Who has the original text of Yu Dafu's essay,"The Zero Surplus"?
The original text of Yu Dafu's essay,"The Zero Surplus", can be found in the Chinese Literature Classic Resource Library. The resource library contained all of Yu Dafu's prose works and provided the original text, translation, annotation and other reading methods. If you need any other help, please let me know.
What was Yu Dafu's "zero surplus"…? Great Gods, help me out.
Yu Dafu's "zero surplus" referred to poor and lonely people who lived on the edge of society and made a living by selling matches or other simple commodities. In the novel, the zeroes were often in a state of hunger, cold and loneliness, but they still persisted in surviving and tried to find the meaning of life. Their stories reflected the cruelty of society and the beauty of human nature, which was an important theme in Yu Dafu's novels.
An Analysis of the Images of the Surplus in Yu Dafu's Fictions
Yu Dafu was a famous novelist in China. His novels had a strong sense of realism and also incorporated a certain amount of democratic ideas. The image of Lingyu is an important character in Yu Dafu's novels. It represents the image of the poor people at the bottom of society and is one of the common images of the social vulnerable groups in modern Chinese literature. In Yu Dafu's novel "Sinking", the image of the zero-surplus was fully displayed. The zero-plus was an ordinary person living on the poverty line. He was born in a humble family, did not receive a good education, and did not get a fair job opportunity. Due to the oppression of life and his own limitations, the remainder often fell into poverty and difficulties, but he did not give up hope and dignity. In the novel, Lingyu, like other poor people, longed for happiness and freedom, but because of the injustice of society and his own helplessness, he could only struggle in a tragic fate. In Yu Dafu's novel "The Lingyu", the image of the Lingyu has a certain representation. His image represented the living conditions and psychological state of the poor people at the bottom of China, reflecting the injustice and poverty of Chinese society at that time. At the same time, the image of Lingyu also reflected Yu Dafu's deep thinking and reflection on the social reality at that time. Through the novel, he revealed the shortcomings of the Chinese society at that time and expressed his dissatisfaction and criticism of the society at that time. In Yu Dafu's novel, The Lingyu, the image of the Lingyu has profound meaning and symbolic meaning. His image represented the living conditions and psychological state of the poor people at the bottom of the society, and also reflected the injustice and poverty of Chinese society at that time. The combination of the image of the Lingyu with the sea, sunset and other symbolic elements has a certain symbolic meaning to express the author's sympathy and concern for the poor people at the bottom of the society, as well as his criticism and reflection on the Chinese society at that time. In short, the image of the zero-odd in Yu Dafu's novels was a common image of a social vulnerable group in modern Chinese literature. It represented the living conditions and psychological state of the poor people at the bottom of society, and also reflected the injustice and poverty of Chinese society at that time. Yu Dafu expressed his deep thinking and reflection on the social reality at that time through the image of the zero-plus, and also conveyed his sympathy and concern for the poor people at the bottom.
Yu Dafu's "Fallen" full text
As a person who loves reading novels, I don't have the full text of Yu Dafu's "Sinking". However, I can tell you some basic information about " Sinking ". Sinking was published in modern China in 1932. The novel described the experiences of a Chinese woman, Zhou Xiaoman, in Nanyang. It described the social class and gender discrimination at that time. The novel was regarded as a classic of modern Chinese literature and one of the important events in the history of modern Chinese literature. Its influence was widespread, not only causing a sensation at that time, but it was also widely circulated and studied in later generations.
Who was Yu Dafu?
Yu Dafu (1897 - 1966), formerly known as Yu Wenzi Dafu, was a modern Chinese commentator, translator, lecturer, and social actician. He was one of the most important figures in the history of Chinese literature in the 20th century and was known as the "Father of Modern Chinese Literature". Yu Dafu's literary works involved novels, prose, poetry, criticism, translation, and many other fields. His works were diverse in style and mainly described modern Chinese social life and historical events. He was hailed as the "pioneer of modern Chinese literature." His representative works included "Sinking","Spring Silkworm","Border Town","Night Intoxicated by the Spring Wind" and so on. Yu Dafu was also an important figure in the history of modern Chinese education. He once taught literature, history, philosophy and other courses in famous universities such as Peking University, Tsinghua University, and Nankai University, which had a profound impact on the development of modern Chinese literature and education. At the same time, he also actively participated in social activities and public welfare, contributing to social progress and the process of democratization. Yu Dafu was an important figure in the history of modern Chinese literature and education. His creation and achievements had a profound impact on the development of Chinese literature and culture.
Yu Dafu's profile?
Yu Dafu (1895 - 1966), formerly known as Yu Wenzi Dafu, was a modern Chinese literary critic, literary historian, translator, and ideologist. He was born in Hangzhou City, Zhejiang Province. He studied in Japan in his early years and later returned to China to engage in literary creation. His works were unique in style, mainly describing Chinese social life and interpersonal relationships. He was hailed as the "pioneer of modern literature." Yu Dafu's representative works include "Sinking,""Night Intoxicated by the Spring Breeze,""Kong Yiji,""Border Town,""Spring Silkworm," and so on. These works have become classics of modern Chinese literature with their profound insight into human nature, delicate descriptions, and unique artistic style. Yu Dafu was also an important scholar in the history of modern Chinese literature. He had taught at Peking University, Tsinghua University, Nankai University and other universities and made important contributions to the fields of modern Chinese literature and philology. At the same time, he was also one of the founders of modern Chinese translation, and had translated many excellent literary works and works of philosophers. Yu Dafu became an important figure in the history of modern Chinese literature and culture with his outstanding literary achievements and academic contributions.
Yu Dafu's profile?
Yu Dafu (1898 - 1966), formerly known as Yu Wenzi Dafu, was one of the leaders of modern Chinese literature, literary critics, literary historians, and cultural movements. He was also one of the important figures in the history of modern Chinese literature. Yu Dafu was born in Shaoxing, Zhejiang Province. He was from a wealthy scholarly family and received a good education since childhood. In 1919, together with Lu Xun and others, he participated in the "literary revolution" and founded a new literary school in the history of modern Chinese literature-literary realism. His representative works included "Sinking" and "Night Intoxicated by the Spring Breeze"."Sinking" was considered a classic in the history of modern Chinese literature. Yu Dafu was not only an excellent writer but also a leader of the cultural movement. He founded the Literature Research Society in 1924 and was one of the founders of the Modern Chinese Literature Research Society. He also actively participated in the May Fourth Movement and supported the student movement. He was one of the important figures in the history of modern Chinese culture. Yu Dafu's position in the cultural movement was very important. His thoughts, literature and academic achievements had a profound impact on the modern Chinese cultural history. After his death, he was known as the "Master of Culture" and was respectfully addressed as "Mr. Yu Dafu".
Yu Dafu's profile?
Yu Dafu (1895 - 1966), formerly known as Yu Wen, was born in Shaoxing, Zhejiang Province. He was a modern Chinese critic, translator, and scholar. Yu Dafu's works mainly covered literature, art, history, politics and many other fields. His novel style was fresh and bright, the emotion was sincere and delicate, with a strong sense of realism, but also pay attention to the expression of ideology and symbolism. His representative works included "Sinking" and "Spring Silkworm". Yu Dafu was also one of the important representatives of the modern Chinese literature movement. He was once known as the representative of the "New Moon School" together with Lu Xun and Lao She. His literary achievements and influence had a profound impact on modern Chinese literature. Yu Dafu had high attainments and achievements in the fields of literature, art, and translation. He was known as one of the founders of modern Chinese literature and one of the representatives of the New Moon School.
Yu Dafu's Information
Yu Dafu (1895 - 1966), formerly known as Yu Wenzi Dafu, was a modern Chinese literature, critic, translator, and ideologist. He was also one of the outstanding representatives of modern Chinese literature. Yu Dafu's representative works included "Sinking","Intoxicated Night in the Spring Wind","Border Town","Spring Silkworm" and so on. These works occupied an important position in the history of literature with their profound thoughts and unique artistic style. Yu Dafu had won many literary awards, including the 1952 Nobel Prize in Literature, but his literary achievements had also received some controversy and criticism. Yu Dafu's works and thoughts had a profound impact on modern Chinese literature and culture. He was hailed as "one of the founders of modern Chinese literature" and "an outstanding representative in the history of modern Chinese literature".
Yu Dafu's Introduction
Yu Dafu (1895-1966) was a famous modern Chinese commentator, translator, and social practitioner. He was one of the founders of modern Chinese literature and one of the representatives of the New Moon School, an important school in the history of modern Chinese literature. Yu Dafu's representative works include "Sinking","Intoxicated Night in the Spring Wind","Twenty Years Later", etc. These works are deeply loved and respected by readers for their profound insight into human nature and unique literary style. Yu Dafu had won many literary awards, including China's Nobel Prize in Literature and the highest award in modern Chinese literature, the Mao Dun Literature Prize. His literary achievements and influence were not only important in the field of Chinese literature, but also deeply loved and paid attention to by international readers.
Yu Dafu
Yu Dafu (October 23, 1898-June 25, 1966), formerly known as Yu Wenzi Dafu, was born in Shaoxing, Zhejiang Province. He was a modern Chinese, a commentator, a scholar, and a social actician. He was an important figure in the history of Chinese literature in the 20th century and was known as the "father of modern Chinese literature." Yu Dafu studied at Peking University in his early years and then went to Japan to study at the Faculty of Literature at Tokyo University. After returning to China, he lived and worked in Beijing, Shanghai, Nanjing and other places. He was the first in the history of modern Chinese literature to dabble in novels, prose, poetry and other fields. His representative works included the novels "Sinking,""Spring Silkworm,""Kong Yiji,""Scream,""Hesitation," and other essays such as "Wildfire Collection,""Dongli Yuefu," as well as the thesis "Discussion on the improvement of literature." Yu Dafu's works reflected many aspects of Chinese society, politics and culture. He made important contributions to the development of modern Chinese literature and the construction of modern Chinese culture. He was known as the "Father of Modern Chinese Literature" and an important figure in the history of modern Chinese literature.