Yan, Liu, Ou, and Zhao were four calligraphers from different dynasties. - Yan Zhi Yan Zhitui (628 - 683) was a calligrapher of the Tang Dynasty. His handwriting was dignified and beautiful, and his strokes were sparse and elegant. His representative works included the Yan Family's Family Precepts. - Liu Zhi Liu Gongquan (778 - 865) was a calligrapher of the Tang Dynasty. His handwriting structure was rigorous, his strokes were compact, and his representative works were "Mysterious Tower Stele" and so on. - Ouyang Xun (557 - 641) was a calligrapher of the Tang Dynasty. His handwriting was steep and his strokes were sharp, his structure was rigorous and his representative works were "Ninety Palace Almond Spring Inscription". - Zhao refers to Zhao Mengfu (1254 - 1322), a calligrapher of the Yuan Dynasty. His handwriting is beautiful, exquisite, and full of charm. His representative works include "Luoshen Fu De Shi Tie."
The names of Yan, Liu, Ou, and Zhao were Yan Zhenqing, Liu Gongquan, Ouyang Xun, and Zhao Mengfu.
Ouyang Xiu was a famous calligrapher of the Northern Song Dynasty and was known as one of the "Four Masters". He was born in 1007 and died in 1072. He was a writer, politician, and calligrapher in the middle of the Northern Song Dynasty. His calligraphy style was dignified, steady, thick, and powerful. His style was unique and had a far-reaching influence. Ouyang Xiu's calligraphy was mainly influenced by the Tang Dynasty calligraphers Yan Zhenqing and Liu Gongquan, but also integrated with his own personality characteristics. His calligraphy works were mostly written in regular script, and he was known as the "Giant of Regular Script". Ouyang Xiu had great achievements in the fields of literature, politics, and calligraphy. His literary works were highly praised by later generations, and his political views and calligraphy style also influenced the development of later generations.
The four great calligraphers of the Song Dynasty were Su Shi, Huang Tingjian, Mi Fu, and Cai Xiang. These four calligraphers represented the highest achievements of calligraphy in the Northern Song Dynasty. They each had their own unique calligraphy style and characteristics. Su Shi was good at running script and regular script. His strokes were vigorous and natural. Huang Tingjian's calligraphy works were elegant, vigorous, and hearty. Mi Fu had a weird personality, he liked to wear traditional Chinese clothes and was obsessed with cleanliness. His calligraphy style was bold and lively. Cai Xiang was also very accomplished in calligraphy, but there was controversy. Some people thought that it should have been Cai Jing and not Cai Xiang. In general, the works of these four calligraphers represented the style of calligraphy in the Song Dynasty, and their achievements were highly praised by later generations.
The following are the names of the calligraphers "Er Zhang","Yang Bo","Mi Xue","Xian Zhao", and "Chairman Zhao" and which dynasties they belong to: Two Zhang: Two Zhang referred to the Tang Dynasty calligraphers Zhang Xu and Zhang Menglong. 2. Yangbao: Yangbao referred to the Song Dynasty calligrapher Yangxin and Yangmai. 3 Mi Xue: Mi Xue referred to the Yuan Dynasty calligraphers Mi Youren and Xue Ji. 4. Xian Zhao: Xian Zhao referred to the Qing Dynasty calligraphers Zhao Mengfu and Xianyu Wen Zhengming. 5. Director Zhao: Director Zhao refers to the Qing Dynasty calligrapher Zhao Zhiqian and his wife Dong Qingbiao.
Zhao Guangming was a character in the novel " Battle Through the Heavens ". He appeared in the Qin Dynasty. The Qin Dynasty was founded in 266 B.C. and fell in 207 B.C. It was a short dynasty in Chinese history.
Zhao Kuangyin was the emperor of the Song Dynasty.
Zhao Shuli was born in 1895 and died in 1971 during the Ming Dynasty. His main works included novels such as Xiao Erhei's Marriage, Li Youcai's Banhua, and a collection of essays such as Camel Xiangzi. His works mainly described rural life, exposed social reality, and expressed the good and evil of human nature. He was known as the "representative figure of rural novels."
Zhao Mengfu (1309 - 1382), also known as Ziang, Songquan, Han nationality, Xiangyang, Xiangyang (now Xiangyang, Hubei), was a famous painter, calligrapher and poet of the Yuan Dynasty. Zhao Mengfu was known as the "Master of Calligraphy and Painting" and had a profound influence on Chinese calligraphy and painting. His calligraphy was good at regular script, running script, and cursive script. He was especially famous for running script and cursive script. His representative works included "The Ode to the Luo God,""The Stele of Emperor Xiaowu of the Jin Dynasty,""The Mysterious Tower Stele," and so on.
The following is the relevant information and background of the calligraphers "Er Zhang","Yang Bao","Mi Xue","Xian Zhao", and "Chairman Zhao": 1."Two Zhang" referred to the Tang Dynasty calligraphers Zhang Xu and Zhang Menglong. They were all famous calligraphers of the Tang Dynasty, especially Zhang Xu. 2 "Yang Bo" referred to the Song Dynasty calligrapher Yang Xin. Yang Xin was a famous calligrapher and painter in the Song Dynasty. His calligraphy style was fresh and natural, and it was called "Goat Hair Calligraphy". 3 "Mi Xue" referred to the Song Dynasty calligraphers Mi Di and Xue Ji. They were all famous calligraphers of the Song Dynasty, especially Mi Di. "Xian Zhao" referred to the Yuan Dynasty calligraphers Xian Yushu and Zhao Mengfu. They were both famous calligraphers of the Yuan Dynasty. Xianyu Shu was a literary artist of the early Yuan Dynasty, and Zhao Mengfu was a calligrapher and painter of the late Yuan and early Ming Dynasties. "Chairman Zhao" referred to the Ming Dynasty calligraphers Zhao Youcai and Zhao Ximeng. They were all famous calligraphers of the Ming Dynasty. Zhao Youcai was a writer of the Ming Dynasty, and Zhao Ximeng was a calligrapher and painter of the Ming Dynasty. These calligraphers all had very important positions in Chinese history. Their calligraphy works were widely circulated and had a profound impact on the development of Chinese calligraphy.
Liu Ruyu was a character from the late Ming and early Qing dynasties.