How to write good novels about God's Space?To write a good novel about God's Space, one could start from the following aspects:
** 1. Setting **
1. ** The uniqueness of the Creator's Space **
- The functions and rules of the Creator's Space had to be new. For example, the release of missions in the realm, the recruitment and management of Samsara travelers, and the reward and punishment mechanism. It could break through the traditional mode of killing monsters to level up and obtain points to exchange. For example, in some novels, the missions in God's Space were not simple combat missions, but special missions that involved world transformation, such as transforming the plane into a lawless world or a paradise for ghosts.
- The form and layout of the space could also be innovative. It wasn't limited to a common hall with a mission portal. It could be a special space filled with mysterious runes and constantly changing, or it could be combined with some special cultural elements. For example, the God's Space could be set as a mysterious academy, and entering the space to do missions could be compared to students attending classes to obtain credits.
2. ** Power System **
- Construct a reasonable and novel power system. If a Samsara traveler obtained abilities from different worlds, then the classification of abilities, the rules of their upgrade, and the mutual restrictions had to be clear. For example, in some novels, the protagonist could fuse skills in the God's Space. For example, the fusion of skills like Little Li Flying Dagger would add uniqueness to the story.
- The connection between the power system and the Creator's Space had to be very close. For example, the upgrade of the God's Space could affect the upper limit of the power that Reincarnators could obtain, or the special areas in the space could allow Reincarnators to comprehend unique powers.
3. ** World architecture **
- The types of worlds involved in the Creator's Space were rich and varied. It could include sci-fi worlds, fantasy worlds, martial arts worlds, horror worlds, and other different types of planes. For example, the protagonist traveled through the Marvel World, the Journey to the West, the Divine College World, and so on. The differences in culture, rules, and power levels in different worlds could create more conflicts and highlights.
- The connections and interactions between the worlds had to be ingenious. For example, there might be a common mysterious treasure in different worlds, or a powerful existence might have a layout in multiple worlds. The protagonist gradually discovered these connections during the exploration process.
** 2. Character Creation **
1. ** Image of the protagonist **
- The protagonist's personality had to be unique. It could be an intelligent protagonist who was good at exploiting loopholes in the rules and was like a fish in water in the Main God's Space, or it could be a cunning protagonist who treated the Main God's Space as a tool for his own benefit and disguised his true purpose to the outside world. For example, some of the protagonists were black-hearted bosses and forum curators. They used this unique personality to lead the matters related to God's Space.
- The protagonist's growth path had to have ups and downs. From being ignorant or weak when he first entered the Creator's Space, he gradually grasped the laws of space and became an existence that controlled everything. During this process, he faced all kinds of challenges, such as threats from other Main Gods, betrayals from Samsara travelers, and so on. Through overcoming these difficulties, he grew.
2. ** Reincarnator image **
- The Samsara travelers needed to be diverse. This included people with different personalities, backgrounds, and abilities. There were hot-blooded and impulsive types, calm and rational types, timid and afraid of death types, and so on. Their interpersonal relationships, teamwork, or infighting could enrich the story.
- He focused on drawing a few representative Reincarnators. It could be the main character's right-hand man or the opposite character. Their respective storylines, such as their experiences in different worlds, personal growth and transformation, could increase the level of the story.
** 3. Plot design **
1. ** Quest Plot *
- The mission design had to be challenging and interesting. Other than combat missions, there were also puzzle solving missions, survival missions, diplomatic missions (dealing with forces from different worlds), and so on. For example, in an ancient fantasy world full of puzzles, the protagonist and the Samsara traveler needed to solve the secrets of a series of ancient runes to complete the mission.
- The difficulty curve of the mission had to be reasonable. In the beginning, it could be a relatively simple mission for the protagonist and Samsara traveler to adapt to. As the story developed, the difficulty of the mission gradually increased, involving more powerful enemies, more complicated environments, and more rules.
2. ** Main Story and Side Story **
- The main storyline was clear, such as the protagonist improving his position in the Creator's Space or exploring the secrets behind the Creator's Space. At the same time, there were rich side plots, such as the personal grudges of the Samsara travelers or the special plots hidden in a certain world. For example, when the protagonist was exploring a martial arts world, he accidentally discovered a side story about the inheritance of a peerless martial art. This side story could not only allow the protagonist to obtain new power, but also promote the development of the main story. For example, he discovered that this peerless martial art had some kind of connection with the founder of God's Space.
3. ** Conflict and contradiction **
- Creating a multi-layered conflict. This included the conflicts between the protagonist and the Main God's Space (such as the unreasonable rules of the space, hidden conspiracies, etc.), the conflicts between the protagonist and other Main Gods (fighting for resources, control of the space, etc.), the conflicts within the Samsara travelers (distribution of interests, disagreement of ideas, etc.), and the conflicts between the protagonist and the local forces of different worlds. These contradictions and conflicts could continuously push the story forward and maintain the reader's interest in reading.
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