Yan Zhenqing's poem was: "The third watch is the time for a man to study." Black hair does not know that it is early to study hard, and white hair regrets that it is late to study."
Yan Zhenqing's most famous poem was 'Persuade Learning.' This poem expressed the importance of reading and learning and the call for timely action. The poem described the scene of reading at midnight, emphasizing that young people should get up early and study hard, not wasting precious time. This poem touched many people with its concise language and profound thoughts, becoming one of Yan Zhenqing's most representative works.
'Persuade to Learn' was a seven-character ancient poem written by Yan Zhenqing, a poet of the Tang Dynasty. This poem described the change of learning environment and hair color, expressing the meaning of studying hard when young and studying late when old. The poem exhorted teenagers to cherish their youth and study hard. Otherwise, it would be too late to regret when they were old and accomplished nothing. The specific poem was: " The third watch is the time for a man to study. Black hair does not know that it is early to study hard, and white hair regrets that it is late to study."
'Persuade to Learn' was a seven-character ancient poem written by Yan Zhenqing, a poet of the Tang Dynasty. Through the description of the learning environment, this poem expressed the meaning that one should study hard when they were young and study too late when they were old. The poem exhorted teenagers to cherish their youth, study hard, and make a difference. Otherwise, it would be too late to regret when they reached old age. In the poem, the phrase " Three more lights and five more chickens " vividly described the scene of a diligent person who still insisted on studying late at night. This poem expressed the importance of reading and the importance of timely action in simple and clear language.
Yan Zhenqing's works were named as Sacrificial Nephew Manuscript, Pagoda Stele, Oriental Painting Praise Stele, Yan Qin Li Stele, Self-written Invitation Post, Magu Immortal Altar Record, Scrambling for Seats Post, Sacrificial Nephew Gifted to Praise Good Doctor Ji Mingwen, Wang Lin's Epitaph, Guo Xuyi's Epitaph, Golden Heavenly King Temple Title, Xianyu's Lidui Record, Zanghuai Ge Stele, Ode to Resurgence, Yuan Ci Mountain Stele, Baguan Zhai, Persuade Learning, etc.
Yan Zhenqing's works include Yan Qinli Stele, Yan Zhenqing's Handwritten Letter, Yan Qinli Stele Afterword, Ode to the Resurgence of the Tang Dynasty, Wuxing Collection, Luzhou Collection, Linchuan Collection, Magu Immortal Altar Record, Sacrifice to Nephew Manuscript, Scramble for Seat, Liu Zhong's Envoy Post, Self-Writing Post, Yan Family Temple Stele, Guo Xuji Epitaph, Wang Lin Epitaph, etc.
Yan Zhenqing's masterpieces included the Manuscript of Sacrifice to Nephew, the Stele of Yan's Family Temple, Yan Zhenqing's Three Manuscript, and the Stele of Many Pagodas. Among them,"Sacrifice to Nephew Manuscript" was known as the world's second best semi-cursive masterpiece, with the characteristics of solemnity and solemnity. 'Yan Family Temple Stele' was a regular script work that recorded the Yan family and their official experiences. Yan Zhenqing's Three Manuscript was one of Yan Zhenqing's masterpieces in cursive script. It had the same distinctive style as the Sacrifice to Nephew Manuscript. The Pagoda Stele was one of Yan Zhenqing's early representative works, which showed his rich, vigorous, beautiful, and calm writing style. In general, Yan Zhenqing's calligraphy works had outstanding performance in both the fields of regular script and cursive.
Yan Zhenqing's regular script copybook referred to Yan Zhenqing's collection of regular script works, which included works such as the Pagoda Stele. These copybooks were based on Yan Zhenqing's regular script style for reference and practice by those who learned and appreciated calligraphy. Yan Zhenqing was a famous calligrapher in the Tang Dynasty. His regular script works were famous for their rich and beautiful strokes, smooth and steady, rigorous and dense, stable and symmetrical. Yan Zhenqing's regular script copybook had an important reference value for learning and studying calligraphy.
Yan Zhenqing's calligraphy works had the following characteristics: First, it was magnificent. His works gave people a solemn and vigorous feeling. Through the strong and powerful strokes, vigorous layout and rich ink color, it created a strong visual impact. The second was the beautiful and elegant shape. Yan Zhenqing paid attention to the smoothness and beauty of the shape. He was good at using the basic strokes to skillfully combine them together to form a harmonious and varied form, making his works appear elegant and elegant. The third was the vigorous and powerful style of the strokes. Every stroke of Yan Zhenqing's calligraphy was full of strength and perfect. His works also had outstanding emotions and spirituality. The thoughts in his writing were natural and strange, expounding a lot of life insights, and the realm of his thoughts was grand and open. In general, Yan Zhenqing's works displayed unique artistic features in terms of momentum, beauty of shape, and strokes.
Yan Zhenqing's works include Duobao Stele, Yan Qinli Stele, Magu Immortal Altar Record, Sacrifice Nephew Manuscript, Seat Competition Post, Yan Family Temple Stele, etc.
Yan Zhenqing was an outstanding calligrapher. His works covered many fields such as running script and regular script. He exerted the essence of the seal script in cursive script creation, forming a completely different style from the style of the "Two Wangs" and the aesthetic form of "external expansion". His semi-cursive work, Sacrifice to Nephew Manuscript, was known as the second semi-cursive in the world. In addition, Yan Zhenqing was also good at regular script. He created the style of regular script, which had an important impact on later generations. His representative works included "Pagoda Stele","Dongfang Shuo Painting Praise Stele","Yan Family Temple Stele","Yan Qin Li Stele" and so on. Yan Zhenqing's calligraphy creation presented different characteristics and realms at different stages. His artistic image could be displayed through the passage, change, richness and improvement of these works.