There were many ways to draw out a character's speech when writing a novel. 1. Direct description: By describing the character's appearance, personality, behavior, etc., the character will speak. For example,"He slowly walked forward and looked at the other person's lips as if he was saying something." 2. Hint: Use hints to draw out the character to speak. For example,"His eyes became gloomy and there was a hint of impatience on his face as if to say,'I don't want to talk to you. Are you annoyed?'" 3. Conversation: Use the dialogue between the characters to lead the characters to speak. For example," He listened quietly as if he was thinking about something and then said,'Yes, that's my problem.'" 4. The environment: Use the environment to draw out the character's words. For example," He is sitting by the window and can see the mountains and the sky in the distance through the window. It seems to be saying,'Look, there seems to be something floating over there.'" All of the above methods could be used to draw out the character to speak. The specific method to use would depend on the plot of the novel and the characteristics of the character.
Avoid being too direct and instructional. Let the story unfold naturally without explicitly addressing the readers.
It's important to understand a person's personality when writing a novel because it affects the development of the story and the interaction between the characters. To know a person's character, one could consider the following points: 1. Observe their actions and speech. A person's words and actions could reflect their personality and attitude. Observing their reactions and behavior in different situations, such as whether they were decisive, brave, kind, selfish, and so on, could provide clues about their personality. 2. Understand their background and experiences. A person's personality was often closely related to their background and experiences. By understanding their growth experiences, family environment, interpersonal relationships, and other aspects, one could better understand their personalities. 3. Consider the character's motivation. A person's behavior and attitude were often related to their motives. Considering the motives of the characters, such as what they want to achieve, what beliefs they have, etc., can help you better understand their personality and behavior. 4 Pay attention to the dialogue between the characters. A person's personality could also be reflected through the way they talked. Observing the way they talked and their tone in different situations could better understand their personality and attitude. To sum up, understanding a person's personality was a very important step in writing a novel. Through the above points, you can better understand their personalities and provide them with more rich character settings and plot development.
It really depends on your schedule and writing speed. Some authors aim for 1000 words a day, while others might do 2000 or more.
Creating a novel based on a person usually requires communication with the archetype to ensure that the creation meets the wishes and expectations of the archetype. This is because a person's behavior and way of thinking may change over time, and the archetype may react to the plot and characters of the novel. Therefore, dialogue with the archetype can help ensure the continuity and unity of the novel. Of course, if the prototype agreed to cooperate, they could also provide feedback and suggestions directly, which would be a good help to the creative process. However, if the prototype did not agree to cooperate or did not wish to participate in the creation, then the prototype's wishes had to be respected and the creation continued.
It really varies. Some experienced writers can manage 1000 or more words per hour, but for beginners, 500 could be a good start.
When writing in the third person, adding adjectives or epithets before someone's words can help the reader better understand the content of the person's words and make the story more interesting. A common method is to add an adjective before the name of a person, such as: "I will complete this mission," he said firmly. In this sentence,"he" is in the third person. The adjective "firmly" can help readers better understand this person's tone and emotions. In addition, you can also add some qualifiers before the name, such as: "I won't give up," she said coldly. In this sentence,"she" is in the third person. The addition of the qualifier "coldly" before "she" can help the reader better understand the coldness and determination of this person. In short, adding adjectives or epithets in a third-person novel can help the reader better understand the speaker's intentions and emotions, and at the same time, make the story more lively and interesting.
It's not necessary. In most cases, single spacing is preferred in novel writing for a more modern and professional look.
Past tense is often used in novels to give a sense of events that have already happened. It creates a more traditional storytelling feel.
Read a lot of good novels and pay attention to the words the authors use. Also, keep a thesaurus handy to find more precise and vivid words.
When writing a novel in the third person, the perspective is based on one person, but the background cannot be explained. You can refer to the following methods to solve this problem: Step by step explanation: Through the gradual description of the relationship between the protagonist and other characters, experiences, and events, gradually reveal the background of the story so that the reader can gradually understand the plot and background of the entire story. 2. Metonymy: Use other people or things to present the background. For example, the protagonist could learn about the background through a relative or friend related to the background. 3. Reversal: Reveal the background situation through reversal. For example, at the beginning, the protagonist did not know about the background, but as the story developed, the protagonist realized that the background was not what they had imagined. 4. Omission: By omitting some key information to present the big background. For example, the protagonist might only need to know the existence of a certain place or a certain person without knowing their specific identity or experience. These methods could help the readers to better understand the plot and background of the story by gradually and indirectly showing the big background. Of course, when using these methods, one must also pay attention to balancing the perspective of the protagonist and others so that the protagonist's actions or decisions do not seem too isolated or unreasonable.