Yan Zhenqing's Collection
Yan Zhenqing's works include Yan Qinli Stele, Yan Zhenqing's Handwritten Letter, Yan Qinli Stele Afterword, Ode to the Resurgence of the Tang Dynasty, Wuxing Collection, Luzhou Collection, Linchuan Collection, Magu Immortal Altar Record, Sacrifice to Nephew Manuscript, Scramble for Seat, Liu Zhong's Envoy Post, Self-Writing Post, Yan Family Temple Stele, Guo Xuji Epitaph, Wang Lin Epitaph, etc.
Yan Zhenqing's Calligraphy Collection
Yan Zhenqing had a lot of copybooks, some of which were famous, including Zhushan Hall Couplet Poetry Calligraphy, Gongshen Calligraphy, Sacrifice Nephew Manuscript, Liu Zhong Envoy Calligraphy, Huzhou Calligraphy, etc. These copybooks showed the style and skills of Yan Zhenqing's regular script and cursive script. Yan Zhenqing's handwriting was graceful and magnanimous. In the early days, he used a square pen, but in the later days, he changed to a round pen. The font was mostly surrounded, tight on the outside and loose on the inside. His regular script was masculine, showing his talent and representing the prosperity of the Tang Dynasty. Yan Zhenqing's copybook was a precious resource for calligraphy lovers to learn and appreciate.
Yan Zhenqing's Diligence Monument Collection
Yan Zhenqing's collection of diligent steles included Yan Qinli Stele, Yan Family Temple Stele, etc. Among them,'Yan Qinli Stele' was one of Yan Zhenqing's representative works in his later years. It was considered to be the regular script work that could best convey the original form and spirit of Yan's stele inscriptions. This stele was erected in Chang 'an in the 14th year of the Tang Dynasty (779 AD). It was erected by Yan Zhenqing for his great-grandfather. There were 19 lines on the surface of the stele and 20 lines on the surface of the stele. There were a total of 38 words. Other than that,'Yan Family Temple Stele' was also one of his representative works. These works showed the evolution of Yan Zhenqing's calligraphy style, from the solemn and powerful in his early years to the clear and strong in his later years, which had great artistic influence.
Yan Zhenqing's 28-character ancient poetry collection
Yan Zhenqing's 28-character ancient poetry collection was not found in the search results provided.
Yan Zhenqing's Poetry Collection of Diligence and Rites
Yan Zhenqing's " Qin Li Bei " was a collection of 16 ancient poems. This stele was written by Yan Zhenqing for his great-grandfather, Yan Qinli. It recorded the lineage of the Yan family and Yan Qinli's life story. "Diligence Stele" showed the mature style of Yan Zhenqing's regular script. Its writing style was vigorous, dignified and elegant, and the font structure was rigorous yet flexible. Yan Zhenqing was good at using techniques such as lifting, pressing, and stopping to make the strokes and lines show rich changes, both powerful and rhythmic. In addition, he also paid attention to the resonance and contrast between the words, making the whole work unified without losing the change, full of vivid charm. The Diligence Stele was one of Yan Zhenqing's representative works in his later years and had a profound influence on calligraphy in later generations.
Yan Zhenqing's Diligence in Calligraphy, Ancient Poetry Collection
Yan Zhenqing's Diligence Stele was one of his representative works, and it was also one of his ancient poetry collections. This ancient poetry collection contained some of Yan Zhenqing's ancient poems, showing his praise for the ancients 'diligent learning and his promotion of the spirit of Great Harmony. These ancient poems depicted the filial piety of some characters and the depth of their studies, as well as the tranquility and order of their time on the move. Yan Zhenqing's calligraphy works were famous for their vigorous and powerful strokes and majestic momentum. His Diligence Stele was also one of his calligraphy works that could convey the original form and spirit. This ancient poetry collection was highly respected in the calligraphy teaching world. According to the information provided, we can conclude that Yan Zhenqing's diligent stele is a collection of ancient poems among his calligraphy works.
Yan Zhenqing's works
Yan Zhenqing's calligraphy works had the following characteristics: First, it was magnificent. His works gave people a solemn and vigorous feeling. Through the strong and powerful strokes, vigorous layout and rich ink color, it created a strong visual impact. The second was the beautiful and elegant shape. Yan Zhenqing paid attention to the smoothness and beauty of the shape. He was good at using the basic strokes to skillfully combine them together to form a harmonious and varied form, making his works appear elegant and elegant. The third was the vigorous and powerful style of the strokes. Every stroke of Yan Zhenqing's calligraphy was full of strength and perfect. His works also had outstanding emotions and spirituality. The thoughts in his writing were natural and strange, expounding a lot of life insights, and the realm of his thoughts was grand and open. In general, Yan Zhenqing's works displayed unique artistic features in terms of momentum, beauty of shape, and strokes.
Yan Zhenqing's masterpiece
Yan Zhenqing's representative works include "Pagoda Stele,""Persuade Learning,""Yan Qinli Stele,""Sacrifice Nephew Manuscript,""Yan Family Temple Stele," etc. Among them, Duobao Pagoda Stele was one of Yan Zhenqing's representative works in regular script. It was created in the 11th year of Tang Tianbao (752) and is now preserved in the second room of Xi'an Stele Forest. This stele was famous for its beautiful and vigorous style and rich and beautiful writing style. 'Persuade to Learn' was a seven-character ancient poem written by Yan Zhenqing, and it was also one of his representative works. In addition, Yan Qinli Stele, Sacrificial Nephew Manuscript, and Yan Family Temple Stele were also Yan Zhenqing's representative works.
Yan Zhenqing's Calligraphy
Yan Zhenqing's regular script copybook referred to Yan Zhenqing's collection of regular script works, which included works such as the Pagoda Stele. These copybooks were based on Yan Zhenqing's regular script style for reference and practice by those who learned and appreciated calligraphy. Yan Zhenqing was a famous calligrapher in the Tang Dynasty. His regular script works were famous for their rich and beautiful strokes, smooth and steady, rigorous and dense, stable and symmetrical. Yan Zhenqing's regular script copybook had an important reference value for learning and studying calligraphy.
Yan Zhenqing's Title
Yan Zhenqing's works were named as Sacrificial Nephew Manuscript, Pagoda Stele, Oriental Painting Praise Stele, Yan Qin Li Stele, Self-written Invitation Post, Magu Immortal Altar Record, Scrambling for Seats Post, Sacrificial Nephew Gifted to Praise Good Doctor Ji Mingwen, Wang Lin's Epitaph, Guo Xuyi's Epitaph, Golden Heavenly King Temple Title, Xianyu's Lidui Record, Zanghuai Ge Stele, Ode to Resurgence, Yuan Ci Mountain Stele, Baguan Zhai, Persuade Learning, etc.
Yan Zhenqing's work is
Yan Zhenqing's works include Duobao Stele, Yan Qinli Stele, Magu Immortal Altar Record, Sacrifice Nephew Manuscript, Seat Competition Post, Yan Family Temple Stele, etc.