqing's handwriting was graceful and magnanimous. In the early days, he used a square pen, but in the later days, he changed to a round pen. The font was mostly surrounded, tight on the outside and loose on the inside. His regular script was masculine, showing his talent and representing the prosperity of the Tang Dynasty. Yan Zhenqing's copybook was a precious resource for calligraphy lovers to learn and appreciate.
Seventeen Calligraphy Teaching Video
There were several videos that provided teaching content about Wang Xizhi's Seventeen Calligraphy Styles. Among them were videos of Luan Jin Guanglin, Gu Yu's calligraphy, Cui Xuelu, Wang Xizhi's cursive script, and the demonstration of the Seventeen Calligraphy Forms. These videos provided explanations word by word, analysis of writing techniques, and deciphering the rules of word formation. They were suitable for those who studied cursive script.