The full translation of the preface to the Southern Mountain Cluster was as follows: The Collection of South Mountains was a famous work of ancient Chinese literature. Its preface was written by Han Yu, a writer of the Tang Dynasty. In the preface, Han Yu introduced the publishing background and the main characters of Nanshan Cluster and expressed his high appreciation for this work. The original text was as follows: It is easy for Nanshan to gather, but it is also difficult for it to spread. It is really strange that from the time of his birth to the time of his great biography, he has not declined for a long time. The first author can see it first, and the later author can see it even if he cannot see it first. Therefore, even if the book is written in detail, some of the subtle words and meanings are not clear to the readers, and some are wrong in the whole story, it cannot be stopped. Therefore, if a scholar can get his foresight, he can get the whole situation; If you can't see the future, you can see the future. Even if you lose something, you can't catch up with it, but you never forget it. Therefore, the collection of Nanshan should be handed down and preserved, read, read, think, and encourage, and then you can achieve something. The translation was as follows: It was easy to publish the book in the Southern Mountain Cluster, but it was difficult to pass it on. Ever since it was published, many people have written it once, but it's a strange thing that it's been passed down for a long time. The first author of the Southern Mountain Cluster could see it first, and the second author could also see it first, but the latter author might not be able to see it. Therefore, even though this book was written with great fanfare, some important subtleties or meanings were left out, and readers might not be able to fully understand it. Therefore, scholars could only understand the entirety of the Southern Mountain Cluster and its true meaning by first meeting the people of the Southern Mountain Cluster.
The preface to the Lanting Collection was as follows: Yonghe nine years, the year is Gui Chou, in the early spring, in Kuaiji Shanyin Lanting will meet, is to repair the ceremony. All the wise men came, young and old. There are high mountains and steep ridges here, luxuriant forests and tall bamboos, and there are clear streams and turbulent currents, reflecting the left and right sides of the river, leading to the winding water of the flowing wine cup, which is ranked second. Although there is no such thing as silk, bamboo and orchestral music, a poem and a poem are enough to express the quiet feelings. The above is the full text of the preface to Lanting Collection.
The Preface to Lanting Collection was a preface to classical Chinese written by Wang Xizhi. We can find the original preface to the Lanting Collection. According to the documents [1],[2],[3],[4],[5],[6],[7],[8],[9],[10], the original text of the preface to Lanting Collection is as follows: Yonghe nine years, the year is Gui Chou, in the early spring, in Kuaiji Shanyin Lanting will meet, is to repair the ceremony. All the wise men came, young and old. There are high mountains and steep ridges here, luxuriant forests and tall bamboos, and there are clear streams and turbulent currents, which are reflected on the left and right sides. They are used as flowing wine cups and winding water, ranking second. Although there is no such thing as silk, bamboo and orchestral music, a poem and a poem are enough to express the quiet feelings. On this day, the sky is clear and the wind is gentle. Looking up at the vastness of the universe, looking down at the splendor of all kinds of things, it is enough to enjoy the pleasure of seeing and hearing, and it is really enjoyable. The relationship between men and women is like that of a lifetime. Some people take it into their arms and talk about it in a room; Some people put it in their arms and let it go. Even if there are thousands of differences in the pursuit of life, quiet and impatient, when they are happy to meet, temporarily get their own, happy and self-sufficient, do not know that old age is coming. When he was tired of what he had been doing, his feelings changed with the situation, and he was deeply moved. This is the full text of the preface to the Lanting Collection.
The classical Chinese translation of the preface to the child's cry was as follows: I heard the boy's cry. Why are you so unhappy? There must be a reason why the cry of a child falls from the sky. Its voice is clear and clear, like the cry of cicadas, like the language of swallows. Its voice is beautiful and refreshing. The reason why I like it is that its singing can inspire people's hearts and make people work hard to achieve great things. Therefore, I want to send the voice of the child to stimulate his fighting spirit, inspire his spirit, make his ambition high and achieve great ambition.
"Old Things in the South of the City" was mainly about the life and stories in the south of Beijing in the 1930s. The list of works is as follows: Camel Xiangzi 2 Tea House 3. Four Generations Living Together Longxu Gully Camel Xiangzi (continued) 6 Chameleon 7 Drum Artist 8 Kitten Fishing Fragrant Grass Field Under the Neon Lights Longxu Gully (continued) Camel Xiangzi (continued) Chameleon (continued) 14 Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights (continued) Beijing City Fragrant Grass (continued) Longxu Gully (continued) Camel Xiangzi (continued) Chameleon (continued) 22 Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights (continued) Beijing City (continued) Great Buddhist Temple Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights (continued) Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights (continued) Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights (continued) Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Calligraphy Artist (continued) Kitten Fishing (continued) Under the Neon Lights Beijing City (continued) Great Buddhist Temple (continued) Teahouse (continued) Chameleon (continued) Longxu Gully (continued) Camel Xiangzi (continued) Drum Artist (continued) Kitten Fishing (continued) Neon
" Love in Nanshan " was a romance novel written by Shi Li and a Half. The story was about the love story between Xu Wuqiao and Jiang Jinnan. Xu Wuqiao thought that they were just using each other, but in the end, they became a couple. This novel had other nicknames such as " Lost in the bus,"" The fingertips in the bus," and " Seducing His Uncle." The male and female leads had no moral integrity when they got along. This novel belonged to the category of favorite novels and urban romance.
Wang Zengqi's prose collection, Plants and Vegetation in the Human World, had a self-introduction as follows: " Plants and Vegetation in the Human World " is a collection of essays that I have written in recent years. These articles were all about plants. They described the beauty and magic of various plants with the form, habits, and uses of plants as the theme. In this book, I tried a prose form, which can better show the personality and characteristics of plants. By describing the appearance of plants and the environment in which they grow, I show the reader their variety and beauty. At the same time, I also introduced the importance and function of plants to the readers by describing their uses and functions. I hope that this book can bring a unique reading experience for readers, so that readers can better understand and appreciate the beauty of plants. At the same time, I also hope that these articles can bring some enlightenment and thinking to readers, so that readers can better understand the nature and meaning of life. Finally, I hope that readers can feel the charm and beauty of plants through reading this book, and can better understand and recognize them, so as to better understand the nature and meaning of life.
Dear readers, You may have realized that in this era of information explosion, we can easily obtain a vast amount of knowledge and works. What followed was the increasing demand for art and culture. Therefore, we are here to present you with a collection of works by many outstanding painters, hoping to bring you some artistic and cultural enjoyment. The authors of this collection are a group of excellent painters and calligraphers. They come from different fields and cultural backgrounds, but have the same artistic pursuit and style. Their works covered a variety of subjects, including landscapes, figures, flowers and birds, as well as some unique contemporary art forms such as installation and video. These works displayed the unique perspectives and artistic talents of the painters and calligraphers. Whether it was the natural landscape, the characters, or the contemporary art forms, they were all full of vitality and imagination. At the same time, these works also reflected the author's deep concern and thinking about life, nature, and human emotions. Every work in this collection is the author's exploration and expression of life and the world. They used their own ink and colors to show their deep understanding and perception of nature, humanity, and life, making people feel the charm and power of art. We hope that this collection will be a guide to your art and culture, allowing you to understand and appreciate various art forms more deeply. At the same time, we also hope to stimulate your interest and passion for art and culture, so that you can be more creative and imaginative in your life. Thank you for your reading and support!
The Preface to Lanting Collection was a famous preface in ancient China, written by Wang Xizhi, a calligrapher in the Eastern Jin Dynasty. This preface described the scene of Wang Xizhi and his friends gathering, as well as their friendship and mutual respect. It was hailed as a classic in the history of Chinese calligraphy. The historical significance of the Preface to Lanting Collection was mainly reflected in the following aspects: 1. The artistic value of calligraphy: The Preface to the Lanting Collection is one of Wang Xizhi's representative works and is regarded as a classic in the history of Chinese calligraphy. Its standard font, dignified and beautiful, smooth strokes have a high artistic value and appreciation value. The Preface to the Orchid Pavilion Collection holds an important position not only in China but also in the history of art in the world. 2. The significance of cultural exchange: The Preface to Lanting Collection is an important part of ancient Chinese culture. Its writing style and artistic features reflect the ancient Chinese culture and artistic level. The spread and inheritance of the Preface to the Orchid Pavilion Collection promoted the spread and exchange of Chinese calligraphy art around the world and became one of the important representatives of Chinese culture. 3. educational significance: The Preface to Lanting Collection is not only a classic work in the history of Chinese calligraphy, but also has profound educational significance. Through reading the Preface to Lanting Collection, readers can feel the charm of Wang Xizhi's calligraphy art and his deep understanding and expression of friendship, respect, harmony and other values, thus receiving enlightenment and education in art and thought. The Preface to Lanting Collection is an important part of ancient Chinese culture and art. Its inheritance and promotion are of great significance to the development and inheritance of Chinese culture.
"A Collection of Great Wuxia Era's Works" was a famous online wuxia novel. Its preface usually contained content that many readers would be interested in. Some readers might have some questions about the preface of this book. Here are some possible questions: 1 Why is this book called "The Collection of Great Wuxia Era Works"? How did the story of this book begin? Who is the protagonist of this book? How did his/her story unfold? What are the famous people in this book? How did they build their image? What is the theme and significance of this book? What is the ending of this book? Does it express the author's point of view? Does the preface of this book contain some of the author's thoughts and sentiments? These questions are the most common ones in the preface of "The Collection of the Great Wuxia Era". The readers can answer these questions according to their own interests and reading experience.
You can start by sorting them by genre, like superhero, fantasy, or horror. Then, organize them alphabetically by the title within each genre.