Yan Zhenqing's full text of the pagoda
The full text of Yan Zhenqing's pagoda could not be obtained from the search results provided.
Yan Zhenqing's original text of the Pagoda Stele
The original text of Yan Zhenqing's "Multi-Pagoda Stele" was as follows: Chao Yi Lang, sentenced to Shangshu, Wu Department Yuanwailang, Lang Yan Zhenqing's letter. Chaosan doctor, inspection minister, all official doctor, Donghai Xu Hao title. Yue County,"Miao Fa Lotus Flower," is the secret treasure of all Buddhas. The pagoda with many treasures is the manifestation of the scriptures. Creation depends on ten strengths, and grand construction depends on four aspects. There is a Zen master named Chu Jin, surnamed Cheng, Guangping people. His grandfather and father believed in Buddhism and celebrated the return of the Fa Yin. His mother, Gao, was not pregnant for a long time. At night, she dreamed of Buddhas and woke up pregnant. This is the sign of a dragon and an elephant, but there is no sign of a bear. The moon is bright and bright. He is not a child, nor a child. Please note that the above is the original text of Yan Zhenqing's "Pagoda Stele".
Yan Zhenqing's Pagoda Stele
Yan Zhenqing's multi-pagoda stele in simplified Chinese can be downloaded and viewed online for free on the font world website. This stele was one of Yan Zhenqing's early representative works. The writing was respectful and sincere, the font structure was strict, the strokes were round, dignified and beautiful, giving people a feeling of movement in silence, floating like an immortal. The characteristic of the pagoda stele was that the font was neat and meticulous, and the strokes were meticulous. Therefore, it became one of the models for future generations to learn regular script.
Yan Zhenqing's Multi-Pagoda Stele
Yan Zhenqing's 'Pagoda Stele' was one of his early representative works. This inscription recorded that when the monk Chujin of the Tang Dynasty was reading the Lotus Sutra, the multi-treasure pagoda frequently appeared in front of him in his illusion. Therefore, he decided to turn this illusion into reality and built the multi-treasure pagoda. The inscription described in detail the construction process of the pagoda and related Buddhist matters. The [Multi-Pagoda Stele] had a total of thirty-four lines and sixty-six words. The overall style was beautiful and vigorous, and the handwriting was neat and meticulous. Yan Zhenqing displayed his calligraphy talent in this work. The structure was rigorous, the strokes were round, and the strokes were rich and beautiful. This inscription was widely studied and imitated by later generations, and was regarded as one of the models of regular script.
Yan Zhenqing's "Pagoda Stele" features
Yan Zhenqing's Duobao Pagoda Stele had the following characteristics: First, it was square and well-proportioned. Most of the characters tended to be square, and the strokes of the characters were evenly spaced. Second, the horizontal painting is thinner than the vertical painting. Third, the left is thin and the right is thick. When two vertical lines appear side by side, the vertical line on the left is smaller. Fourth, breaking the convention and creating some unconventional writing methods. The structure of this stele was tight, the dots were round, beautiful and strong. It was Yan Zhenqing's early work, showing his knowledge and superb calligraphy skills. This monument had extremely high artistic value, giving people a lively, dignified and beautiful artistic enjoyment.
Yan Zhenqing's Regular Script and Pagoda Calligraphy
Yan Zhenqing's regular script,'Pagoda Stele' was one of his early representative works. This copybook was based on Yan Zhenqing's works when he was 44 years old, showing the characteristics of his early calligraphy style. The handwriting of the [Multi-Pagoda Stele] was neat and meticulous, the structure was strict, and the strokes were meticulous. This stele became one of the models for future generations to learn regular script. The content of this copybook included the basic strokes of the brush and the structure and layout of the characters. It was suitable for calligraphy students to learn step by step and help them master the basic skills of regular script.
What font is Yan Zhenqing's pagoda stele?
Yan Zhenqing's pagoda stele was written in regular script.
Yan Zhenqing's lecture on pagoda steles is concise
Yan Zhenqing's Talented Pagoda Stele was a book that gave a detailed explanation and practice guide for Yan Zhenqing's calligraphy work, the Talented Pagoda Stele. The book used the classic calligraphy pieces of the past dynasties such as "Jiucheng Palace Liquan Inscription","Duobao Pagoda Stele","Qinli Stele","Xuanmi Pagoda Stele","Danba Stele","Preface to Lanting","Preface to Sacred Religion","Shi Chen Stele","Cao Quan Stele", etc. as models to help beginners master Yan Zhenqing's calligraphy characteristics and techniques by explaining traditional techniques such as stippling, radical, frame structure, and rules. The book also used the original Fan character's radical and radical, and through computer design, a large number of Fan characters were combined to guide the learner to infer other things from one instance and use them in different ways. Yan Zhenqing's Pagoda Stele was a very practical copybook. It was suitable for beginners to learn and teach basic calligraphy.
Yan Zhenqing, how to read the pagoda stele
Yan Zhenqing's multi-pagoda stele could be read as 'multi-pagoda stele'.
Yan Zhenqing's multi-pagoda stele calligraphy video
He could find the video of Yan Zhenqing's 'Multi-Pagoda Stele.' In the search results, there were many video tutorial and public lessons to learn Yan Zhenqing's multi-pagoda stele calligraphy. For example, there was a video tutorial with a total of 235 videos on the comprehensive analysis of Yan Style regular script. Each video was 10 minutes long, which was equivalent to 40 hours of professional calligraphy class. There was also a set of 100 videos of copying lessons, where one could learn the copying skills of Yan Zhenqing's multi-pagoda stele. In addition, there were other video tutorial and public classes that could provide more knowledge about Yan Zhenqing's calligraphy.
What does Yan Zhenqing's Pagoda Stele mean?
Yan Zhenqing's 'Pagoda Stele' was an inscription that recorded the creation of the pagoda by Chu Jin, the Zen Master of Longxing Temple in Xijing. When Zen Master Chu Jin was reading the Lotus Sutra, he seemed to see the pagoda appear in front of him. He was determined to turn this illusion into reality. Therefore, in the first year of Tianbao, Thousand Blessings Temple was selected to be built. Four years later, the pagoda was finally completed. Every year, he would write the Lotus Sutra and Bodhisattva precepts for the emperor and the common people in Thousand Blessings Temple. This had a special significance in the history of Buddhism. Yan Zhenqing's " Pagoda Stele " was one of his famous works in his early years. His writing was respectful and sincere. His style was influenced by the two kings, Ou, Yu, Chu, and other senior calligraphers. At the same time, it also absorbed the nutrition of folk calligraphy art. The entire inscription was well-structured, and there were black silk bars between the lines of the words. The dots were round and neat, dignified and beautiful, giving people a feeling of stillness and movement, floating like an immortal. Although the Pagoda Stele was not Yan Zhenqing's representative work during his mature period and was completely different from his later works, it was the first piece of Yan Shu and the first step to Yan Kai's success. Therefore, people who learned the Yan Style often started from this stele.