Du Fu's " Gazing at the Mountains " was a poem depicting the magnificent scenery of Mount Tai. There were five lines in the poem. Through the description of Mount Tai, it expressed the poet's love for the mountains and rivers of the motherland and his ambition to climb to the peak. The poem mentioned the lofty and majestic Mount Tai, the magical and beautiful scenery, and the changes of light and shade in the south and north of the mountain. There were also some special words in the poem, such as "swinging the chest to form a layer of clouds" and "returning the bird with a canthus". These words increased the artistic and expressive power of the poem. Overall, this poem showed the romance and passion of Du Fu's youth. It was an excellent work.
Du Fu's "Looking at the Mountains" was created in the twenty-third year of Emperor Xuanzong's Kaiyuan reign (735) after he failed the imperial examination and began to wander around Qi and Zhao. This poem was written by Du Fu when he was young. It was filled with the romance and passion of the poet's youth. The whole poem revolved around the word "look". By describing the majestic scene of Mount Tai and the magical beauty of nature, it expressed the poet's love for mountains and rivers and his lofty aspirations for the future. The word "look" didn't appear in the poem directly, but it gave people a feeling of being there by describing the way of looking far away, looking close, gazing and looking down. This poem was the earliest of Du Fu's existing poems. It displayed the vigorous vitality and extraordinary breadth of mind of his youth.
Du Fu's "Looking at the Mountain" with Pinyin can be found in the search results provided.
The original text of Du Fu's "Green Mountain" poem is as follows: I asked Qingshan when he would grow old, and Qingshan asked me when I would come. I see all the mountains are plants, but you are the green mountain. The green mountains have gone with the evening wind, and I have turned into mulberry fields with the sea. The morning sun sets and the evening sun shines brightly. The clouds are shallow and the autumn rain is still lingering.
Du Fu wrote many poems in Chengdu Cottage, among which the most famous ones were "Spring Night Happy Rain","Guest Arrival","Quatrain","Riverside Unique Seeking Flowers (5)" and "Riverside Unique Seeking Flowers (6)".
Du Fu's poems related to the Cottage are as follows: 1. The back of the Guo Tang is shaded by the white grass, and the road along the river is familiar with the green suburbs. Tang Cheng 2. Swallows in the hall, gulls in the water close to each other. Jiang Village 3. The thatched cottage has few flowers, but now I want to plant them. I don't care about green plums and yellow plums. "Looking for Fruit Plants at Xu Qing." 4. As the clerk of King Chen, I don't send money to the thatched cottage. "Secretary Wang, Xu Xiu's thatched cottage doesn't have enough resources to talk about Xiao Jie." 5. Darkwater Flower Path, Spring Star Grass Hall. "Night Banquet at Zuo's Manor" 6. I love the quiet thatched cottage of Yushan Mountain, and the refreshing atmosphere of autumn is fresh and new. Cui Clan's Cottage on East Mountain 7. Go out of the small hole in the outer wall of the city, and get a small road through the hazel. A stream runs like water, and twists and turns are crossed many times. 'Xizhi Village, looking for a thatched cottage.' 8. A thatched cottage to the west of Wanli Bridge. The water of Hundred Flowers Pond is Canglang. Mad Man The above is a poem related to Du Fu's Cottage.
One of Du Fu's earliest poems was considered to be "Wandering Longmen Fengxian Temple" or "Looking at the Mountains." Both of these poems can be traced back to the twenty-fourth year of Kaiyuan (736), but there is a dispute as to which one is the earliest. Some versions used 'Wandering the Dragon Gate and Fengxian Temple' as the first poem, while others used 'Looking at the Mountains' as the first poem. Therefore, it was impossible to determine which of Du Fu's earliest poems was.
Du Fu's peak poem was 'Ascending Mountain'. This poem was set against the natural landscape. Through describing the scenery of mountains and rivers and expressing his personal feelings, it displayed Du Fu's profound thoughts and vigorous artistic style. The short lines in the poem,"The wind is fierce and the sky is high, the apes are howling, and the white birds fly back to the clear sand" and "The endless falling trees are rustling, and the endless Yangtze River is rolling" have a strong visual impact and vivid descriptions, showing Du Fu's talent and artistic attainments. This poem was regarded as the pinnacle of Du Fu's poetry and was also a shining pearl in the treasure house of Chinese literature.
Du Fu's phoenix poems included Phoenix Terrace and Zhu Fengxing. Phoenix Terrace described the scenery of Phoenix Terrace and the voice of the phoenix, expressing the longing for the lost time and glory. Zhu Fengxing used phoenixes and other birds as metaphor to express concern for social injustice and poor people. Du Fu was a great realistic poet in the Tang Dynasty. His poems were famous for describing social phenomena and expressing sympathy for the sufferings of the people.
Du Fu's poem "Ascending" was a poem describing the autumn scenery. The poem expressed the poet's feelings for the autumn scenery and his thoughts on his own situation by describing the scenes of the wind, the ape howling, and the white birds flying back. The poem also mentioned the poet's long-term wandering and illness, as well as the scene of him climbing the high platform alone in autumn. This poem described the magnificent autumn scenery and the poet's inner depression and sadness in simple and profound language.
Among Du Fu's poems, there was a five-character ancient poem called " Cottage." This poem was based on the beginning and end of the Cottage. The first half of the poem recounted the rebellion of Xu Zhizhi in Chengdu. It highlighted his feelings of leaving for "the barbarians blocking Chengdu" and returning for "Chengdu safe and sound". He hoped that Yan Wu would pay attention to the chaos of the country and be closely related to the people's hearts. He must not be satisfied with "safe and sound". In the second half of the book, from the small matter of "sending cavalry to ask what he needed", he deeply realized that the problem had already reached a rather serious level. If he did not raise it, Yan Wu's personal success or failure was not a big deal, but the safety of the world was a big deal. Therefore, in addition to his anger, he wrote to Yan Wu and expressed his attitude of " drinking and pecking are ashamed of life, eating Wei dare not waste ". At the same time, through the memories of the beginning of chaos, he hinted at a number of problems worthy of Yan Wu's modest consideration. The purpose was to urge Yan Wu to save, get rid of his shortcomings, and use his strengths to do a good job in the affairs of the two rivers. The whole poem contains emotion in the narrative, echoing in the order of narration, changing in an orderly manner.