There were many versions of Da Tang Di Gong An to choose from, including the versions by Chen Laiyuan and Hu Ming, the versions by Beijing United Press, the versions by Shanghai Translation Press, and the new versions by modern publishing houses. Chen Laiyuan and Hu Ming's version was written in a classical language. The translation of the names had a charm, but the plot had been deleted and rewritten. The Beijing United Publishing Company's version had complete plots and arranged them chronologically, but the translation was not outstanding. The version of the Shanghai Translation Press was independently translated by Zhang Ling and was considered a brand new, unedited version that was faithful to the original work. The new translation of the modern publishing house was translated by Dong Chuyang. There was no reduction in the translation, and the annotations were detailed. The translation style was similar to the vernacular of the Ming and Qing Dynasties, bringing a friendly and natural reading experience to the readers. Therefore, the version of Shanghai Translation Press and the new version of Modern Press were considered to be better choices.
There were many versions of Da Tang Di Gong An to choose from, including the versions by Chen Laiyuan and Hu Ming, the versions by Beijing United Press, the versions by Shanghai Translation Press, and the new versions by modern publishing houses. Chen Laiyuan and Hu Ming's version was written in a classical language. The translation of the names had a charm, but the plot had been deleted and rewritten. The Beijing United Publishing Company's version had complete plots and arranged them chronologically, but the translation was not outstanding. The version of the Shanghai Translation Press was independently translated by Zhang Ling and was considered a brand new, unedited version that was faithful to the original work. The new translation of the modern publishing house was translated by Dong Chuyang. There was no reduction in the translation, and the annotations were detailed. The translation style was similar to the vernacular of the Ming and Qing Dynasties, bringing a friendly and natural reading experience to the readers. Therefore, the version of Shanghai Translation Press and the new version of Modern Press were considered to be better choices.
There were several versions of the Great Tang Di Gong Case that were highly recommended. Among them, the Shanghai translation version was considered the most complete version. The content was relatively complete, and the other versions had certain modifications. The Shanghai version was full of detailed information, comprehensive illustrations, and exquisite binding. It was currently the best-selling version. In addition, the modern version and the 21st edition of the Northern Mountain were also mentioned. According to the information provided, it could be inferred that the Shanghai version was one of the best translated versions.
The First Translated Version of the Great Tang Digong Case was a novel by the Dutch author Robert Van Gulik. The book successfully became China's Sherlock Holmes and was translated into many foreign languages, leaving an important mark in the history of cultural exchanges between China and the world. This translated version was planned to be published in 15 different languages. Zhang Ling, who had been studying van Gulik for many years, would translate and write academic and readable annotations and postscripts. However, there were only five versions that could be independently translated by one person on the market. Each volume of this edition was accompanied by illustrations created by Gaulope himself, giving people a sense of ancient charm. As for which version was better, he did not provide any relevant information, so he could not answer.
" The First Volume of the Great Tang Di Gong Case " was a successful mystery novel series, known as China's Sherlock Holmes. The series of novels had been translated into many foreign languages and published, leaving an important mark in the history of cultural exchanges between China and the world. Fifteen translated versions of the book were planned to be published. Zhang Ling, who had studied Gulik for many years, would be responsible for the translation and writing of academic and readable annotations and postscripts.
Fifteen translated versions of the second volume of The Great Tang Di Gong's Case were planned to be published. Zhang Ling, who had studied Gulik for many years, would be responsible for translating and writing academic and readable annotations and postscripts. This was the only version that could be translated by one person on the market. The second series included The Lacquer Screen Case, Chaoyun Temple, The Red Chamber Case, The Royal Pearl Case, and The Collection of Broken Trials. Each volume was accompanied by illustrations created by Gaulope himself, which was full of ancient charm and pleasing to the eye. The quality of the translation of this version was well received by the readers. The writing was vivid and interesting. Although the original work was written in English, the translator Zhang Ling's translation made the ancient China reappear in front of people full of vitality. The translated version of the book was a series of detective novels that were loved by readers. The translated version of the second series was one of them.
The Shanghai version of the Da Tang Di Gong An was considered one of the best translated versions. This version was known as the most complete version, with detailed information, comprehensive illustrations, and exquisite binding. In addition, this version was also considered the best-selling version. The other versions may have some changes, but the Shanghai version maintained the integrity of the original. Therefore, the Shanghai version can be considered one of the better versions.
The Tang Dynasty Digong Case Volume 3 Translated Version (All 5 volumes) was a book written by Gao Luopei and translated by Zhang Ling. This book was the third volume of the "Tang Dynasty Di Gong Case" series, including "Purple Cloud Temple,""Willow Garden Painting,""Guangzhou Case,""Necklace Case," and "Mid-Autumn Festival Case." Each volume was accompanied by illustrations created by Gaulope himself, which had an ancient style. Zhang Ling, the translator of this book, had translated it in an academic and readable manner. The annotations and postscript were also very detailed. In addition, this book had an important position in the history of cultural exchanges between China and the world, and was known as the "Sherlock Holmes of China." However, the search results did not provide any information on the quality and evaluation of the version.
The Shanghai translation was considered one of the best versions of the case. It was known as the most complete version. In terms of content, Chen Hu's version was relatively complete, while the other versions had some changes. The Shanghai version was full of detailed information, comprehensive illustrations, and exquisite binding. It was currently the best-selling version. Therefore, the Shanghai version can be considered one of the better versions.
The Tang Dynasty's Digong Case was translated by Zhang Ling, who had studied Gao Luopei for many years.
The Digong Case of the Great Tang Dynasty had been translated into more than ten languages, including Swedish, Swedish, and Portuguese.