The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script started with Wang Xizhi, and then he extensively dabbled in the works of famous masters of the Sui and Tang Dynasties. Then he mastered them, brewed changes, and finally came up with new ideas, becoming a master.
Liu Gongquan's works include Diamond Sutra Stone Carving, Mysterious Tower Stele, Shence Army Stele, Fu Shen, Sixteen Days, Shushe Post, Mengzhao Post, Wang Xianzhi's Pear Post Postscript, etc. These works represented Liu Gongquan's regular script style. The style was rigorous and natural. Among them, the Diamond Sutra Stone Engraving, the Mysterious Secret Pagoda Stele, and the God's Will Army Stele were considered his representative works. In addition, there were also works such as the Purple Silk Invitation from the Orchid Pavilion Extension. Liu Gongquan's regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script.
The Complete Collection of Liu Gongquan's Regular Script Calligraphy included Liu Gongquan's representative work,'Liu Gongquan Stele' and other regular script works. Liu Gongquan was a great calligrapher in the late Tang Dynasty. His regular script style was vigorous and powerful. The structure was stable and the strokes were strong and powerful, giving people a sense of vigor. His regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script. By learning Liu Gongquan's regular script works, one could appreciate the charm of Liu Gongquan's regular script and improve their calligraphy skills. Apart from that, the book also included Liu Gongquan's calligraphy theories and techniques. All in all, Liu Gongquan's Regular Script Calligraphy was an important reference material for learning Liu Gongquan's Regular Script.
Liu Gongquan's representative works in regular script included the Diamond Sutra Stele, the Bell Tower Inscription, the Feng Su Stele, the Quiet Sutra, the Mysterious Secret Tower Stele, and the God's Will Army Stele.
The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script was known for its strength and strength. It had three characteristics: square and round, thin and hard, and rigorous structure. The characteristic of his handwriting was the "bone rhythm", which meant that the strokes were full of strength, the bones and muscles were distinct, and there was a sense of rhythm between the strokes. His calligraphy also paid attention to the rules and regulations. He handled the relationship between words and passages just right to form a perfect overall effect. Liu Gongquan's regular script had a great influence on later calligraphers. His works were widely read, and his calligraphy ideas and methods were inherited and used by later calligraphers.
One of Liu Gongquan's representative works in regular script was 'Mysterious Secret Pagoda Stele'.
One of Liu Gongquan's representative works in regular script was 'Mysterious Secret Pagoda Stele'. This was an inscription from the Tang Dynasty, written by Pei Xiu and written by Liu Gongquan. 'Mysterious Secret Pagoda Stele' was a model of Liu Gongquan's regular script style and was considered a milestone in his calligraphy career. The inscription had a total of 28 lines, 54 words per line, recording the life story of the Tang Dynasty monk Dada Master Duanfu. When Liu Gongquan was writing the Mysterious Secret Pagoda Stele, his strokes were strong and smooth, round and thick, sharp, firm and open, stable and vivid, showing a graceful, vigorous and fresh atmosphere. The font of the Mysterious Secret Pagoda Stele was correct, and the writing style was meticulous. It was especially suitable for beginners to copy regular script and had extremely high calligraphy value.
Liu Gongquan's semi-cursive masterpieces included 'Meng Zhao Tie',' Shen Ce Army Stele','Mysterious Secret Pagoda Stele', and so on.
Liu Gongquan's representative works include Diamond Sutra Stone Carving, Mysterious Tower Stele, Feng Su Stele, Shence Army Stele, Fu Shen Tie, Sixteen Days Tie, Shushe Tie, etc.
Liu Gongquan's works included 'Mysterious Tower Stele,''Diamond Sutra Stone Carving,''Divine War Stele,''Feng Su Stele,' and so on. These works represented his style and attainments in regular script and cursive. 'Mysterious Secret Pagoda Stele' was one of his most famous works, and it was also a masterpiece in the history of Chinese calligraphy. This work was engraved in the 12th year of Zhenguan of Tang Dynasty (636). The inscription was a Buddhist scripture brought back from India by Master Xuanzang. Liu Gongquan displayed his outstanding calligraphy skills and unique style in this work. In addition, his cursive works such as Fu Shen, 16 Days, and Shame on the Post were also highly respected. All in all, Liu Gongquan's works had an important position and influence in the history of Chinese calligraphy.
Liu Gongquan's masterpieces were the Mysterious Secret Pagoda Stele and the God's Will Army Stele.