Is there a better novel than "Green Mud is Porcelain"?

The green mud Xishi probably referred to the Xishi pot made of green mud. Green soil included the mountain's green soil, dark green soil, and so on. The green mud of this mountain was produced in the Huanglong Mountain Kuangqu of Dingshu. The original ore was grayish green and yellowish green. It was called "pear skin mud" in ancient times. It was a sandy mudstone, located in the middle of the purple mud layer or the grease between the purple mud layer and other mud layers. It was difficult to mine and the output was rare. Dark green mud was a type of green mud, and it was also the grease in purple sand mud. The color of the mineral material was darker than ordinary green mud. There were many kinds of Xishi pots made of green mud. For example, the Xishi pot made of green mud from the original mountain had a round body, a cut cover, a short mouth, a short handle, and a charmingly naive appearance. There was also the Xishi pot made of green mud from the original ore of the Republic of China. The green mud of the Republic of China was relatively scarce. The lines of the pot body were soothing and beautiful, concise and beautiful, and the whole body was plump and full. The mouth of the pot was petite and cute. The inverted ear-shaped pot handle and the mouth seemed to be far away. The cut cover design made the pot look like a beautiful whole from a distance. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

Whether the porcelain was whiter or not, it couldn't be said that it was better. In terms of ceramic tiles, there was a view that the whiter the ceramic tile body, the less impurities, the purer the material, and the better the quality, but this view was wrong. The difference in origin and raw materials would affect the color of the brick embryo. China's red raw materials were more abundant than white raw materials. Some high-end ceramic tiles had a meticulous impurity removal process, and the long firing time would make the green body whiter. However, many times, the manufacturer would add excessive amounts of zircosil to the mud to increase the whiteness of the green body. Once the zircosil exceeded the limit, it would increase the radiation of the ceramic tile and cause harm to the human body. Therefore, the whiter the ceramic tile, the better. As for ceramic tableware, some people believed that the quality of pure white ceramic was very good, but this did not mean that the degree of whiteness was the only standard to measure its quality. Other properties such as high temperature resistance, low temperature resistance, and whether it could enter the microwave or the dishwashing machine were also factors to measure the quality of ceramic tableware. In summary, porcelain could not be simply judged as the whiter the better. It needed to be considered in many aspects. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Glaze and porcelain each had their own unique features, and it was difficult to simply determine which was better. It depended on many factors, and the following were their comparisons in different aspects: ** 1. Material and Quality ** 1. ** Glaze ** - The main component of glass was silicon, which was similar to the glaze on the surface of porcelain. The glaze was made by melting the raw materials in a crucible furnace at 1400 ° C for 10 - 12 hours, then molding them. The glass was crystal clear and had the texture of glass. 2. ** Porcelain ** - Porcelain was the general term for pottery and porcelain. Porcelain was made of clay with high stickiness and strong malleability. It was not transparent, had fine pores and weak water absorption, and the sound of hitting was turbid. Porcelain was made of clay, plagiocentric and quarts. It was translucent, non-water-absorbing, anti-corrosive, hard and compact, and the sound of hitting was crisp. ** 2. Craftsmanship ** 1. ** Glaze ** - Glaze was hot processed and then cold processed. The first step of firing was to burn the raw materials into liquid state. Then, the craftsman would use a hollow slender iron pipe to pick out the liquid glass to shape it. There was still the cold processing process to follow. 2. ** Porcelain ** - Porcelain was cold processed and hot fired. First, the body was made, then the glaze was fired. The firing temperature of porcelain was generally 1200 - 1400 degrees Celsius, and the firing temperature of pottery was generally 700 - 800 degrees Celsius. The process of porcelain was relatively complicated. ** 3. Appearance and decoration ** 1. ** Glaze ** - Colored glaze had a variety of colors. The ancients called it the "five-colored stone". Its color richness and clarity were relatively good. When colored glaze was used to make decorations, the color transition was natural, and the shape could be more flexible. However, when glazed tiles were glazed, it was a common problem for the glaze layer to crack. When the glaze layer cracked, fell off, or cracked, it would seep through. 2. ** Porcelain ** - The decorative effects of porcelain were rich and varied. It could be decorated through painting, carving, and many other methods. Porcelain was fully glazed, and pottery could be glazed at a low temperature or not. Porcelain also had a high value in artistic creation. Traditional China ceramic arts and crafts were famous all over the world. ** 4. Usage ** 1. ** Glaze ** - Glazed tiles had certain applications in architectural decoration. For example, glazed tiles had the advantages of waterproof and impervious, good smoothness, low water absorption, folding resistance, frost resistance, acid resistance, and alkali-resistance (but the problem of the glaze layer would affect its waterproof and other functions). At the same time, glass could also be made into crafts. 2. ** Porcelain ** - The use of porcelain in daily life was even more extensive, including practical utensils such as tableware and tea sets. There were also a large number of porcelain products as art collections. In terms of construction, ceramic tiles were also an option. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!

The green glazed lotus flower was a national first-class cultural relic and one of the treasures of Zibo ceramic glaze museum. An ancient tomb was unearthed in Hezhuang Village, Longquan Town, Zichuan District in 1982. It was 59 centimeters tall, 13.1 centimeters in diameter, and 16 centimeters in diameter. Its mouth and neck were decorated with eight lines of Yin strings, and its shoulders were surrounded by a circle of raised rope patterns. Below it were four curved lines, and between the lines were decorated with four sets of printed patterns, each set having a total of three flowers. It was a combination of drawing, stacking, printing, embossed, and round carving. The upper part of the abdomen was piled with 21 lotus petals, the middle part of the abdomen was printed with two layers of honeysuckle patterns, and the lower part of the abdomen was decorated with a set of double-layer lotus petals. The lower part of the abdomen contracted and the circle was slightly extravagant. Not only was this lotus flower statue in perfect condition and had a large carcass, it was also a combination of carving, imprinting, stacking and other decorative techniques. It was a rare treasure. In 1987, it was identified by the State Administration of Cultural Relics as a cultural relic of the Northern Qi Dynasty. It was the only green-glazed lotus statue unearthed in the country that was confirmed to be fired at the kiln mouth. According to the celadon fragments of the Northern Dynasty period unearthed from the Zhaili kiln in Zichuan, it was the work of the Zhaili kiln, and the Zhaili kiln site was therefore considered to be the earliest celadon kiln site in northern China. In the Zibo ceramic glaze museum, it attracted many tourists to visit. With the help of digital technology, tourists could see the introduction of cultural relics and digital models through the "MR glasses" when they approached. They could also rotate and enlarge them for better appreciation. In addition, its image was also made into a creative refrigerator and sold in the cultural creation center of the museum. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!

Green glazed porcelain from different periods of the Qing Dynasty had different identification characteristics: - ** Early Qing Dynasty Apple Green Glazed Porcelain **: When fired, most of the copper in the glaze is oxided to form a different shade of green. Generally, there are dark green spots on the light green background, and a few places are slightly red, resembling fresh apples. - ** Apple Green Glazed Porcelain from the Yongzheng Emperor of the Qing Dynasty: The glaze color was light yellow green, like the color of the willow leaves sprouting in spring. - ** Lang kiln green porcelain (Kangxi period)**: - The glaze layer was thin and even, and the color of the glaze was stable. It was emerald green and bright. The glaze had a strong glass-like luster, like jade. - Under the glaze, the area close to the carcass was covered with fine lines (commonly known as "fly wings"). If one looked closely with a 10x magnifying glass, one could see dense small dots on the glaze. - Near the bottom of the vessel, there is a circle of hanging glaze (commonly known as "Lang Bu Liu"). The hanging glaze is very natural and neat. The glaze color of the thick glaze is deepened and appears dark green. The circle foot is the back of a loach. The inner wall is an inner bow. The bottom foot is covered with white middle flashing green glaze. The low blue and white double circles can be seen. The inside of the vessel is covered with bluish-white glaze. The glaze layer is thicker and there is no opening. The glaze color is obviously different from the white flashing green glaze in the bottom foot. - ** Turquoise Porcelain from the Daoguang Era **: - It was a low-temperature monocolored glazed porcelain with copper as the coloring agent. - The glaze was thicker and the glaze was oily. - The early glaze color was mostly light blue-green, and in the middle and late stages, the turquoise green glaze color was closer to the color of turquoise. - It was mainly used as the ground of famille rose porcelain. There were many turquoise glazes inside or at the bottom of the porcelain, mostly for decoration. - The quality of the porcelain body was not as delicate as that of the Yongzheng and Qianlong periods. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

The green glazed porcelain from Shiwan kiln had the following characteristics: - ** Glaze color **: Green glaze, affected by the atmosphere during the firing process, such as green in an oxiding atmosphere. For example, the green glaze of the Shiwan kiln in the Qing Dynasty was dark green. Some porcelains were glazed with different colors inside and outside. The inner wall might be changed by the kiln, and the outer wall was green glaze. For example, the inner wall of the ear-ear jar of the Shiwan kiln had a colorful kiln change effect, and the outer wall was green glaze. - ** In terms of the carcass, the carcass wall may be thin, the feel is light and beautiful, and the carcass is strong and thin. For example, the walls of the green glazed kiln glazed two-ear jars were thinner, and the traces of drawing were clearly visible. There was no glaze on the flat bottom, and if one looked carefully, one could see the line cut marks similar to fingerprints. - ** Overall Appearance **: The shape is beautiful and straight, like a green glazed two-ear jar. - ** Glaze state **: Some glazed surfaces are bright and beautiful, with fine lines on them. For example, the glazed surfaces of the green glazed kiln glazed two-ear jars are bright and beautiful, with fine lines on them. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!