Shan Tianfang's Investiture of the Gods and the Seven Heroes and Five Righteousness were both famous martial arts novels in China. They were both very famous and influential. The Investiture of the Gods was one of the representative works of the Ming Dynasty novelist Luo Guanzhong. It told the story of the gods in the late Shang and early Zhou Dynasties. The Seven Heroes and Five Righteous Men was one of the representative works of the Qing Dynasty novelist Cao Xueqin. It told the story of the Seven Heroes and Five Righteous Men from the end of the Ming Dynasty to the beginning of the Qing Dynasty. In terms of literary style, the Investiture of the Gods and the Seven Heroes and Five Righteous Men had their own unique styles and characteristics. The Investiture of the Gods used history as the background, combining a large number of myths and legends and folk tales. The story structure was compact, the plot was ups and downs, and the characters were portrayed vividly. On the other hand, the Seven Heroes and Five Righteous Heroes focused on describing the character's personality, psychology, and fate. The plot was relatively simple, but the characters were more vivid and the story was more touching. In terms of listening and reading, the Investiture of the Gods and the Seven Heroes and Five Heroes had a wide audience and reader base. The Investiture of the Gods had been translated into many languages and adapted into many art forms such as television dramas and movies. The Seven Heroes and Five Heroes was one of the representative works of Chinese radio dramas, which had been broadcasted many times. The Investiture of the Gods and the Seven Heroes and Five Righteous Men were both classics of Chinese literature. The degree of their pleasantness varied from person to person, depending on the personal tastes and preferences of the readers and listeners.
Shan Tianfang's storytelling," Three Heroes and Five Virtues ", was followed by " Seven Heroes and Five Virtues." The Seven Heroes and Five Heroes was one of Shan Tianfang's masterpieces. It told the story of seven righteous men punishing evil and promoting good in the Jianghu. In addition to " Seven Heroes and Five Heroes," Shan Tianfang also narrated many other famous storytelling works such as " The White-browed Swordsman " and " A Hero's Journey ".
Shan Tianfang's Three Heroes and Five Righteousness was a classical chivalrous case novel. It was considered the founder of Chinese martial arts novels. It was compiled by an anonymous person in the Qing Dynasty according to the storyteller Shi Yukun's "Dragon Painting Public Case" and its notebook "Dragon Painting Ear Record". The book had a total of 180 chapters. The story described Bao Zheng of the Song Dynasty, with the help of chivalrous men and righteous men, trying strange cases, settling unjust prisons, eliminating violence and appeasing the good. The book portrayed the image of an incorruptible and incorruptible official who was not afraid of power, which reflected the wishes of the people. The three heroes referred to the northern heroes Ouyang Chun, the southern heroes Zhan Zhao, and the Ding family's twin heroes Ding Zhaolan and Ding Zhaohui. The five heroes referred to the five rat brothers, the Sky Rat Lu Fang, the Earth Rat Han Zhang, the Mountain Rat Xu Qing, the River Rat Jiang Ping, and the Brocade Rat Bai Yutang. This work had a far-reaching impact on modern Chinese storytelling, martial arts novels, and even literature and art.
The Three Heroes and Five Righteous Men was an audio novel performed by Dan Tianfang. It told the story of Bao Zheng of the Song Dynasty, who tried strange cases, put an end to unjust imprisonment, and eliminated the violent and settled the good with the help of chivalrous men and righteous men. The plot of this novel was complicated and the language was common. It retained the characteristics of the art of storytelling since the Song and Yuan Dynasties and had a wide impact on the case novels. The complete collection of the Three Heroes and Five Heroes had been completed and could be listened to on multiple online platforms.
The audio novel " Three Heroes and Five Virtues " was broadcasted by Shan Tianfang. The story tells the story of Bao Zheng in the Song Dynasty, with the help of chivalrous men and righteous men, trying strange cases, settling unjust prisons, eliminating violence and appeasing the good. The plot of this novel was complicated and the language was common. It retained the characteristics of the art of storytelling since the Song and Yuan Dynasties and had a wide impact on the case novels.
Shan Tianfang's storytelling was called " The Next Generation of the Seven Heroes and Five Righteous Men."
Shan Tianfang's Investiture of the Gods had a total of 115 chapters, which included many classic plots and characters. Chapter 115 mainly tells the story of how Nezha and his friends helped King Wen of Zhou to crusade against the Shang Dynasty. In the story, Nezha showed his bravery and kindness and became a hero in the hearts of many people. In addition, Shan Tianfang's Investiture of the Gods also told many interesting characters and stories, such as Shen Gongbao, Huang Tianba, and others.
Shan Tianfang and Yuan Kuocheng were both famous storytellers in China. They had both broadcasted the story of the Investiture of the Gods. The two actors 'storytelling styles and characteristics were slightly different. It was difficult to simply compare which version was better. Shan Tianfang's " Romance of the Gods " was famous for its oral and lively language style. His voice was high and infectious, allowing the audience to better feel the emotions and atmosphere of the story. Shan Tianfang's way of telling the story was more focused on details and plots, and it could clearly tell the ins and outs of the story. Yuan Kuocheng's " Investiture of the Gods " was famous for its grand historical background and broad vision. His deep and imposing voice could convey the theme of the story more deeply and thoroughly. Yuan Kuocheng's narration focused on character shaping and character development to better show the personalities and fates of different characters. No matter which version of the book, it was one of the indispensable classics in Chinese storytelling culture. Different versions had their own characteristics. You could choose the version that suited you according to your preferences and needs.
Shan Tianfang's video of the Investiture of the Gods could be found on many video platforms, including Youtube, Bilibili, and QQ. On these platforms, you can search for "Shan Tianfang's Investiture of the Gods" or "Shan Tianfang's Storytelling" and find related videos. In addition, some video sharing websites may also have Shan Tianfang's video of the Investiture of the Gods. You can search for relevant information on the Internet.
Shan Tianfang had recorded a storytelling called " Romance of the Gods ", which had a total of 180 chapters. This book was probably adapted from the ancient Chinese novel, The Romance of the Gods. The Romance of the Gods told the story of King Zhou of the Shang Dynasty at the end of the Shang Dynasty. King Wu of Zhou followed the will of heaven and the people with the help of Jiang Ziya to crusade against Shang Zhou. The storytelling described the battle of wits and courage between the immortals of Chan School and Jie School, breaking the array and killing the general to become a god. Shan Tianfang's version of the storytelling could be one of them, but it was uncertain whether it was the best version. The search results did not provide any information on whether Yuan Kuocheng's version was better. Therefore, it was impossible to determine if Shan Tianfang's version of the story was the best.
Shan Tianfang was one of the traditional storytellers in China. He had once read " Seven Heroes and Five Righteousness." Seven Heroes and Five Righteousness was a martial arts novel by the Ming Dynasty novelist Shi Naian. It told the story of seven chivalrous men. They were Zhan Zhao, Guan Yunchang, Qin Ming, Bai Yutang, Zhao Zhijing, Wu Yong, and Zhuge Wuhou. This novel was hailed as a classic in the history of Chinese martial arts novels, and it was still widely read.