An Analysis of Farewell My Concubine from the Perspective of Film and Television Literature

Farewell My Concubine is a classic Chinese drama that tells the story of two Peking opera actors who have struggled for a long time on the road of art. The following is an analysis of some of the film's language: The first sentence: "You're called Little Dan. I'm a senior. We're different." This sentence appeared at the beginning of the film, where the two actors introduced each other backstage. Its film language analysis was that this sentence conveyed the class difference and equality between the two people by concisely summarizing their occupations and status. At the same time, the tone and action of this sentence were also very expressive. Through the slow and firm tone, the two actors 'performances were very good, allowing the audience to deeply feel the emotional differences brought about by their different social status. Second scene: " I saved your life this night. You'll save mine in the next life." This sentence appeared in the farewell scene of the two actors. Its film language analysis was that this sentence expressed the deep feelings and mutual redemption between the two people through reversal and metaphor. The tone and movements in this sentence were also very expressive. Through the slow and affectionate tone, the two actors 'performance was very good, allowing the audience to deeply feel the sincere feelings between them. 3rd scene: " I'm China's Hua Lian, you're America's Yang Jiao. We're both actors, but our lives are going in different directions." This sentence appeared in the scene where the two actors met on stage. Its film language analysis was that this sentence expressed the class difference and incompatible pursuit between the two actors by comparing their occupations and status. The tone and actions in this sentence were also very expressive. By concisely summarizing the differences between the two actors, the audience could deeply feel the emotional difference between them.

The art examination of film and television literature referred to the literary creation examination with film and television literature works as the main research object. It was usually organized by the major universities themselves or in cooperation with relevant institutions. The purpose of the exam was to assess the candidates 'literary attainments, professional knowledge of film and television, and creative ability. The candidates were required to create and submit their works according to the plot, characters, and theme of the film and television literary works for review by the jury. The content of the film and television literature exam usually included the analysis and interpretation of film and television literature works, the creation of the examinee, and the defense. In terms of creation, candidates needed to conceive and create according to the theme, plot, and characters of the film and television literary works. They tried to integrate the elements and characteristics of film and television creation into the works to show the candidates 'literary accomplishment and creative ability. The film and television literature exam was a very important form of examination. It could not only test the candidates 'literary creation ability, but also test the students' understanding and understanding of film and television culture. Examinees should pay attention to the understanding of the exam and be prepared to actively explore the creative methods and techniques of film and television literature works to improve their creative level.

The perspective analysis of literary works was usually done by analyzing how the author used the perspective to shape the characters, plot, and theme in the work. Perspective is a technique used by the author to make the reader or the reader feel that they are in the work. It can be an objective perspective, a subjective perspective, or a double or multiple perspective. The following aspects needed to be considered when analyzing literary works: 1. The author's perspective: The author usually chooses different perspectives to shape different characters and plots to present different worldviews and values. For example, in Dream of the Red Chamber, the author Cao Xueqin showed the rise and fall of a feudal family and the complexity of human nature through the perspectives of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters. 2. Changing the author's perspective: The author may switch perspectives between different plots and characters to let the readers feel different emotions and experiences. For example, in Romance of the Three Kingdoms, the author Cao Cao showed the political turmoil and social changes at the end of the Eastern Han Dynasty through the perspectives of many characters. 3. The influence of the author's perspective: The author's perspective can directly affect the characters and plot in the work. For example, in Water Margins, the author Shi Naian created an image of a hero who resisted oppression through the perspectives of Lin Chong, Wu Song, and other characters. 4. Restrictions on the author's perspective: The author may limit his own perspective in certain situations to present a more realistic and profound work. For example, in Journey to the West, the author Wu Chengen showed a rebellious but kind image through Sun Wukong's perspective. By analyzing the perspective of literary works, we can have a deeper understanding of the author's creative intention and the meaning of the works, and at the same time, we can better understand and appreciate literary works.

The art of film and television and the literature of film and television are closely related to each other. Both of them form an important part of film culture. The art of film and television was the foundation of film and television literature. As an art form, the creative process of movies was inseparable from literature. The screenplay was an important part of the movie creation. It determined the plot, characters, theme, and other content of the movie. Therefore, the art of film and television was the premise and foundation of film and television literature. Film and television literature was developed on the basis of film and television art. In the early days of film, the art of film and television existed in the form of silent films. Film literature, as an important part of the film, also developed during this period. With the development and progress of film technology, the language and forms of expression of the film were also constantly innovative and developed, and the film and television literature also changed. There was still a mutual influence between film and television arts and literature. As an art form, the style and characteristics of movies were often influenced by literature. Excellent film and television literature works could provide important reference and reference for film creation, and film creation would also influence literature, promote and develop each other. The art of film and television and the art of film and television literature were inseparable art forms. Together, they formed an important part of the film culture and played an important role in the development and promotion of the film.

Film and Television Literature Volume A referred to a series of novels that were adapted into films or television series. The plot and characters of the novel would usually be adapted into a film or television series while retaining the important elements of the novel. The purpose of these works was to allow the audience to experience the plot and characters in the novel through watching movies or television dramas, and at the same time attract more audiences. There were a large number of works in Film and Television Literature Volume A. Some of the classic works included Harry Potter and the Sorcerer's Stone, Dream of the Red Chamber, Romance of the Three Kingdoms, and so on. These works had achieved great success after being adapted into movies or TV series, becoming classic works of film and television literature. Film and TV Literature Volume A's works usually had a deep cultural heritage and rich imagination that could attract the audience's resonance and appreciation. At the same time, through the adaptation of the novel into film and television literature, it can better show the plot and characters in the novel, so that the audience can have a deeper understanding of the meaning of the novel.

Film and television literature is the intersection of literature and film art. It adapted literary works into movies or television dramas and re-created them on this basis. The uniqueness of film and television literature is that it not only retained the ideology and storyline of literary works, but also presented it to the audience through movies or TV series. The uniqueness of film and television literature also included the following aspects: 1. Visual effects: The works in film and television literature usually use special effects to enhance the visual effects so that the audience can immerse themselves in the works more easily. 2. Character Creation: The characters in film and television literature are usually more three-dimensional and plump. They have their own emotional experiences and personality characteristics. It is easier for the audience to understand and empathize. 3. Space-time Crossing: The works in film and television literature can cross different time and space so that the audience can better experience the plot and characters in the works. 4. Narrations: The narrative methods of film and television literature are usually more diverse. There are different narrative methods such as time sequence, flashback, and narration to make the story more colorful. Film and television literature is a unique and innovative art form. It can transform literary works into movies or TV series and bring more vivid and profound visual experience to the audience.

The biggest difference between film and television literature and novels was their presentation and narrative structure. Fictions were usually presented in the form of independent story units, and each story had its own narrative structure. On the other hand, film and television literature was usually presented in the form of a series of pictures and shots. Each picture and shot had its own narrative structure and temporal order. The narrative structure of film and television literature was usually linear, that is, the story was presented according to the time sequence or plot development. In contrast, the novel's narrative structure was more flexible. It could present the story in a jumping, branched, or comprehensive way. Film and television literature was also more intuitive and dynamic. It usually used a lot of camera language and visual effects to express emotions and atmosphere. Compared to this, novels usually paid more attention to the expression of words and the presentation of imagination. The audiences of films and novels were also different. A novel usually had readers as its main audience. The readers could understand the story and characters through reading the novel. On the other hand, film and television literature usually focused on the audience. The audience could experience the story and characters through watching the film.

Film and television can be both art and literature. It can express the real world and reflect the fictional world. As an art form, film and television usually expressed emotions, stories, and topics through cameras, pictures, music, and other means. The audience could feel the emotions and thoughts expressed by the director, scriptwriter, and actors. On the other hand, literature was a more abstract and in-depth art form that expressed the author's emotions and thoughts through words, stories, and plots. Literature can be either realistic or romantic. It can convey the author's views and values by describing the lives, emotions, and thoughts of the characters. Therefore, although film and literature are both art forms, their ways of expression and expression are different, and their purposes and meanings are also different.