Chen Kun, Li Shaohong
Chen Kun and Li Shaohong were actors and directors in the China film industry. Chen Kun and Li Shaohong had worked together on many movies, including Door and Baby in Love. Under Li Shaohong's guidance, Chen Kun displayed his acting skills and created a unique character image in the movie. Their working relationship had developed into a close teacher-student relationship, and they attended the 2019 Director's Guild awards ceremony together. However, the search results provided did not provide detailed information about Chen Kun and Li Shaohong's personal lives or other cooperative projects.
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Li Shaohong's Family
Li Shaohong was born on July 17, 1955 in Suzhou, Jiangsu Province. Later, she settled in Beijing with her parents. Her father, Li Benwen, was from Wendeng, Shandong Province. He used to be the deputy editor-in-chief of the People's Frontline newspaper in the Nanjing Military Region. He also worked part-time as a professor. Her mother, Jin Shuqi, was a director of the Shanghai Film Studio. She graduated from the Beijing Film Academy and later worked in the Beijing Film Studio. She directed films such as "Aiyo Brother","Money This Thing","Wanted Order","Blood Splashing Garaman" and so on. She also won four medals in the War of Resistance Against Japan, the War of Liberation, the War of Resistance Against America and North Korea, and the founding of the Party for a hundred years. Li Shaohong's family could be said to be a literary family. Such a family background had a certain impact on her development in the film and television industry. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Li Shaohong's profile
New actress Li Shaohong
You might have some misunderstandings. Li Shaohong was a female director and producer from mainland China, not a new actress. Li Shaohong was born on July 17, 1955 in Suzhou City, Jiangsu Province. She graduated from the Beijing Film Academy's Director Department. She had a wealth of experience and many achievements in the film and television industry. For example, her directed " Ci of the Great Ming Palace " had received a high rating. However, the new version of " Dream of the Red Chamber " that she directed had caused widespread controversy among the audience over the casting and content. She had also made some achievements in the film industry, and many of her films had won awards at international film festivals. On September 9,2024, Li Shaohong participated in the "Spirit AI" director co-creation plan launched by Fast Hands. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Love is in the sunshine, Chen Kun, Li Xiaoran
" When the Sun is Bright " was a romance drama. Chen Kun and Li Xiaoran worked together to interpret a poignant love story. In the movie, Li Xiaoran played Lin Xintong, a piano teacher from a single-parent family. In a car accident, she was injured by Ouyang Jun, a fashion designer played by Chen Kun. The injured hand caused her to lose her piano teaching career. The love story between the two was full of twists and turns. They faced many obstacles, such as Lin Xintong's mother's opposition, Mu Tiancheng's obstruction, and Mu Yun 'er's provocation.
Who is Li Shaohong's husband?
Li Shaohong's husband was Zeng Nianping, a photographer. They registered their marriage in Beijing. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Dream of the Red Chamber vs Li Shaohong
The "Dream of the Red Chamber" here might be referring to the original "Dream of the Red Chamber" and the television version of "Dream of the Red Chamber" directed by Li Shaohong. In terms of the plot, the original novel 'Dream of the Red Chamber' was a classic literary masterpiece. It had profound cultural implications, complicated relationships between characters, and the rise and fall of families. And Li Shaohong's version of the TV series 'Dream of the Red Chamber', which was filmed according to Gao E's continuation, was criticized by Redologists for violating the original author's creative wishes. In the performance of the actors, the original work portrayed the characters delicately through the text, while Li Shaohong's version of the actors 'performance was accused of being inappropriate, such as not paying attention to manners, from Daiyu drinking tea to the old woman asking for silver. Moreover, the change of actors was frequent and unreasonable. For example, Yao Di's role was changed many times, which affected the artistic completion of the work. From the production point of view, the original work constructed a grand and detailed world of 'Dream of the Red Chamber'. Li Shaohong's version of the lighting set was not accepted by the audience in the later stages. It was described as a haunted scene in the later stages of the plot. Although the etiquette of Qin Keqing's ritual was in place, and the investment in the set and props was large, these did not make up for the shortcomings in other aspects. In terms of audience acceptance, the original novel was recognized as the pinnacle of China classical novels. After Li Shaohong's version of 'Dream of the Red Chamber' started broadcasting, the negative reviews continued. The Douban rating was only 5.8, and the viewership ratings continued to decline. If the " Dream of the Red Chamber " here referred to the comparison between the 87 version of " Dream of the Red Chamber " and Li Shaohong's version, the 87 version was more deeply rooted in the characters. The actors seemed to be acting the characters themselves, while the actors in Li Shaohong's version were only imitating the 87 version. In terms of clothing, although the 87 version was a little worse in terms of graphics and makeup, the lighting set was acceptable, while the Li Shaohong version was lacking in this aspect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Understanding Li Shaohong's Dream of the Red Chamber
Li Shaohong's edition of Dream of the Red Chamber had its unique background and characteristics. In terms of casting, Li Shaohong abandoned some of the results of the previous "Dream of the Red Chamber" talent show. She led her team to select people from many art schools and affiliated high schools, and even conducted intensive training. However, in this process, there were situations where investors interfered with the role arrangement. For example, Bai Bing played the adult Xue Baochai, which was influenced by investors. From the perspective of character modeling, there were differences from the audience's understanding of the original work, such as the phenomenon of "Chai thin and Dai fat", which deviated from the public's perception of Chai Dai's image based on the original work. From the perspective of understanding the original work, Li Shaohong said that when she was young, she regarded 'Dream of the Red Chamber' as an anti-feudal reading material. When remaking it, she hoped that the actors would be familiar with the text, which might have affected her interpretation and presentation of the work. However, the show was criticized by the audience, partly because the character's hairstyle was considered ugly and not in line with the public's aesthetic. In general, to understand Li Shaohong's version of 'Dream of the Red Chamber', one needed to consider the casting process behind the creation, the differences in the creation of the original characters, and the director's unique understanding of the original work. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Li Shaohong's Version of Dream of the Red Chamber
There were many unique scenes in Li Shaohong's version of Dream of the Red Chamber: - ** The arrangement of seating arrangement **: In the seating arrangement of the first meal in the Jia Mansion, Daiyu used a large voice-over to explain the seating arrangement. She did not use the audio and visual language to convey the information well. - ** Character Styling **: - Grandmother Jia's style failed. She should have been plump and decent, with a kind face and a kind face, but the play was as thin as firewood and had the air of a village woman. - Most of the female characters were in the shape of " copper coins." The higher the status, the more copper coins they had, and the more exquisite they were. This kind of style that originated from the opera patch seemed strange in the play, which did not match the image of a noble lady. - ** Music Style **: The music is strange, like the low voice of a female ghost, making the atmosphere of the whole drama gloomy. It is like the wedding scene of Baoyu and Baochai, which is the illusion of a netherworld marriage. - ** Character Selection and Interpretation **: - The adult Jia Baoyu lacked the aura and unrestrained temperament. When the young Jia Baoyu first appeared, his performance was very vulgar. - When Lin Daiyu appeared, her image was not good. She had a big white flower on her head, a swollen face, and thick eye bags. She was far from the image of Sister Lin's sick and delicate face. The scene of Daiyu burying flowers was also not beautiful. - The scene of Shi Xiangyun lying drunk in the peony pot did not have the posture of a rich young lady, but the sleeping posture of a rough and silly woman. - Xue Baochai didn't show the temperament of a tactful and decent person, appearing petty. - ** Plot Shooting **: - In some plots, such as "Qin Keqing visits Wang Xifeng in a dream", although the scene is faithful to the original text description, Qin Keqing walked in from the door and asked Feng sister face to face, but the overall scene is gloomy and terrifying, the light is dim, the curtain is fluttering, and the characters are expressionless. - Before the filming began, the cast changed frequently. For example, Yao Di was originally the champion of Baochai Group and was arranged to play Daiyu. After the makeup was fixed, Jiang Mengjie played Daiyu, and Yao Di changed to play Wang Xifeng; the original actor Xu Jingyao of Wang Xifeng was changed eight days before the filming began and had no role; Zhang Meng's Xiangling was changed to Song Yi after filming a lot of scenes. - ** Overall Style **: Director Li Shaohong interpreted 'Dream of the Red Chamber' as 'a bunch of nonsense.' There was a deviation in the style positioning, making the entire play look like a horror movie. Although it enriched some details in the original work and improved the plot, it did not grasp the essence. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Why did Li Shaohong fall in Dream of the Red Chamber?
Director Li Shaohong's new version of 'Dream of the Red Chamber' received a lot of criticism and criticism. The audience's dissatisfaction with this version was mainly focused on the director's understanding and presentation of 'Dream of the Red Chamber'. Some people thought that Li Shaohong's understanding of 'Dream of the Red Chamber' lacked depth and that she had only filmed it as a period drama or a palace drama, not showing the essence and spirituality of the original work. The creation of the characters and their styling were also criticized. For example, the actor Lin Daiyu did not match the image in the book, and Jia Baoyu's image did not have the spirituality in the original work. In addition, some of the audience members were dissatisfied with the director's attitude and felt that she lacked self-cultivation when responding to the fans 'doubts. Overall, the audience's criticism of Li Shaohong's version of 'Dream of the Red Chamber' was mainly focused on the director's understanding and presentation of the work.
Li Shaohong made 'Dream of the Red Chamber' into a powerful film
It could be seen that Director Li Shaohong's 2010 version of 'Dream of the Red Chamber' had received controversy and criticism. Some people thought that she had turned 'Dream of the Red Chamber' into a horror film, using shocking looks and strange soundtracks. It was called 'Dream of the Red Thunder' and 'Dream of the Red Chamber Horror Film'. The audience generally complained about the inappropriate casting and the exaggeration of the Tao. However, there were also people who felt that Director Li Shaohong had shown a different dark perspective from the previous versions, which had enriched the understanding of 'Dream of the Red Chamber'. In general, there was a lot of controversy regarding Director Li Shaohong's evaluation of 'Dream of the Red Chamber' as a great film. There was no clear conclusion.