The most beautiful line in " Song of Burial of Flowers " was," Flowers wither, flowers fly, and the sky is filled with flowers. Who will pity them when the red disappears and the fragrance is broken?"
You can download the high-definition, watermark-free, but not hardcopy, version of the simplified musical score for the flute and flute of "Song of the Burial of Flowers"(the theme song of Dream of the Red Chamber) from the PDF-Music Network. You can also obtain the relevant musical score from the Ciyu-Music Network (provided by Yang Juwen). The novel "Hundred Years of Spaceship" is equally exciting. Everyone is welcome to click and read it!
You can get the high-definition, watermark-free, PDF-version of the music score of "Song of Burial of Flowers"(the theme song of "Dream of the Red Chamber") on the PDF-Music Network. The novel "Hundred Years of Spaceship" is equally exciting. Everyone is welcome to click and read it!
The Song of the Burial of Flowers was a work filled with sorrow and grief. From the content of the lyrics," Flowers wither and fly all over the sky, red and fragrant, who will pity them?" The opening chapter created a poignant and lonely atmosphere. The flowers withered but no one pitied them. This also hinted that Lin Daiyu herself was like this falling flower. Although there was a short period of beauty in the world, few people really understood the pain and sorrow in her heart. In the poem," 360 days in a year, the wind and the frost force each other ", it deeply expressed the oppression and hardship that Lin Daiyu felt in the Jia residence. The harsh living environment was like the constant invasion of the wind and the frost. In terms of music, it was an interlude for the 87th edition of Dream of the Red Chamber. The composer, Wang Liping, spent a year and nine months to complete the composition, which showed his painstaking efforts. When the singer, such as Chen Li, sang this song, it was like crying and complaining. Every word was filled with blood and tears, as if Lin Daiyu's lament about her life experience, her uneasiness and helplessness about her future fate were integrated into it. Whether it was the lyrics or the music, the entire song could make the audience deeply feel the sorrow, sentimentality, and helplessness of Lin Daiyu's fate. It made people immersed in a sad and depressed mood, and at the same time, they could also experience the suppression and restraint of human nature in feudal society. The novel, Drunken Golden Cup, is equally exciting. Everyone is welcome to click and read it!
The most classic sentence in " Song of Burial of Flowers " was," When I heard that Qian Qian had returned, I went to the south bank of the West River. Two red peach trees looked at the wine and talked about the good time." This poem depicted the scene of a noble farmer and his bride-to-be getting married on the shore of a sandbar in the Song Dynasty, showing their anticipation for a better future and cherishing the happiness in front of them. This poem was both a romantic love song and a solemn and stirring flower burial song. It was full of the style and humane feelings of the Song Huizong era. It was known as the "Golden Powder Complete Poetry", which created a beautiful and painful scene and aroused Su Shi's patriotic feelings. This poem was one of the most classic lines in 'Song of the Burial of Flowers' because of its deep emotions and exquisite description.
The 'Song of the Burial of Flowers' in 'Dream of the Red Chamber' was a poem recited by Lin Daiyu. It appeared in the twenty-seventh chapter of the novel. Through rich imagination, sad scenes, and sad sentiments, this poem showed Daiyu's inner world in the cruel reality, expressing the anxiety and confusion she experienced in the complicated struggle between life and death and love and hate. This poem used flowers as a metaphor for people, closely linking the fate of flowers with the fate of people. It accused the natural world that destroyed flowers and the dark social forces that strangled people. The Song of Burial of Flowers was a self-mourning song for Daiyu's fate. It was also an important work by Cao Xueqin to shape Daiyu's image and express her theme.
The most famous lines of the Song of Burial of Flowers were: Flowers wither and flowers fly all over the sky, who will pity the red fragrance? Now I'm burying flowers, people laugh at me. Who will bury me in other years? Zang Zhi came clean and left clean, better than sinking into a ditch in the mud. These poems expressed the poet's thoughts on the withering of flowers and the impermanence of life, as well as his longing and uncertainty about his own life and death.
Chen Li's " Song of the Burial of Flowers " was an interlude from the 87th edition of the " Dream of the Red Chamber " TV series. It was sung by Chen Li. The lyrics of this song were written by Cao Xueqin and the composer was Wang Liping.
The entire poem of " Song of Burial of Flowers " was spelled out as follows: zàng huā yín Burial Flower Song huā xiè huā fēi huā mǎn tiān,hóng xiāo xiāng duàn yǒu shuí lián? Flowers wither, flowers fly, flowers fill the sky, red fade fragrance cut off who pity? yóu sī ruǎn xì piāo chūn xiè,luò xù qīng zhān pū xiù lián。 The soft silk thread is floating in the spring pavilion, and the falling wadding is lightly stained with the embroidered curtain. guī zhōng nǚ ér xī chūn mù,chóu xù mǎn huái wú shì chù。 The girl in the boudoir regretted the late spring, and her heart was full of sorrow. shǒu bǎ huā chú chū xiù lián,rěn tà luò huā lái fù qù。 Hand hoe out of the embroidered curtain, bear to step on the fallen flowers to come and go. liǔ sī yú jiá zì fāng fēi,bù guǎn táo piāo yǔ lǐ fēi。 The willows and elms are fragrant and beautiful, regardless of peach blossoms and Li Fei. táo lǐ míng nián néng zài fā,míng nián guī zhōng zhī yǒu shuí? Peach and plum trees can bloom again next year. Who do you know in your boudoir next year? sān yuè xiāng cháo yǐ lěi chéng,liáng jiān yàn zǐ tài wú qíng! In March, the fragrant nest has been built, and the swallows between the beams are too heartless! míng nián huā fā suī kě zhuó,què bù dào rén qù liáng kōng cháo yě qīng。 Next year's flowers may be pecked, but I don't know how to make a nest empty when I leave the beam. yī nián sān bǎi liù shí rì,fēng dāo shuāng jiàn yán xiāng bī; Three hundred and sixty days a year, the wind, the knife, the frost, the sword, the sword míng mèi xiān yán néng jǐ shí,yī zhāo piāo bó nán mì xún。 How long can the bright and beautiful beauty last? It's hard to find it in a morning. huā kāi yì jiàn luò nán xún,jiē qián mèn shā zàng huā rén, Flowers bloom, easy to see, hard to find, in front of the steps to bury the flowers, suffocating people, dú yǐ huā chú lèi àn sǎ,sǎ shàng kōng zhī jiàn xuè hén。 I lean on my hoe alone, and my tears fall on the empty branches, and I see traces of blood. dù juān wú yǔ zhèng huáng hūn,hé chú guī qù yǎn chóng mén; The cuckoo is silent, just yellow dusk, carrying a hoe back to cover the heavy door; qīng dēng zhào bì rén chū shuì,lěng yǔ qiāo chuāng bèi wèi wēn。 The blue lamp shines on the wall and the person has just slept. The cold rain knocks on the window and the quilt is not warm. guài nú dǐ shì bèi shāng shén,bàn wèi lián chūn bàn nǎo chūn。 Strange slave's bottom line is twice as sad, half for pity spring half angry spring. lián chūn hū zhì nǎo hū qù,zhì yòu wú yán qù bù wén。 Love spring suddenly very angry suddenly left, to no words to leave do not hear. zuó xiāo tíng wài bēi gē fā,zhī shì huā hún yǔ niǎo hún? Last night outside the courtyard sad song, know is the flower soul and bird soul? huā hún niǎo hún zǒng nán liú,niǎo zì wú yán huā zì xiū。 The soul of the flower and the soul of the bird are always difficult to keep. The bird has no words, and the flower is ashamed. yuàn nú xié xià shēng shuāng yì,suí huā fēi dào tiān jìn tóu。 I hope I can grow wings under my ribs and fly with the flowers to the end of the sky. tiān jìn tóu,hé chù yǒu xiāng qiū? At the end of the sky, where is the fragrant mound? wèi ruò jǐn náng shōu yàn gǔ,yī póu jìng tǔ yǎn fēng liú。 It is better to collect the beautiful bones in a brocade bag, and cover the wind with a handful of clean soil. zhì běn jié lái huán jié qù,qiáng yú wū nào xiàn qú gōu。 Zang Zhi came clean and left clean, but he was better than sinking into a ditch in the mud. ěr jīn sǐ qù nóng shōu zàng,wèi bǔ nóng shēn hé rì sàng? Now that you're dead and gone, I don't know when I'll be buried. nóng jīn zàng huā rén xiào chī,tā nián zàng nóng zhī shì shuí? Now I'm burying flowers, people laugh at me. Who will bury me in other years? shì kàn chūn cán huā jiàn luò,biàn shì hóng yán lǎo sǐ shí。 Try to see the spring flowers gradually fall, is the time when the old red face died. yī zhāo chūn jìn hóng yán lǎo,huā luò rén wáng liǎng bù zhī! Once spring is over, the red face is old, and the flowers are gone. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
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The original singer of Dream of the Red Chamber's 'Song of the Burial of Flowers' was Chen Li.