Liu Gongquan's Masterpiece of Running Script
Liu Gongquan's semi-cursive masterpieces included 'Meng Zhao Tie',' Shen Ce Army Stele','Mysterious Secret Pagoda Stele', and so on.
Liu Gongquan's Masterpiece
Liu Gongquan's representative works include Diamond Sutra Stone Carving, Mysterious Tower Stele, Feng Su Stele, Shence Army Stele, Fu Shen Tie, Sixteen Days Tie, Shushe Tie, etc.
Liu Gongquan's Masterpiece
Liu Gongquan's masterpieces were the Mysterious Secret Pagoda Stele and the God's Will Army Stele.
Liu Gongquan's Masterpiece
Liu Gongquan's representative works include Mysterious Secret Tower Stele, Shence Army Stele, Meng Zhao Tie, Sending Pear Tie Postscript, Diamond Sutra Stone Engraving, Feng Su Stele, Jiuyi Mountain Fu, etc.
Liu Gongquan's Masterpiece
Liu Gongquan's representative works include Mysterious Secret Tower Stele, Shence Army Stele, Meng Zhao Tie, Sending Pear Tie Postscript, Diamond Sutra Stone Engraving, Feng Su Stele, Jiuyi Mountain Fu, etc.
Liu Gongquan's Famous Masterpiece
Liu Gongquan's famous masterpieces included the Diamond Sutra Stone Engraving, the Mysterious Tower Stele, the Feng Su Stele, and the God's Will Army Stele.
Liu Gongquan's Masterpiece of Calligraphy
Liu Gongquan's calligraphy masterpieces included Mysterious Secret Tower Stele, Divine Strategy Army Stele, Mengzhao Tie, Sending Pear Tie Postscript, Diamond Sutra Stone Engraving, Feng Su Stele, etc.
Liu Gongquan's Regular Script
The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script started with Wang Xizhi, and then he extensively dabbled in the works of famous masters of the Sui and Tang Dynasties. Then he mastered them, brewed changes, and finally came up with new ideas, becoming a master.
Liu Gongquan, Yan Zhenqing's masterpiece
Yan Zhenqing's representative works include "Pagoda Stele,""Magu Immortal Altar Record,""Yan Qinli Stele,""Self-written Body Sticker,""Sacrifice Nephew Manuscript,""Fighting for Seat Sticker" and "General Pei's Poetry." Liu Gongquan's representative works included the Mysterious Secret Pagoda Stele, the Divine War Stele, and the Diamond Sutra.
Liu Gongquan's Regular Script Calligraphy
Liu Gongquan's works include Diamond Sutra Stone Carving, Mysterious Tower Stele, Shence Army Stele, Fu Shen, Sixteen Days, Shushe Post, Mengzhao Post, Wang Xianzhi's Pear Post Postscript, etc. These works represented Liu Gongquan's regular script style. The style was rigorous and natural. Among them, the Diamond Sutra Stone Engraving, the Mysterious Secret Pagoda Stele, and the God's Will Army Stele were considered his representative works. In addition, there were also works such as the Purple Silk Invitation from the Orchid Pavilion Extension. Liu Gongquan's regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script.
Liu Gongquan's Regular Script Calligraphy
The Complete Collection of Liu Gongquan's Regular Script Calligraphy included Liu Gongquan's representative work,'Liu Gongquan Stele' and other regular script works. Liu Gongquan was a great calligrapher in the late Tang Dynasty. His regular script style was vigorous and powerful. The structure was stable and the strokes were strong and powerful, giving people a sense of vigor. His regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script. By learning Liu Gongquan's regular script works, one could appreciate the charm of Liu Gongquan's regular script and improve their calligraphy skills. Apart from that, the book also included Liu Gongquan's calligraphy theories and techniques. All in all, Liu Gongquan's Regular Script Calligraphy was an important reference material for learning Liu Gongquan's Regular Script.