The representative figures of Legalism in the early, middle and late stages
Legalism was a school of thought during the Warring States Period. The main representatives were Han Fei, Shang Yang, Wu Qi, Li Si, and so on. Legalism advocated the rule of law, emphasizing the authority and strict implementation of the law, believing that the law was the foundation of governing the country. Its early representative, Han Fei, proposed the concept of Legalism, which advocated the establishment of strict laws to maintain social order and justice. During the Warring States Period, Legalism was widely spread and became one of the mainstream political schools of thought at that time. Shang Yang implemented a series of reform measures in Qin, such as the implementation of Legalism, the formulation of laws, and the strengthening of autocracy. This made Qin make significant progress in a short period of time and become the first unified, central state in Chinese history. Wuqi proposed the idea of "ruling the country with punishment" by setting up prisons to punish criminals and maintain social order. During the Qin Dynasty, Legalism developed further. Li Si and the others further emphasized the authority and strict implementation of the law, formulated a unified legal system, and established a central system. In general, Legalism was widely spread and developed in the Warring States Period, which had a profound impact on the development of ancient Chinese politics and society.
What were the representative figures and works of Legalism?
Legalism was one of the schools of thought in ancient China. Its main representatives were Han Fei, Shang Yang, Wu Qi, and so on. Han Fei was one of the important representatives of Legalism. His works included Han Feizi. Han Feizi was an important philosophical and legal literature, which advocated the rule of law and emphasized the authority and norms of the law. Shang Yang was another important representative of Legalism. His works included the Book of Shang Jun. Shang Yang advocated to strengthen the authority of law through the reform of the system to promote the development of the country. Wu Qi was another important representative figure in Legalism. His representative works were Wu Zi and so on. Wuqi advocated the importance of military and political power to push for social change through coercion. Legalism had a far-reaching influence in Chinese history. It emphasized the authority and norms of law, paid attention to the reform and strengthening of the system, and made important contributions to the politics, economy and culture of ancient Chinese society.
What representative works did Cao Zhi have in the early and late stages?
Cao Zhi was an important writer in the State of Wei during the Three Kingdoms period. His writing activities could be roughly divided into two stages: the early stage and the late stage. Cao Zhi's most famous masterpiece in his early works was the White Horse. The White Horse was a story about love between a boy and a girl. This article displayed Cao Zhi's superb writing skills and poetic expression ability in simple and beautiful language. Cao Zhi's most famous masterpiece in his later works was the Seven-Step Poem. The Seven-Step Poem was a poem with the theme of suicide, expressing Cao Zhi's understanding of life and death and his helplessness towards fate. This article became a classic in the history of Chinese literature with its concise and profound thoughts. Other than that, Cao Zhi's other masterpieces included " Looking at the Vast Sea,"" Farewell to the Ancient Grass,"" Climbing the Flying Peak," and so on.
Representative writers and their works in the early, prosperous, middle and late Tang Dynasties?
The representation of the early Tang, prosperous Tang, middle Tang, and late Tang: 1 Early Tang Dynasty: - Princess Wencheng's Song of Everlasting Regret - Li Bai's " Going to Drink " - Bai Juyi's Song of Everlasting Regret - Du Fu's Ascending - Luo Binwang's Imperial Capital Chapter 2. Tang Dynasty: - Li Bai's Ballad of Lushan Mountain - Du Fu's Ascending - Bai Juyi's Farewell to the Ancient Grass - Wang Zhihuan's "Climbing the Stork Tower" - Liu Yuxi's "Humble Room Inscription" 3 Middle Tang: - Han Yu's "On Teachers" - Liu Zongyuan's River Snow - Liu Yuxi's "Humble Room Inscription" - Bai Juyi's Song of Everlasting Regret - Du Mu's Red Cliff Late Tang Dynasty: - Li Shangyin's Untitled - Bai Juyi's Song of Everlasting Regret - Wen Tingyun's 'Early Journey to Shangshan'. - Liu Yuxi's "Humble Room Inscription" - Wang Changling's "Seeing Xin Jian Off in Furong Pavilion" The above are the representative of each era, of course, this is only the tip of the iceberg. Every era has countless outstanding people.
Representative writers and their works in the early, prosperous, middle and late Tang Dynasties
The representative works of the early Tang Dynasty, such as Yang Jiong and Luo Binwang, were mainly poems, such as Preface to Tengwang Pavilion and Farewell to Friends. The representative works of the Tang Dynasty, Du Fu, Bai Juyi, etc. were mainly poems, essays, and Fu, such as "Going into Wine,""Lushan Ballad,""Night Moored by Niu Zhu Recalling the Past," etc. The representative works of the Mid-Tang Dynasty, Liu Zongyuan, Liu Yuxi, etc. were mainly prose, poetry, and novels, such as "Teacher Shuo,""Humble Room Inscription,""Snake Catcher Shuo," etc. The representative works of the late Tang Dynasty, Du Mu, Wang Zhihuan, etc. were mainly poems, essays, and Fu, such as "Climbing the Stork Tower,""Liangzhou Ci,""Night Moored by Niuzhu, Recalling the Past," etc. The above are the representatives of the early Tang Dynasty, the prosperous Tang Dynasty, the middle Tang Dynasty, and the late Tang Dynasty. I hope you can help.
What's the difference between the early, middle, and late stages of a fantasy novel?
The early, middle, and late stages of fantasy novels usually had different characteristics and differences. The specific differences were as follows: The early stage usually refers to the time when the protagonist has just entered the fantasy world or has just come into contact with the elements of fantasy. This period is usually confused and ignorant, but there is a strong desire to explore and adventure. The middle stage of the game usually referred to the time when the protagonist gradually grew up and mastered certain fantasy skills and knowledge. During this period, the protagonist usually became a character with a certain strength and began to explore and challenge the fantasy world in depth. In the later stages of the game, the protagonist would gradually become stronger after experiencing certain challenges and adventures and begin to control the rules and order of the fantasy world. During this period, the protagonist would usually become a powerful existence that could truly compete with the protagonist's opponent. Different characters and plots of fantasy novels have different mid-stage and post-stage, but usually the mid-stage and post-stage have a common feature, that is, the protagonist continues to grow and improve, constantly challenging his own limits and eventually becoming a legendary figure in the fantasy world.
Can you recommend some web novels that are boring in the early stages but explosive in the middle and late stages?
😋I recommend the following novels to you, Immortal Qin Begins from Qin Dynasty and I Am in the World of Time Stop. These two novels were slightly quiet in the early stages, but they were more exciting in the middle and late stages, with a high climax and surprise. I hope you like my recommendation.😗
Each stage of cultivation was divided into three stages: upper, middle, and lower. Each level was divided into early, middle, and late stages.
Cultivation novels usually divided the cultivation process into three stages, the upper, middle, and lower stages. Each stage had its own unique characteristics and cultivation difficulty. The early stages were usually the stage of cultivating basic knowledge. The protagonist would often encounter various bottlenecks and tests that required him to constantly explore and learn basic cultivation techniques and martial arts. In the middle stage, the protagonist would be able to practice some basic martial arts and spells, and begin to come into contact with high-level connections and resources in the cultivation world. At the same time, he would also face more dangers and challenges. In the later stages, when the protagonist cultivated to a relatively high level, he would usually be able to cultivate powerful spells and martial arts. At the same time, he would be able to grasp the core secrets of the cultivation world and become the leader and expert of the cultivation world. It was important to note that different cultivation novels might have different cultivation levels and cultivation difficulties. These details were usually reflected in the story.
What are the representative poets of the middle, early, prosperous and late Tang Dynasties, their important works and representative poems?
The most representative poets of the Mid-Tang Dynasty were Li Bai and Du Fu. Li Bai's poems were bold and unrestrained. His representative works included "Going to Drink","Lushan Ballad","Night Moored by Niu Zhu Recalling the Past" and so on. Du Fu's poems focused on reflecting social reality, such as "Climbing High,""Spring Night Happy Rain,""Moonlit Night Recalling My Brother," and so on. The most representative poet of the early Tang Dynasty was Wang Zhihuan. His poems were fresh and natural, such as Climbing the Stork Tower and Liangzhou Ci. Du Fu was the most representative poet of the prosperous Tang Dynasty. His representative works with the largest number of poems and the richest content include "Climbing High","Going to Wuxing to Climb Leyou Plain","Spring Night Happy Rain" and so on. The most representative poet of the late Tang Dynasty was Li Shangyin. His poignant and moving poems include "Jin Se" and "Untitled". Tang Wan's poems were fresh and bright. Her representative works included "The Phoenix with the Head of a Dragon","The Feelings of the World" and "The Slow Voice".
Ming Dynasty paintings are divided into early, middle and late representative works and characters. What are they?
The early, middle, and late stages of the Ming Dynasty paintings appeared in different historical backgrounds. In the early Ming Dynasty, the paintings of painters such as Wu Daozi, Zhang Xu, and Li Sixun were widely circulated. Their works were mainly traditional landscape paintings and figure paintings, focusing on artistic conception and brush and ink techniques. In the middle of the Ming Dynasty, the paintings of artists such as Wen Zhengming, Zhou Zhiheng, Shen Zhou, etc. were loved by the literati at that time. Their works focused on realism and description, showing their love and reverence for natural landscapes and human life. In the late Ming Dynasty, the paintings of artists such as Qiu Ying, Shi Tao, and Hong Ren became the representative of the art world at that time. Their works were known for their strong personality and expressiveness, reflecting dissatisfaction and resistance against the times and society. Representative works and characters included: In the early Ming Dynasty, Wu Daozi's "Immortal Living Painting", Zhang Xu's "Spring Travel Painting", Li Sixun's "Xiaoxiang Painting" and other paintings were all important representative works. In the middle period, Wen Zhengming's Painting of Wenxuan, Zhou Zhiheng's Painting of Spring Travel, and Shen Zhou's Painting of Mount Lu were all important representative works. Later on, Qiu Ying's Along the River During the Qingming Festival, Shi Tao's Journey to Snow Mountain, and Hong Ren's River Sails Pavilion were all important representative works. The works of these painters not only represented the high achievements of the art of painting at that time, but also became the model of art for later generations.
He was the representative of the poets of the early, prosperous, middle and late periods of the Tang Dynasty, and his style was extremely representative ~~~
The literature of the Tang Dynasty was a peak in the ancient Chinese literature. Its poetry schools were mainly divided into four periods: the early, the prosperous, the middle and the late. The following are the representative poets and their representative works of the four periods: Representative of the First Generation Poet: Wang Zhihuan Masterpiece: Climbing the Stork Tower The representative of the second generation of poets: Du Fu Masterpiece: Ascending Spring Gaze Three Officials "Wuyi Alley" "I heard that the government troops have captured Henan and Hebei." "Outside the sword, it was suddenly said that the north of Ji was captured." "Leaving White Emperor City early." "Seeing Xin Jian Off at Furong Pavilion" "Climbing the Peak and Spectacular Song" "Drink Up" Bai Juyi, the representative of the third generation of poets Masterpiece: Song of Everlasting Sorrow Song of the Pipa "Farewell to the ancient grass" "Dreaming in Tianlao, Singing Parting" Ballad of Lushan Mountain Chang 'an Ancient Meaning "Farewell to the ancient grass" "Moored at Niushui, Recalling the Past" "Spring Night's Rain" The representative of the fourth generation poet: Wang Bo Masterpiece: Preface to King Teng's Pavilion "Prince Teng's Pavilion Seeing Off Young Master Du's Official in Shuzhou." Parting Words "Sending a Friend Off" "Moored at Niushui, Recalling the Past" "The Yellow Crane Tower sends Meng Haoran to Guangling." Spring in Jiangnan Looking at the Waterfall of Mount Lu The above is the introduction of the representative poets and their representative works in the early, prosperous, middle and late periods of Tang Dynasty literature. These poets have an important position in the history of Tang Dynasty literature. Their poetry styles are different, but they all reflect the characteristics of Tang Dynasty culture.