The writing style of the bamboo carving biography was to first briefly introduce the background information of the bamboo carving family, such as the name, background, lineage, and teacher, and then focus on the bamboo carving skills and unique artistic style that the bamboo carving family was good at. The specific content might vary according to different bamboo carvers, but it generally included a description of their artistic achievements and works, as well as an evaluation of their influence and contributions in the field of bamboo carving.

Bamboo Carving Artist's Biography is a book about the art of bamboo carving and bamboo carvers. The book was divided into two volumes. The first volume was a short biography of the bamboo carvers. Each volume would briefly introduce the name, lineage, and teacher of the bamboo carvers. It also focused on the bamboo carving techniques and unique artistic styles they were good at. The second volume included poems and works related to bamboo carving. This book had a high historical value. It recorded many famous bamboo carvings and works. The author, Jin Yuanyu, had seen them with his own eyes. The book was collated and collated based on the 12th year of Jiaqing in the Qing Dynasty, with reference to the 11th year of Jiading Zhang Eryan's lead print. Chu Deyi's Bamboo Man Continuation was published by Wu Hufan in 1919.
Bamboo carving was an art of carving decorative patterns and words on bamboo objects. It originated in ancient China, especially in the middle and late Ming Dynasty, Jiading bamboo carving became the representative of bamboo carving art. Jiading bamboo carvings were mainly in the form of deep embossed and openwork, known as the "profound technique". The characteristic of Jiading bamboo carving was to integrate calligraphy and painting into bamboo carving to create a unique artistic style. Jiading bamboo carving was included in the national intangible cultural heritage protection list. Bamboo carvings mainly used bamboo from the south, but some also used Xiangfei bamboo, black bamboo, etc. Bamboo carving involved many aspects, including material selection, material processing, tool manufacturing, design theme, technique, and so on. Bamboo carvings were usually carved with palace, human figures, mountains, rivers, flowers, and birds. Zhou Hao, the master of Jiading bamboo carving, continued the tradition of Jiading literati participating in bamboo carving creation. His works were collected in Shanghai Museum and other places. Jiading bamboo carving was a unique art form in the history of China arts and crafts, and it was also the precious artistic wealth of the Han nationality.
Sheng Bingyun (1909 - 1968), whose original name was Song and alias was Bingyun, was originally from Jiashan, Zhejiang Province. He was a famous modern bamboo carver. In his early years, he carved bamboo at Zhang Shiyuan's home in Shanghai. In the 1930s and 1940s, he met Wu Hufan, Jiang Hanting, Tang Yun, and other Chinese painting masters in Shanghai. He even worshipped Wu Hufan as his teacher. These Chinese painting masters wrote inscriptions and drawings on the fan ribs, the box cover, and the armrests for him to engrave. As most of his engravings were drawn by first-class artists, and he was good at many kinds of engraving methods, his bamboo carvings were favored by antique lovers. His works were published in many newspapers and magazines. Bamboo carvings were very valuable and were collected by some art and craft museum. In 1958, he went to Suzhou to work in a carving factory. Later, he transferred to Suzhou Institute of Arts and Crafts to carve bamboo. His works included "Chairman Mao's Poetry Platform Screen","Ten Thousand Horses galloping Mahogany Screen","Mandarin Duck Hibiscus Arm Rest" and so on. For example, in modern times, Zhou Lianxia's old collection of Wu Hufan's paintings and books were carved with boxwood bamboo stone poetry pen holder by Sheng Bingyun. The wall of the pen holder was lightly carved with bamboo and strange stone patterns. The lines were simple and concise. The engraved place was filled with green paint, which made it more elegant. At the bottom of the picture, the seal was engraved with "Bingyun". There were also Sheng Bingyun's carvings, Wang Shizi's calligraphy and painting of a fan, and other bamboo carvings. The original novel of "The Shadow of Beacon Burning Plum Fragrance" was "The Hitman's Diary of the Pseudo Song Dynasty." The original plot was equally exciting. You can click on the link below to read the original novel.
The inheritors of Suzhou bamboo carvings included Li Zongxian and Yang Huiyi. Li Zongxian was the representative inheritor of Suzhou Bamboo Carving, the third batch of municipal intangible cultural heritage projects in Suzhou City. He had many years of research and learning experience in bamboo carving art and mastered a variety of traditional bamboo carving techniques. Yang Huiyi was also a representative inheritor of Suzhou bamboo carving. He had made certain achievements in bamboo carving skills and passed on his skills to the younger generation of bamboo carving artists. The other inheritors of the bamboo carvings included Zhao Rong, Qiao Yu, Xu Wenjing, Xu Chunjing, Guo Yingxiong, Wang Wei, and Long Shuangheng. These inheritors had rich experience and unique creative styles in the art of bamboo carving. They were committed to inheriting and developing the intangible cultural heritage of bamboo carving.
We can come to the conclusion about the bamboo carving picture. The search results mentioned different types of bamboo carving art such as Huizhou bamboo carving, Liuqing bamboo carving, Changzhou Liuqing bamboo carving, etc. However, the search results did not provide any specific pictures of bamboo carvings. Therefore, based on the information provided, I am unable to provide an accurate answer regarding the bamboo carving picture.
The following information about famous people: 1. Wang Shimin: A master of bamboo carving in the Qing Dynasty. He is good at using the art of seal carving. The deep inscriptions on the bamboo surface are quite distinctive. 2. Wang Shixiang: A master of bamboo carving in the Qing Dynasty. His artistic creation was mainly in the Guangxu period of the Qing Dynasty. He was good at using the art of seal carving. The deep inscriptions on the bamboo surface were quite distinctive. 3. Wang Zhiwei: A famous artist in Jiangsu Province. He is a representative inheritor of the national intangible cultural heritage. He is good at painting and carving. His works have won many awards. 4. Zhou Hao: The master of Jiading bamboo carving. He created a unique artistic style and was praised as a turning point and milestone in the history of China bamboo carving. 5. Zhou Hao: His outstanding contribution was to apply painting techniques to bamboo carving and create the method of uneven texture in bamboo carving. 6. Li Xiqiao and Pan Xifeng were representatives of bamboo people outside Jiading in the early Qing Dynasty. Their bamboo carving style was similar to Pu Zhongqian's. The above information was based on the search results provided.
Jin Xiyan was a China bamboo carving artist and was known as one of the most outstanding bamboo carving artists of the 20th century. He was born in 1890 and was a great figure in the history of China bamboo carving art. Jin Xiyan's carving skills were exquisite, his artistic techniques were rich and varied, and his style was elegant and fresh. He spent his whole life studying the art of bamboo carving, and through practical exploration, he left a large number of exquisite bamboo carving art treasures for the world. His works were based on the drawings of famous artists. In terms of techniques, he used green, shallow carving, and embossed carving on bamboo. The carving was exquisite and the artistic conception was profound. Jin Xiyan's achievements in bamboo carving art were highly praised and he was considered one of the best bamboo carving theories in history.
The carving of bamboo slips was a method of writing in ancient times. One could understand that the ancient China used bamboo slips as a medium for writing words and recorded information by carving bamboo slips with a knife. Bamboo carving had existed for a long time in ancient China. Since the Zhou Dynasty, people began to use bamboo slips as writing tools and carve on bamboo. The bamboo carving technique had undergone continuous development and innovation, from shallow carving to deep carving, and the technique had gradually improved. The art of bamboo carving was further developed during the Tang and Song Dynasties. Bamboo sticks were widely used in temples and study rooms. Later, bamboo couplets, spring couplets, and other art forms were derived. To this day, the bamboo carving technique was still based on the traditional foundation and continued to be innovative and developed, reaching a new level. In short, the ancient China used bamboo slips to record and carve words.
Fang Zhian was a famous bamboo carver in the Qing Dynasty. His real name was Fang Wei, the word moment flat, known as the temple. He was born in 1800 and died in 1839. He only lived to the age of 39. Fang Wei was from Huangyan, Zhejiang Province, and his ancestral home was in Henan Province. He had been smart since he was young and liked poetry and painting. Later on, he learned Guo Heyang's and Zhao Qianli's brush strokes and was good at drawing stones and carving bamboo slips. His bamboo carvings were featured by the shallow carving method, and his knife was as fine as a pen. He was especially good at carving small portraits of people. The lines were simple and elegant, and they were lifelike. Therefore, he was known as Fang Zhu. Fang Xin's works were deeply loved by scholars in Jiangsu and Zhejiang provinces, and were known as the "Supreme Yi Pin". His work, Su Wu Shepherding the Sheep, is now in the collection of the Shanghai Museum. Fang Hao's life was tortured by poverty and illness, but he still insisted on pursuing art and was praised by others.