How to write the Humanistic photography thesis catalog
The following is a possible structure of the humanities photography thesis: ** I. Introduction ** 1. research background 2. research significance 3. research technique 4. research status at home and abroad ** II. Concept and Connotation of Humanistic photography ** 1. The definition and category of humanity 2. The definition of humane photography 3. The difference between cultural photography and other types of photography ** III. The Development of Humanistic photography ** 1. The Origins and Exploration of Early Humanistic Photographs 2. The characteristics and representative works of cultural photography in different historical periods 3. The development trend of modern photography ** 4. The Elements of Humanistic Photographer Creation ** 1. The choice of the subject 2. The consideration of background and setting 3. The skill of instant capture 4. Shooting angle and composition ** 5. The expression of emotions and thoughts in cultural photography ** 1. The photographer's subjective emotional integration 2. The social and cultural ideas conveyed by the works 3. How to trigger the audience's emotional resonance through photography ** 6. The social value and influence of cultural photography ** 1. Contribution to social and cultural heritage 2. in reflecting societal problems 3. To promote understanding and communication between different groups ** 7. conclusion ** 1. summary of the results of the study 2. The Future Development of Humanistic photography Read more exciting novels for free
International Humanistic photography awards
The International Photographic Awards was a prestigious comprehensive photography competition in the photography industry. There was no mention of the winning works in the Humanistic photography category in the 2024 IP Awards. The winning works of the 2023 International photography awards did not specifically mention the humanities award-winning works. In an international photography competition in 2019, there was an award-winning photography work in the humanities category. The photographer was Bimo Pradityo. The location was Yogyakata, India, and the shooting equipment was Huawei Mat10 pro. The work showed Ponikem, a batik handicraft manufacturer in Yogyakata, India. She had been engaged in batik for 35 years, and batik was one of the cultural heritage of India. In addition, in the 3rd edition of the 2024 Aup Wave International Photographic Competition, the China photographer Shi Yi's work," Stills Offshore Angling," won the Gold Medal of the PAC, but it was not stated whether it belonged to the category of cultural photography. In addition, the " Humanistic Care photography competition " organized by Cao County Hospital was an internal photography competition, not an international award. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is Humanistic documentary photography?
Humanistic documentary photography consisted of two parts: Humanistic photography and documentary photography. Humanistic photography was to record the real side of life with a camera. The main body revolved around "people" and "culture". The photographer was people-oriented, caring and respecting people, reflecting various cultural phenomena of human society. It had regional, national, and historical characteristics. There were two ways of understanding when shooting: one was to blend into the shooting group and experience the feelings before carrying out a clear and accurate understanding and conscious understanding activity; the other was to shoot based on intuition and instinct, making pressing the shutter a subconscious action. Moreover, a cultural photographer should be a person who cares about humanity. In his work, he should not have the perspective of "high people" looking at "low people". He should pay more attention to the integration of history and current culture. The photographer should integrate his own thoughts and feelings and have his own understanding of the subject. The function of documentary photography was not only to convey information, but also to teach the audience to understand a certain aspect of society from the truth revealed in the photos. The documentary photography reflected the present and provided evidence for the future. It reflected the relationship between people and nature. It mainly recorded people's activities, depicted the systems and customs in human social life, and revealed the lifestyle that affected human behavior. It required the participation of professional workers and amateur photography enthusiasts. In general, documentary photography was a photography method that reflected the nature of social phenomena and showed the daily life of human beings from a special angle. It showed the external appearance of the subject and paid more attention to its complex nature. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Landscape photography thesis
The following is an example of a thesis on landscape photography: ** Title: Photographic Landscape: Esthetics, Historical Development and Modern Meaning ** ** abstract **: This paper aims to explore many aspects of landscape photography, including the evolution of its aesthetic content, its development in the historical process, and its contemporary significance. Through the analysis of the characteristics of the landscape photography in different periods, it reveals its unique value in the field of art and social culture. ** I. Introduction ** Landscape photography had become an important part of photography since its birth. It was not only a simple record of natural landscape, but also contained profound aesthetic value, reflecting different historical and cultural backgrounds and the change of people's cognitive attitude towards nature. ** 2. The aesthetic meaning of the landscape photography ** (I) Early aesthetic features 1. "picturesque" aesthetics The early landscape photography was influenced by the painting model. Under the influence of romanticism and the style of painting, it had the aesthetic characteristics of "painting". The photographer's description of nature was emotional and had a wide range of topics, from primitive landscapes to idyllic scenery, urban streetscapes to rural scenery. The landscape photography works of this period focused on the resonance of the soul and the expression of artistic charm. For example, Carlton Watkins of the United States. His photography works were balanced in composition, exquisite in tone, and often compared to paintings. His works expressed the harmonious relationship between man and nature. 2. From the aesthetic essence The aesthetic essence of landscape photography was a dialogue between man and nature. Artists put their feelings into the scenery, making the work not only record nature, but also contain passion. The beauty contained in the natural scene was rich and profound. It was connected to real life and transcended the secular world. Natural scenery was personified by matching the laws of human inner spiritual movement, becoming a symbol of human inner spirit, thus triggering emotional resonance. (II) Realistic aesthetics of the modern era At the beginning of the 20th century, photography and painting parted ways. Modern landscape photography pursued the path of pure photography, emphasizing the spirit of nature and realistic aesthetics. This kind of pure photography advocated direct, instantaneous, and mechanical aesthetics, which was in line with the theme of the art media and forms of expression emphasized by the modern world. (3) The sublime aesthetics of the post-modern era (can be extended according to the hints in the reference materials about the development of landscape photography aesthetics into the post-modern era) With the development of the times, the aesthetics of landscape photography developed into the sublime aesthetics of post-modernism. Its characteristics were reflected in the records of man-made landscapes and the deeper and more complex expression of the relationship between humans and nature. ** 3. Historical Development of Photographic Scenery ** Early Development After the invention of photography in 1839, landscape photography in the 19th century developed in different directions. On the one hand, it became a tool for the colonial expansion of the European Empire, mastering the geological features of the colonies, and excavating archaeological discoveries. At the same time, the emerging middle class integrated it into tourism and memorial activities. Explorers and geomographers used it as a research model. The works had the dual functions of providing visual evidence and exchanging goods. 20th Century Development In the 20th century, two camps of landscape photography developed under the influence of the modern trend of thought. On one side, the F64 team represented by Ethel Adams was influenced by pure photography in the United States. On the other side, Walker Evans, who came out of the American Agricultural Safety Administration, insisted on a simple and realistic style. He influenced a group of young photographers to pay attention to their relationship with their surroundings. There was also typological photography influenced by German neo-objectist photography. Later, American landscape photography developed in the direction of new topography photography, and together with German typological photography, they developed contemporary landscape photography. ** IV. The meaning of landscape photography in the present age ** (I) The Value of Traveling Photographs In the modern era, landscape photography was one of the most important forms of tourism photography, playing an important role in the excavation and transmission of tourism resources. It helped to show the charm of the scenic spot and attract people to go sightseeing. However, with the popularity of photography, there were some problems, such as the assimilation of works, the over-pursuit of form and neglect of content, resulting in some phenomena called "sugar film". However, this did not deny the value of landscape photography. As long as the subjective and objective, content and form were unified, landscape photography would still have a bright future. (II) Public aesthetics and cultural communication Landscape photography works were widely spread through various channels, affecting the public's aesthetic concept. From the early days of satisfying the curiosity of Europeans about the mysterious East to the modern era of allowing more people to understand the scenery around the world through platforms such as the Internet, it played a positive role in cross-cultural communication and cultural communication. ** 5. conclusion ** Scenery photography has rich content and diverse value in terms of aesthetic content, historical development, and contemporary significance. From an aesthetic point of view, its evolving aesthetic features reflect the artistic pursuit of different eras; from a historical point of view, it is closely linked to the development of society, culture, science and technology; in the contemporary era, it plays an irreplaceable role in tourism, aesthetics, cultural communication and many other fields. With the continuous development of technology and the continuous change of social culture, photography landscape will continue to develop and show new vitality and value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Humanistic care is the precious legacy of documentary photography
The purpose of documentary photography was to record real-life scenes, people, and events through documentary techniques, and strive to truly and objectively show the nature of the subject, reflecting the variety and complexity of social life. It reflected the relationship between humans and nature. It mainly recorded human activities, described the systems and customs in human social life, and revealed the lifestyle that affected human behavior. Humanistic care was very important in documentary photography. Excellent documentary photography often touched people's hearts, which stemmed from the photographer's deep concern for the subject. When a photographer went deep into life to shoot, only with humane care for the subject could he treat them with respect and equality, avoiding the perspective deviation of " high people " looking at " low people." This kind of humane care made documentary photography not only a simple video record, but also a carrier of emotions and culture. It became a bridge connecting the past and the future, communicating with different cultures. It was an indispensable part of documentary photography and could be called a precious heritage. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to Color in the Later Stage of Humanistic photography
There were many ways to adjust colors in the later stages of photography. The following were some common operations: 1. ** Basic adjustments with Camera Raw ** - ** Shadow adjustment **: You can first adjust the shadow in the bright part of the picture, such as dimming the shadows and black, but you must pay attention to avoid over-dimming the middle gray and losing the details of the picture. Beginners should control the degree of darkening the shadow. They can make local adjustments after the shadow is suppressed to the limit that the image can accept. The exposure could also be slightly reduced as needed. - ** Local adjustment (when the camera has a mask function)**: Use the brush tool in the mask to smear the shadow. When smearing the shadow, control the feather value of the brush. If the shadow edge is hard, the feather value should not be too large to prevent the edge from scattering. For shadows of different sizes, you can adjust the size of the brush to make fine smearing. If you accidentally painted an unwanted area (such as a highlight) during the painting process, you can use the Add and Subtract function under the mask to correct it. For example, for a small area where you can't recognize a person, you can use the object to select the object or use the brush to paint the wrong part and subtract it. - "Color adjustment: Return to the basic panel and adjust the color and tone. For example, adjust the color temperature according to the desired image effect to produce different color tendencies. At the same time, you can adjust the contrast, highlight, white, and other parameters to achieve the desired effect. 2. ** Color Levels ** - After copying the "background layer" and opening the "Camera Raw" filter, he chose the "color level" command to adjust the float in the middle tone to lower the "alpha" value. You could also use the Elliptical Marquee Tool to draw an oval selection around the subject, then reverse select it after feathering, and apply the selection to the Color Levels mask to add a dark corner to the image and highlight the subject. 3. ** Curved line adjustment ** - After simply adjusting the brightness contrast in the camera raw, he opened it in PS and clicked on the curve adjustment layer. The light and dark parts of the curve could be adjusted by the composite channel of the curve, and the three independent channels of red, green, and blue could be adjusted. For example, in the red channel, dragging the control point on the diagonal of the curve upward would add red minus cyan, and dragging it downward would add red plus cyan; in the green channel, dragging it upward would add green minus cyan, and dragging it downward would add cyan minus cyan; in the blue channel, dragging it upward would add blue minus yellow, and dragging it downward would add yellow minus blue. You can add control points to adjust the color according to the needs of different parts of the screen (such as light, middle gray, dark). 4. ** Hue/Saturation adjustment ** - You can choose the Hue/Saturation command to adjust the color saturation. For example, when reducing the yellow saturation, the mask could be turned black, and the yellow clothes could be smeared with a white brush to reduce the saturation alone; when increasing the saturation of the subject's red cheeks, the corresponding operation could be adjusted only for the cheeks; when increasing the red brightness, the subject's cheeks could be smeared with a black brush and then adjusted. 5. ** Brightness/contrast adjustment ** - Choose the "Brightness/contrast" command to adjust the brightness and contrast of the picture. When operating, you can turn the mask black, and use a white brush to paint the parts that need to be adjusted (such as clothes) to adjust the brightness or contrast separately. 6. ** Special color tone adjustment (such as retro color tone)**: If you want to bring out the retro color tone, you need to adjust the brightness according to the original situation of the picture, such as a picture with low light. On the basis of emphasizing the theme, you need to adjust various color channels, saturation, contrast, and other parameters to achieve the effect of retro color tone and increase the artistry of the work. For example, during adjustment, you might need to pay attention to the overall picture being warm yellow, reduce the saturation of some colors, and increase the dark corners appropriately. However, the specific adjustment values and methods should be determined according to the actual situation of the photo. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Humanistic documentary photography graduation instruction manual
The following is an example of a humanities documentary photography graduation manual: ** 1. Choice of theme ** Humanistic documentary photography aims to record and display content related to human society, culture, and life through images. The choice of theme was crucial in the graduation creation. (I) The Source and Meaning of the Thesis The theme could come from many aspects, such as attention to social phenomena, interest in specific groups of people, exploration of local cultural heritage, etc. For example, he chose to focus on the living conditions of the elderly in the city. The significance of this theme was to reflect the living conditions of this group in the process of social aging, their spiritual outlook, and their integration and conflict with modern society. It would provide video materials for social research and arouse more public concern for the elderly. (II) The uniqueness and depth of the theme The subject should avoid being overly broad or commonplace. If one chose to film the urban street culture, one could not just stay on the surface of the scene, but dig deep into the social causes behind the street culture, the development of the context, and its impact on the values of urban residents, so that the work had a unique perspective and depth. ** 2. Filming process ** (I) Shooting location and subject 1. The filming location was determined according to the theme. Take the living conditions of the elderly as an example. They might choose parks, community centers, universities for the elderly, and other places where the elderly were active. These places could provide rich materials, covering the leisure, entertainment, social, learning, and other different life scenes of the elderly. 2. The subjects were representative elderly individuals or groups. It could be an old man doing morning exercises, an old man attending calligraphy and painting classes, etc. Their appearance, behavior, expression, etc. could all become important elements to convey the theme. (2) Shooting Techniques 1. composition of a picture - Using different composition methods to highlight the theme and main body. For example, the central composition method was used to place an old man who was telling the past in the center of the picture to attract the audience's attention, or the frame composition was used to frame an old man who was playing chess with an ancient window to enhance the story of the picture. - Consider the layout of the elements in the picture, keep the picture simple and clear, and avoid the interference of irrelevant elements. 2. light and color - The use of light could create a different atmosphere. When shooting indoor entertainment activities for the elderly, the side light could be used to outline the outline of the character and increase the three-dimensional sense; when shooting outdoor scenes for the elderly's morning exercise, the backlighting could be used to create poetic effects. - In terms of color, pay attention to the coordination and harmony of colors. If you want to show the tranquility and peace of the elderly's life, you can choose a picture with warm colors, such as a community activity scene under the setting sun. 3. be ready to capture - The documentary focused on capturing the decisive moment. This required the cameraman to stay alert at all times and predict the interesting scenes or expressions that were about to happen. For example, capturing the complex expression on the old man's face when he recalled the past could convey the theme deeply. ** 3. Work arrangement and presentation ** (I) Selection of group photos and single works 1. If you choose the group photo format, you have to show the theme from different angles and different scenes. For example, a group of photos about the life of the elderly could include photos of the daily life of the elderly, family relationships, social activities, etc., so that the audience could understand the theme in all aspects. 2. A single work would have to select the most representative and touching photos to convey the theme in a concise and powerful way. (II) Arranging and displaying the works 1. When arranging a group photo, one had to consider the logical order between the photos, the unity of the tone, and the visual continuity. You can arrange the photos in order of time, emotional progression, or the logic of the story. 2. When displaying a work, whether it was in the form of a physical photo album, exhibition board, or digital media, attention should be paid to the optimization of the display effect, such as the size, clarity, color reproduction, etc. of the photo, to ensure that the audience could fully appreciate the charm of the work. ** IV. Reflection and summary of creation ** (I) Gains from the filming process He reviewed the entire filming process and summarized his gains in terms of technical improvement, deepening his understanding of the theme, and communicating with the subject. For example, in the process of filming the living conditions of the elderly, he learned how to better communicate with the elderly to obtain their real life stories. At the same time, he also made new breakthroughs in the use of light and composition techniques. (2) The shortcomings of the work He objectively analyzed the shortcomings of the work, such as the imperfect details of some photos, the unclear theme, and so on, and thought about ways to improve. This would help him improve his photography skills in the future. (III) Understanding and Future of Humanistic documentary photography This paper elaborated on the new understanding of humanities documentary photography through this graduation work, such as its important value in recording social changes, inheriting culture, and promoting mutual understanding between humans. At the same time, he also put forward his own prospects for the future development of humanities documentary photography, such as how to better use new technology to expand the forms of expression and communication channels of humanities documentary photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bachelor's Thesis on Concept photography
The following is an example of an undergraduate thesis framework on perceptual photography: ** Title: Concept photography: A new dimension of artistic expression and concept transmission ** ** abstract **: This thesis aims to explore the unique form of photography, the concept photography. Through the analysis of the origin, characteristics, creative techniques and its significance in the context of contemporary art, it reveals how the concept photography breaks through the limitations of traditional photography and becomes an important artistic means to express profound thoughts and concepts. ** I. Introduction ** (I) Research background With the continuous development of contemporary art, photography was no longer limited to purely recording functions. As a new form of photography, concept photography gradually attracted the attention of artists and scholars. (II) Research Purpose and Meaning This paper will discuss the nature, development process and value of the concept photography in contemporary culture, and provide theoretical support for further understanding of contemporary photography. ** 2. The Origin and Development of Concept photography ** (I) The Origin of Concept photography 1. The Rise of Western Concept of Photography Originating from the 1960s, it was a part of post-modern art, which artists used to reflect the contemporary psychological alienation, express their thoughts and critical emotions. 2. The sprout of China concept photography In the 1980s, artists began to intervene in the field of photography through performance art and installation art, showing the exploration and cross-border complexity of art. (II) The Development of Concept photography With the development of contemporary art, there were various branches of concept photography. Modern works were more experimental, and the concept of exploration was more abstract. The boundaries between them and other artistic media were gradually blurred. ** 3. The characteristics of concept photography ** (I) Concept as the core 1. The difference from traditional photography Traditional photography focused on recording the true emotions of the objective world, while concept photography used images to express the inner concept, which was the extension and evolution of concept art in the medium. 2. The transmission of ideas Through photography, he conveyed a certain concept, showing an in-depth analysis of the state of human existence, proposing meaningful topics of extension, and triggering in-depth thinking. (II) The Diverse Forms of Manifestation 1. Not limited by traditional photography techniques Unlike traditional photography, which was strictly restricted by factors such as the camera, lens, light and shadow, composition, and so on. For example, in Sugimoto Boshi's works, the photographic paper was just a canvas to him. His series of electric discharge field was created in the dark room by continuously releasing electricity on the negative film. His works were accidental. 2. Unique visual presentation It uses a unique perspective and image combination to show the analysis of meaningful topics, which can involve life attitudes, social phenomena, character stories, etc. ** 4. Creation Techniques of Concept Photographer ** (I) Selection of theme 1. Dig from society and life The creators chose topics from social phenomena and personal life experiences, such as photography that reflected the concept of environmental protection and paid attention to the problems of human living environment. 2. The materialization of abstract concepts He used abstract concepts such as time and memory to materialize through photography, just like Hiroshi Sugimoto, who integrated the philosophy of life, time and history into his creation. (2) Creation process 1. Longer concept brewing The conception of a concept usually required a long time to think. The photographer had to rely on the ability to observe the customs and observe the emotions to create. 2. Breaking the traditional rules of photography The creators broke through the technical and aesthetic rules of traditional photography and used innovative means to express their ideas, such as using mobile phones for concept photography, making use of the convenience of mobile phones and not being demanding by environmental factors. ** 5. The significance of concept photography in the context of contemporary art ** (I) Impact on contemporary cultural narrations It provided a new context for the narration of China contemporary culture and became an important way to express contemporary thoughts and emotions. (II) Guiding the audience's aesthetic and thinking 1. Challenging the audience's traditional aesthetic concept It broke the audience's aesthetic expectations of traditional photography and prompted the audience to re-examine the definition and boundaries of photography. 2. Arouse the audience to think deeply The concept conveyed by the work prompted the audience to think about the deep problems of human survival and social phenomena. ** 6. conclusion ** (I) Research summary Concept photography was a unique art form that was different from traditional photography. It took concept as its core and had various forms of expression and creative techniques. It was of great significance in the context of contemporary art. (II) Research prospects With the development of the times, concept photography would continue to evolve. In the future, it might be combined with more art forms and emerging technologies to further expand the boundaries of its artistic expression. When writing the thesis, he needed to further study the relevant artists and their works, quote specific examples for detailed analysis, and refer to more academic materials to ensure the depth and academic nature of the thesis. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Title of the graduation thesis defense on photography
The following were the titles of the graduation theses on photography topics: " On the Rise of Concept Photographer "," On the Thoughts of Concept Photographer "," On the Future of Concept Photographer "," On the Creation of Concept Photographer "," On the Conception of Concept Photographer ", etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Humanistic photography, how to sweep the street, how to shoot it well?
The following are some ways to make a good photo by sweeping the streets: 1. ** Equipment and shooting preparation ** - ** Equipment selection **: You can choose a suitable camera type such as a single-lens reflex camera, a mirrorless camera, or an advanced point-and-shoot camera. You must always have a camera ready and cultivate good shooting habits. - ** Choice of theme **: The theme should be clear and express the relationship between the character and the environment or the story that is happening. This required the photographer to carefully observe and discover scenes that were representative, historical, or story-telling, rather than blindly shooting. - ** Use of Light **: Excellent cultural photography street sweeping works are more particular about the use of light. They should make full use of natural light. You can choose to shoot outdoors or indoors with good light. - ** composition and angle **: Pay attention to visual balance and beauty when composing. You can use the composition principles such as symmetrical, the rule of thirds, and the golden ratio. - ** Backgrounds and environment management **: The background should be kept clean and coordinated with the theme to avoid disturbing the main body with messy elements. 2. ** In terms of the subject's performance ** - ** Character expression and motion capture **: When shooting a character, you need to show their natural expression, emotions, and ongoing behavior. You can keep a certain distance from the subject and capture the true expression and natural movements without their knowledge. You can also obtain a more natural performance through communication and guidance. 3. ** Special Skills ** - ** Use perspective relationship **: When shooting in remote streets, you can use the perspective relationship of near and far to make the lines and buildings on both sides of the street form a perspective traction line to converge to a point, reflecting the sense of space and form beauty of the picture. Using a wide-angle lens can enhance the perspective effect. In crowded downtown areas, you can also look for the beauty of lines, such as shooting from a low angle to highlight the zebra crossing lines, or pay attention to the lines formed by overpasses, eaves, etc., adjust the angle to include the sky and ground lines into the picture, and it will be better if the perspective line convergence point has a distinct main image expression; You can also pay attention to the lines of the building structure. When shooting, raise the lens slightly to avoid pedestrians to capture the beautiful curves of the building. - ** Using reflection **: Pay attention to the surrounding glass, windows, mirrors, water surface and other objects when shooting. Use their reflection characteristics to subtly integrate the scene of the background, background, and reflective surface from different perspectives, so that the picture is multi-layered and multi-dimensional. It combines the originally unrelated elements in the three-dimensional space, bringing a magical visual experience and a strong visual impact. 4. ** Shooting attitude and response ** - Single action: Try to sweep the streets alone. Compared to the group battle of commercial photography, street photography is more like an individual sniper. - ** Dealing with the person being photographed **: You can shoot openly. If the person being photographed comes to ask, explain it well. If you can't explain it, delete the photo in person. You can also take a photo from a distance with a telephoto and leave quickly after the photo is taken. Or you can use some more subtle shooting methods, but you must pay attention to avoid causing controversy. 5. ** In terms of parameters (Ricoh camera as an example)** - Aperture: F6.3; exposure time: 1/320s; image control: negative film; saturation +3, tone: +1, contrast (bright part)+2, sharpness: +1, brightness: 0; clarity: 0; white balance shift: G6: B6. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Humanistic photography, how to sweep the street, how to shoot it well
Here are some ways to take good photos: 1. ** Equipment selection **: You can choose a suitable camera type such as a single-lens reflex camera, a mirrorless camera, or an advanced point-and-shoot camera. 2. ** Choice of theme **: There must be a clear theme. Pay attention to the relationship between the character and the environment or the story that is happening. Careful observation was needed to find a representative, contemporary, or story-telling scene. 3. ** Light Usage **: Excellent cultural street sweeping works are more particular about the use of light. They should make full use of natural light. You can choose to shoot outdoors or indoors with good light. 4. ** composition and angle **: Pay attention to the visual balance and beauty of the composition. You can use the composition principles such as symmetrical, the rule of thirds, and the golden ratio. 5. ** Backgrounds and environment management **: Keep the background clean and coordinated with the theme to prevent messy elements from interfering with the main body. 6. ** Character expression and motion capture **: If you want to capture a character, you need to show their natural expression and emotions, as well as their ongoing behavior. You can keep a certain distance from the subject and capture their true expressions and natural movements without their knowledge. You can also obtain a more natural performance through communication and guidance. 7. ** Using perspective relationship **: In more remote streets (where there are fewer people, making the line form obvious), the perspective relationship of near and far is used to make the lines and buildings on both sides of the street form a perspective traction line and converge at a point, reflecting the sense of space and the beauty of form. The use of a wide-angle lens could enhance the perspective effect and make the picture more tense. In a crowded downtown, you could also use a low-angle shot to highlight the beauty of lines such as zebra crossing. As long as you controlled the proportion of pedestrians in the picture, you could make the photo have a sense of life and not messy. You could also pay attention to the lines formed by the overpasses and eaves above your head. You could adjust the angle to take the sky and ground lines into the picture. If the four lines converged to the center and the environment was simple, the convergence point had a distinct main body, the picture would have more visual impact. At the same time, pay attention to the angle of the building when walking and shooting on the street to highlight the beauty of the building structure. When shooting, you can raise the camera slightly to avoid pedestrians. 8. ** Use reflective elements **: Pay attention to the surrounding glass, windows, mirrors, water surface and other objects when shooting. Use their reflective characteristics to skillfully integrate the scene of the background, background, and reflective surface from different angles, making the picture multi-layered and multi-dimensional. It combines the originally unrelated elements in the three-dimensional space, bringing a magical visual experience and a strong visual impact. 9. ** Others **: Having a camera ready at all times, trying to sweep the street alone, staying away from messy scenes, and having a photography collection ready at all times will also help to improve the efficiency of street sweeping photography. In addition, reasonable settings of camera parameters (such as aperture, exposure time, saturation, tone, etc.) also affected the shooting effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>