The Black and White Impermanence first appeared in the Tang Dynasty, from the Four Travels.
The Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.
Black and White Impermanence was the name of a character from the Southern Song Dynasty.
The Black and White Impermanence originated from the Qing Dynasty to the Republic of China.
The origin of the Black and White Ghosts and the specific dynasty in which they appeared were not confirmed. In different literature and legends, the Black and White Impermanences were described as coming from different dynasties, such as the Tang Dynasty, the Song Dynasty, and the Qing Dynasty to the Republic of China. Therefore, it was impossible to determine which dynasty the Black and White Ghosts were from.
There were many theories about the origins of the Black and White Impermanence, but the following conclusion was that the Black and White Impermanence first appeared in the ancient Chinese novel, The Four Travels, written by Wu Chengen of the Ming Dynasty. In the novel, the Black and White Impermanences were the two impermanences of the Ghost Realm, responsible for the task of capturing and releasing souls. Their image and duties were not clearly recorded in Buddhism. In addition, there were also some who believed that the name Black and White Impermanence originated from Sun Tzu's Art of War, which said that "there is no constant momentum in war, and there is no constant shape in water". However, there was no conclusive literature on the exact origin of the Black and White Ghosts, so there was no way to give a definite answer.
The Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.
The Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.
The prototype of the Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty. In the novel, the Black and White Impermanences were the two impermanences of the Ghost Realm, responsible for the task of capturing and releasing souls. Their image and duties were not clearly recorded in Buddhism. In addition, the Black and White Impermanence also appeared in many other literary works, operas, movies, and cartoons.
Black and White Impermanence were from Fuzhou.
The prototype of the Black and White Impermanence originated from the ancient Chinese novel, The Four Travels. The author was Wu Chengen of the Ming Dynasty.