The characters included the male supporting role, the city bull, and the dark green long-tailed black fox. Black hair, golden eyes. (When in human form, under normal circumstances, the golden pupils will turn into the common color of humans.) Likes to drink and wander around. The male partner is Bai Yi, a nine-tailed white fox. She had long snow-white hair and sapphire blue eyes. (In the human world, the color of hair and pupils will usually be the same.) He likes to drink and play chess. [Painted Soul Pavilion] was written by the Clam. It was a fantasy romance/oriental fantasy novel. [User recommendation: There is a Soul Painting Pavilion at the source of the River of Resentment. The Soul Painting Masters in the pavilion can draw souls that have dissipated or repair incomplete souls.] Any soul could be drawn and repaired, as long as one paid the corresponding price.... I hope you will like this book.
The characters included the male supporting role, the city bull, and the dark green long-tailed black fox. Black hair, golden eyes. (When in human form, under normal circumstances, the golden pupils will turn into the common color of humans.) Likes to drink and wander around. The male partner is Bai Yi, a nine-tailed white fox. She had long snow-white hair and sapphire blue eyes. (In the human world, the color of hair and pupils will usually become the same.) He likes to drink and play chess. [Painted Soul Pavilion] was written by the Clam. It was a fantasy romance/oriental fantasy novel. [User recommendation: There is a Soul Painting Pavilion at the source of the River of Resentment. The Soul Painting Masters in the pavilion can draw souls that have dissipated or repair incomplete souls.] Any soul could be drawn and repaired, as long as one paid the corresponding price.... I hope you will like this book.
The story of the flag pavilion painting wall was first seen in the Tang Dynasty scholar Xue Yongruo's "Ji Yi Ji." The protagonists of the story were three famous Tang Dynasty poets, Wang Changling, Gao Shi, and Wang Zhihuan. According to the story, the three of them came to the flag pavilion (restaurant) for a drink on a cold and snowy day. Coincidentally, a dozen opera actors and four famous courtesans had also come to the flag pavilion to perform. The three poets decided to judge who had the most poems by observing the songs sung by the performers. They drew symbols on the wall to calculate the numbers. However, the musicians sang three songs, but they did not sing Wang Zhihuan's poem. In the end, the most beautiful actor sang Wang Zhihuan's "Liangzhou Ci." The three poets suddenly realized that they were the three famous artists of that time. This story showed the poets of the Tang Dynasty's bold and unconstrained struggle for balance and the spiritual outlook of confidants.
The Painting of Lanting Xixi was created by Tang Yin, a painter of the Ming Dynasty. Tang Yin (1470-1523), also known as Ziwei and Bohu, was born in Wu County (present-day Suzhou, Jiangsu Province). He had a wide influence in the field of painting and was good at landscape, human figures, flowers and birds, and many other subjects. His works had unique styles. For example, his landscape paintings had unique features of undulating mountains and overlapping peaks, his figure paintings depicted beautiful women and historical stories, and his flower and bird paintings were good at using ink and wash to express the free atmosphere. The Orchid Pavilion Painting should be a part of his painting creation. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
"Listening to Fan Lou continued to carve calligraphy and painting records" written by Qing Dynasty Pan Zhengwei, a total of two volumes. Pan was a merchant of thirteen lines, a tycoon in Guangzhou, and a famous calligraphy and painting collector in the middle of the Qing Dynasty. He selected some of the best works from his large collection and compiled them into this book, which included more than 120 kinds of paintings and calligraphy from the Tang, Song, Yuan, Ming and Qing Dynasties. These records of paintings and calligraphy contained the material, binding form, size, author's title, seal, as well as the inscriptions and seals of past collectors. However," Tingfan Building Calligraphy and Painting " and " Tingfan Building Continuing Calligraphy and Painting " were not well compiled and had many errors. During the compilation and circulation process, they had been deleted and supplemented several times, resulting in the circulation of the outside world version was not complete. This time, the organizer had done a detailed version investigation and collection work, comparing each copy, checking for loopholes, adding Pan Zhengwei and his grandson Pan Baozhen's annotations, forming an "additional approved complete copy". For a large number of errors in the original engraving, the organizer either corrected and corrected them according to the original painting and calligraphy, or according to the records of other literature materials, to provide readers with a complete and less corrupted reading book.
"Wuxu Day Stream Around Painting Pavilion" might be an image expression in traditional fortune-telling culture. From the perspective of the natural environment, the 1898 Day may correspond to the characteristics of high slopes on the yellow soil, straw of wormwood, dense clouds without rain, etc., and the "stream around the painting pavilion" was one of the poetic images. In the study of fate, the people of the Wuxu Sun Pillar were outgoing and cheerful. They were the day of the first star. They had a strong sense of self and were easy to be complacent and proud (more wood and fire would be more obvious). They were bold but could do things rashly. They were smart and had high comprehension. Women were easy to change their marriages. They were not willing to admit defeat and had perseverance. At the same time, they could also be stubborn and willful. The images such as the "painting pavilion surrounded by streams" here might be an overall and cultural description of the environment and characteristics given by the ancients to the people born on the 1898 day when they constructed the fortune-telling system. It symbolized the characteristics of the person related to the pillar of the sun, such as the character, fate, or aura. However, it was important to note that this concept lacked modern scientific basis.
From the description, the pavilion represented a beautiful and quiet environment. From the perspective of the natural environment, this was a pleasant and poetic scene. It had a high aesthetic value, and from this perspective, it was good. In terms of cultural content, it was also used to describe a beautiful place, reflecting people's yearning and love for a beautiful environment. It could also be seen as a good expression. From the images related to the 1898 sun pillar, although the mention of "the fragrant name of the stream around the painting pavilion" was describing an image situation and did not have a clear value judgment on its quality, it was generally describing some characteristics related to the sun pillar, and from the perspective of the situation itself, it was relatively good. Therefore, in general, the "Painting Pavilion by the Stream" was good.
There was the flute, Mo Xiaoxi's "Ink Painting Orchid Pavilion"(flute version), which could be heard on Kugou Music in high-definition without any loss of sound quality, and Mr. Jin Shu and Lord Rabbit's "Ink Painting Orchid Pavilion"(bamboo flute version), which was included in Lord Rabbit's album,"Lord Rabbit Music Repository."| background music| Soothing, Healing, Relieving, and Calming. While waiting for the TV series, he could also read the exciting content related to this site!
"Ink Painting Orchid Pavilion" had a flute solo version, such as the version played by the flute Mo Xiaoxi, and the flute solo piece by Li Zhihui, which was brought by the host Xiao Xiaole. The audio was 5 minutes and 37 seconds long and had been listened to 10563 times and received good reviews. In some performances, there was also the performance of the flute solo "Ink Painting Orchid Pavilion." This piece combined China and Western music elements. With the subtle and graceful China style (such as guzheng and bamboo flute) and the fresh and dynamic Western music (such as piano, violin, drum, percussion), and the natural imitation sound (stream sound) as the background, the rhythm was like an ink painting, lyrical and freehand. The movement was orderly, giving people a beautiful enjoyment. While waiting for the TV series, he could also read the exciting content related to this site!