The life and works of Mr. Mei Lanfang, the founder of the Mei Sect, can be referred to the following information: Mei Lanfang (1594 - 1661) was one of the founders of Peking opera and a representative of the Mei School of Chinese opera. He was born in Kunshan City, Suzhou City, Jiangsu Province. He grew up in Beijing City lived in Shanghai City in his later years. Mei Lanfang was intelligent and studious since childhood. She liked opera and studied at Tsinghua University in Beijing and the opera school in Summer Palace. Later, he opened his own opera school in Beijing and trained many outstanding opera actors, including Shang Xiaoyun, Xun Huisheng, Cheng Yanqiu, and others. Mei Lanfang's representative works include Peking opera 'The Drunken Concubine,''Farewell My Concubine,' and Kunqu opera 'The Peony Pavilion.' His unique performance style focused on emotional expression and eye contact, and he was known as the founder of the "Plum School". Mei Lanfang loved opera all her life and was committed to combining western music and dance with traditional Chinese opera to create a new form of performance that promoted the development of Chinese opera. His contributions and influence were far-reaching in China and around the world.
Mr. Mei Lanfang has starred in famous dramas such as The Peony Pavilion, Red Cliff, Dream of the Red Chamber, and Water Margins.
Mei Lanfang (1894 - 1966), formerly known as Mei Lanfang, was a Chinese Peking opera artist and actor. His main works included classic Peking opera scripts such as The Drunken Imperial Concubine, Legend of the White Snake, and Dream of the Red Chamber. These scripts had high artistic value and popularity not only in China but also around the world.
Mei Lanfang was the founder and main actor of Beijing opera. 1 Peking opera Legend of the White Snake: This is one of Mei Lanfang's most famous works and one of the most representative plays in Peking opera. It told the love story between the White Lady and Xu Xian and was hailed as a classic in the history of Chinese opera. 2 Peking opera, Dream of the Red Chamber: This is Mei Lanfang's adaptation of the Chinese classical novel, Dream of the Red Chamber. It is also one of the representative works of Peking opera. It used the love story of Jia Baoyu and Lin Daiyu as the main line to show the style and interpersonal relationships of traditional Chinese society. 3. Peking opera " Qin Shihuang ": This is Mei Lanfang's Beijing opera adapted from the historical story " Qin Shihuang and Li Si ". It narrates the political struggle and power struggle between Qin Shihuang and Li Si, and shows the political culture and historical background of ancient China. 4. Peking opera Liang Shanbo and Zhu Yingtai: This is a Peking opera work adapted by Mei Lanfang from the Chinese classical novel Liang Shanbo and Zhu Yingtai. It tells the love story between Liang Shanbo and Zhu Yingtai and is regarded as a classic in the history of Chinese opera. 5 Beijing opera "Three Shop": This is Mei Lanfang's Beijing opera adapted from the traditional Chinese opera "Three Shop". It tells the story of three businessmen in the process of opening a shop, showing the style and humanity of Chinese traditional business culture.
Mei Lanfang was one of the founders of Chinese Peking opera. Dream of the Red Chamber: Mei Lanfang's Beijing opera performance based on Cao Xueqin's novel of the same name was hailed as the "pioneer work" of Chinese Peking opera. 2. The Legend of the White Snake: Mei Lanfang's performance of the Legend of the White Snake was hailed as the "classic play" of Chinese Peking opera. 3."Liang Shanbo and Zhu Yingtai":"Liang Shanbo and Zhu Yingtai" performed by Mei Lanfang and Ma Lianliang was hailed as the "century classic" of Chinese Peking opera. 4." Three Shops ": Mei Lanfang's performance of " Three Shops " was famous for its twists and turns in the plot and its distinctive characters. " Hongyang Cave ": Mei Lanfang's performance of " Hongyang Cave " was famous for its beautiful melody and exquisite performance. Mei Lanfang's performing arts covered various schools of Peking opera, such as Kunqu opera, Peking opera, Cantonese opera, etc. His innovation and breakthrough in performance had a profound impact on the development of Chinese opera.
In Liang Yusheng's works, the founder of the Heavenly Mountain Sect was Master Xuzhu from the " Eight Dragons ". Master Xu Zhu was the husband of a young lady in Tianshan and was also a famous swordsman. In the novel, he was known as a martial arts master who was proficient in many martial arts manuals and was known for his indifferent attitude towards fame and fortune.
The founder of Wudang Sect was Zhang Sanfeng.
There was no clear information about the current situation of Mei Lanfang's descendants. We learned that Mei Lanfang had a total of nine children, of which only four were adults. Mei Baochen was Mei Lanfang's fourth son and was an outstanding architect. Mei Shaowu was one of Mei Lanfang's five sons. He was a translator and literary researcher. Mei Baoyue was Mei Lanfang's seventh daughter. She studied hard in the field of opera. Mei Baojiu was Mei Lanfang's youngest son. He inherited Mei Lanfang's artistic talent and became a Beijing opera actor. Other than that, there was no information on the specific status of the other descendants.
The founder of Emei Sect was Mistress Miejue. She was a famous female character in the Chinese martial arts novel, Demigods. Mistress Miejue was once the founder and leader of Mount Emei Sect. She hated the martial arts world because of her husband's betrayal, so she decided to take revenge in the martial arts world. In the end, she founded Mount Emei Sect to protect herself and her sect. She was a very cruel and evil character. In the novel, she was described as a cold-blooded killer.
Mei Lanfang (1634 - 1703) was one of the founders of Peking opera and an important figure in the history of modern Chinese opera. Mei Lanfang's title was the "Founder of Peking opera." His representative work was "Dream of the Red Chamber." His main deeds included creating Peking opera, promoting Peking opera, and hindering the development of Peking opera. Mei Lanfang had made great contributions to the creation and promotion of Peking opera. He created a new form of Beijing opera through the improvement of Kunqu opera and other operas, making Beijing opera gradually become one of the representatives of traditional Chinese opera. He also established the Peking opera performance group "Mei School" and personally guided the rehearsal to promote the development of Peking opera art. However, Mei Lanfang was also criticized for hindering the development of Peking opera. He once tried to promote other cultures by restricting the performance of Peking opera, which was considered a betrayal of traditional culture. Despite this, Mei Lanfang was still regarded as an important figure in the history of modern Chinese opera. His contribution and influence were still widely recognized.