Monk Tan Yao
Monk Tan Yao was a famous monk during the Northern Wei Dynasty. When he was young, he had become a monk and practiced Zen. He had received the courtesy of the Crown Prince Tuoba Huang. During the period when Emperor Taiwu of the Northern Wei Dynasty abolished Buddhism, Tan Yao adhered to his beliefs and did not leave his monk robes. Later, Emperor Wencheng of the Northern Wei Dynasty ascended the throne and revived Buddhism. He appointed Tan Yao as the commander of Zhaoxuan to manage the monks. Tan Yao presided over the excavation of Yungang Grottoes, created many Buddha statues and built Lingyan Temple, contributing to the revival of Buddhism in Northern Wei. He had rich experience in grotto sculpture and was appointed chief designer. Yungang Grottoes was a royal project of the Northern Wei Dynasty, and its scale exceeded that of Dunhuang Grottoes. Tan Yao was a monk with strong beliefs and integrity. His work had revived and flourished Buddhism. The information about Tan Yao's life was not detailed. He only knew that he was from Liangzhou and later moved to Zhongshan.
Tan Songyun, Chen Yao
Tan Songyun and Chen Yao were both female celebrities born in the 1990s from Sichuan. Tan Songyun was born on May 31, 1990. She graduated from the Beijing Film Academy and was an actress in mainland China. She had appeared in the web series " The Best of Us,"" Summer of the Foxes," and " Specialist," and was very popular. Chen Yao was born on October 31, 1994. She was an actress and singer from mainland China. She played the role of the little witch Yue Qiluo in the online drama " Heartless Mage " and won the love of many fans. Tan Songyun and Chen Yao were both popular actresses among the 90s, but who was the goddess in your heart depended on your personal preferences.
Dong Yao, Tan Kai
Tan Kai was a male actor from mainland China. He played the role of Dong Yao in the TV series Crime Crackdown." Dong Yao was the mayor of Shimen District of Green Vine City. He was also promoted by Gao Mingyuan, the boss of Green Vine Capital. Dong Yao was a two-faced person. As a government official, he was doing something that violated the law. When Tan Kai created the role of the corrupt district mayor, he faced the challenge of finding Dong Yao's " official aura." He deliberately put on some weight so that his face would have some fat. He walked with a slight hunchback and began to feel out Dong Yao's shadow from his external appearance. Although Tan Kai did not have many scenes in the play, his superb acting skills had beaten up a group of young fresh meat, making people sigh that the older the ginger, the spicier.
Cave 17 of the Five Caves of Tan Yao
The 17th cave of the Five Caves of Tan Yao was one of the caves in Yungang Grotto. It was also one of the earliest caves excavated in Yungang Grotto. It was built by the famous monk Tan Yao, hence the name "Tan Yao Five Caves". The 17th cave was the only cave with a giant statue of a cross-legged Bodhisattva in Yungang's early caves. The cave is horseshoe-shaped, and the main statue is a cross-legged Maitreya Bodhisattva, 15.6 meters high. The Bodhisattva wears a crown on his head, a snake ornament and a short necklace on his chest, a bracelet on his arm, a slanted armpit, a waist around his abdomen, and a long skirt under his waist. He is a Leo. There are also 3242 statues of various Buddhist figures preserved in the cave. Cave 17 will be closed temporarily from April 6 to June 15, 2022 for digital information collection. There were different views and discussions in the academic world about the order and concept of the construction of the five caves.
Builder of the Five Caves of Tan Yao
Tan Yao was the one who built the five caves.
Introduction to the Five Caves of Tan Yao
Tanyao Five Caves was a group of caves located in the Yungang Grottoes in Datong, Shanxi Province. It was the first phase of the Yungang Grottoes project, which was excavated between 460 and 465 AD. In the center of these five caves, there was a huge Buddha statue carved, symbolizing the five emperors of the Northern Wei Dynasty. The plane of the grotto was roughly horseshoe-shaped, with a dome top, an arch in front, and open windows on the door. The main statues in the cave were generally the three Buddhas. The main Buddha was tall and occupied most of the space in the cave. It emphasized the incomparable majesty and oppressive atmosphere for the worshippers. It was a symbol of the unity of monarchical power and divine power. The statues and layout of these five caves had their own characteristics. The open-air Buddha in Cave 20 sat in the lotus position, becoming the symbol of Yungang statues. The Five Caves of Tan Yao are the typical relics of Buddhist art in Liangzhou. They have the basic characteristics of Liangzhou statues and create new styles. These grottoes were the pinnacle of Chinese Buddhist art and represented the highest level of art sculpture in the world in the fifth century.
The Five Caves of Tan Yao are located in
The Five Caves of Tan Yao were located in the eastern part of the western part of the Yungang Grottoes.
Tan Yao's Life Description
Tan Yao was a Buddhist master during the Northern Wei Dynasty. According to the documents provided, we only know that he was from Liangzhou (now Wuwei City, Gansu Province) and later moved to Zhongshan (now Dingxian County, Hebei Province). After Emperor Wencheng of the Northern Wei Dynasty ascended the throne, Tan Yao presided over the excavation project of Yungang Grottoes and established the economic system of the monastery, contributing to the development of Buddhist monasteries. He was also the founder of the Cave Temple's scripture translation. The exact date of Tan Yao's birth and death is unknown.
The Statue Style of the Five Caves of Tan Yao
The style of the statues in the Five Caves of Tan Yao is vigorous, simple and vigorous. In the early days, the five caves of Tan Yao were featured by huge and vigorous statues, showing the rich and simple customs of the Western Regions. In the middle stage, the Yungang Grottoes began to enter the stage of exquisite and delicate statues, presenting a magnificent Taihe style with complicated contents and exquisite carvings. The statues in the middle period were exquisite and exquisite, pursuing neatness and magnificence. On the whole, the statue style of the Five Caves of Tan Yao reflected the characteristics of boorish, vigorous, simple and magnificent, showing the spiritual outlook and traditional artistic essence of the northern ethnic groups.
Buddha statues in the Five Caves of Tan Yao
The Five Caves of Tan Yao were the first five caves excavated in Yungang Grottoes. The Buddha statues in them had the typical characteristics of Buddhist art in Liangzhou. The five grottoes were roughly horseshoe-shaped, with a dome at the top. Each grotto had a door and a window. The window was at the top and the door was at the bottom. The main Buddha statues were more than 10 meters high. The open-air Buddha in the 20th cave sat in the lotus position, which was the symbol of the statues in Yungang Grottoes. These Buddha statues symbolized the Buddha and also the five emperors of Northern Wei. To be specific, there had always been controversy in the academic community about which emperors and which Buddhas the five main Buddha statues in the Five Caves of Tan Yao represented. The shape and style of these Buddha statues reflected the special Buddhist culture of the early Northern Wei Dynasty, which was different from Indian Buddhism and showed the uniqueness of Chinese Buddhism. In general, the Buddha statues in the Five Caves of Tan Yao were one of the earliest and most representative Buddhist statues in the Yungang Grottoes.
The artistic style of the Five Caves of Tan Yao
The artistic style of the Five Caves of Tan Yao has a rich and simple Western sentiment. The early Buddha statues in the Five Caves of Tanyao were tall, with round faces, high noses, deep eyes, and straight shoulders. They absorbed and integrated the essence of ancient Indian Gandhara and Madohara art, with a rich and simple style of the Western Regions. In the middle period, the grottoes were well-known for their exquisite carving and gorgeous decoration, showing the complex and varied artistic style of the Northern Wei Dynasty. Although the scale of the late grotto was small, the figures were thin and handsome, and the proportions were moderate. It was the model of grotto art in northern China and the origin of "thin bones and clear statues". Overall, the artistic style of the five caves combined the essence of Indian Gandhara art, Persian art, and Northern Wei art, showing diverse and unique characteristics.