From the search results provided, we can know that Rise From the Bottom of the Sea is a science fiction novel written by Liang Shian. The story was about the summer vacation of his third year. The protagonist, Ma Ning, activated a super industrial core and brought him from Earth to a parallel world. With the power of the core, he built an underwater factory and recruited a group of alien mechanical life forms as workers. The entire underwater world had become his mine, and the real world had become his show. This novel featured urban sci-fi and black technology, showing the story of the protagonist as an industrial star and a troublemaker.
" The Moon Rising to the Ocean " was adapted from the novel " The Stars Are Brilliant, Fortunately Even." In the novel, Cheng Shaoshang, whose archetype was Yu Cailing, suffered from family misfortune in modern times. He lacked maternal love and was criticized by the villagers. He traveled back to ancient times and became Cheng Shaoshang. In the ending of the original novel, Yuan Shen mentioned that Cheng Shaoshang's words when he was unconscious made him understand Shaoshang's intentions. In the original novel, Huo Buyi had a happy childhood, but the Huo family suffered a massacre, which caused him to be eaten by hatred. In some of the plot developments in the novel version, Ling Buyi was captured and fell into a valley after exterminating Ling Yi's entire family for revenge. The ministers wanted to punish him for murdering his father and deceiving the emperor, and the Third Prince argued that this matter was fishy. Cheng Shaoshang entered the palace to help prove his identity and find evidence of Ling Yi's treason. Although Ling Buyi was rescued, he was punished by the Emperor to defend the border for 5 years for privately transferring troops. The following plot also included the emotional entanglement between Cheng Shaoshang and Yuan Shen, such as Cheng Shaoshang's proposal to break off the engagement.
From the literal perspective," the moon rises from the sea " and " the moon rises from the sea " were exactly the same expressions. However, from the reference materials," the moon rises from the sea " had many different meanings. It could be a song sung by Lei Jia, or it could be a different artistic presentation of the moon on the sea, such as a musical feature film, or it could be a sentence from a poem that was quoted into a modern situation description. If this was referring to two different artistic works called " The Moon Rises From The Sea," they might be different because different songs and movies had different backgrounds, meanings, and forms of expression. If it was purely from the literal point of view, it was the same.
There were a few novels that could be recommended, but they did not explicitly mention the female lead. Therefore, I don't know if there are any female protagonists in novels who have transmigrated to the bottom of the sea.
The seabed was the solid surface of the earth covered by seawater, and the bottom was still part of the solid surface of the earth. In this sense, it was not the traditional concept of land. There were many kinds of landforms on the seabed, such as towering seamounts, undulating sea mounds, deep trenches, and flat abyssal plains. These were all components of the seabed's landforms, and they had different formation mechanisms and characteristics from the landforms on land.
In traditional China thinking, hell was usually thought to be underground, but the Classic of Mountains and Seas recorded that hell might be at the bottom of the Bohai Sea. The " Ruins of End " in " Classic of Mountains and Seas " was thought to have the meaning of hell, and it mentioned that there was a deep chasm in the Bohai Sea. This was thought to be where hell might be because the seabed was relatively closer to the core of the earth, and hell was generally thought to be a scene of flames. The chasm in the Bohai Sea was bottomless, which was in line with some imaginations of hell. However, this was only based on the views recorded in the Classic of Mountains and Seas. Different religions and cultures had different views on the location of hell.
In Zhang Jiuling's [Looking at the Moon and Huaiyuan], there was a poem that said,"The moon is bright on the sea, and the horizon is at this time." Lovers complain about the distant night, and finally get up in the evening to miss each other. When the candle is extinguished, the light is full of pity. When I put on my clothes, I feel the dew. I can't bear the gift of my hands, and I still sleep and dream of my wedding day."
The original sentence was "Bright moon on the sea". Although the word " Sheng " could be understood as " Sheng " here, the word " Sheng " was more meaningful than the word " Sheng ". " Sheng " only indicated the moon rising from the sea and rising higher and higher." Sheng ", on the other hand, implied that the sea " bred " and " gave birth " to the moon, giving readers more room for imagination.
In Zhang Jiuling's poem "Looking at the Moon and Huaiyuan", it was "the bright moon on the sea". From the information he had retrieved, there was no mention of the phrase " bright moon rising from the sea ". What he usually saw was the usage of " bright moon rising from the sea ".
I don't know anything about photos of black holes under the sea.
The fish at the bottom of the sea were whispering. This sentence vividly described the subtle sounds made by underwater animals, just like people whispering in private. This rhetorical device was called personification, which made the description more vivid and interesting by giving non-human things human behavior and characteristics. The quiet and dark environment of the seabed, as well as the whispers of the fish, formed a unique scene in the underwater world.