The role of the chief editor of Silent Laughter Magazine was played by Zhong Hanliang.
To become a chief editor of a magazine, one usually needed to have a certain level of literary accomplishment and editing experience. In addition, they also needed leadership and communication skills to coordinate the work of various departments to ensure the smooth progress of the magazine. Before becoming the editor-in-chief of a magazine, one usually needed to be an editor or a reporter to accumulate experience in editing or writing articles. He also needed to understand the style and readership of different magazines in order to develop suitable content planning and marketing strategies for the magazine. After becoming an editor-in-chief, he was responsible for setting the magazine's annual plan and goals and supervising the work of the editors and reporters. He also needed to communicate with other departments such as finance, publishing, and marketing to ensure the smooth distribution and sales of the magazine. To be an editor-in-chief of a magazine, one needed leadership and communication skills, as well as professional knowledge and literary attainments to develop high-quality content for the magazine and attract and retain readers.
The order of authority of the chief editor, deputy chief editor, and editor of a book was usually: Chief Editor: The person with the highest authority. The editor-in-chief was responsible for the structure and content of the book and consulted with other editors. If the chief editor does not perform his duties or loses his role, other editors of the book can take his place. Subeditor: responsible for the same duties as the editor-in-chief but with relatively weaker authority. The deputy editor-in-chief was responsible for drafting part of the book's content but usually needed the approval of the editor-in-chief before it could be implemented. Edited by: The reviewers in the book editing department were responsible for reviewing the text, pictures, tables, and other elements in the book to ensure the accuracy and compliance of the content. The authority of the editor was relatively low. They needed to be approved by the editor-in-chief or a higher-level examiner before they could make any changes.
The role of the Empress Dowager of the Qing Kingdom was played by Zheng Yuzhi.
In the celebration of the year, the role of Lady Shu was played by Lin Jing.
The mother of the crown prince was played by Lady Shu.
Chief editor and managing editor were terms commonly used in the field of online novel creation to refer to different editors or the main person in charge of the same work. The chief editor was usually responsible for the overall planning and planning of the work, including the story structure, plot arrangement, character setting, and so on. He would formulate the creation plan and progress of the work and participate in the creation and revision process of the work. The editor-in-chief was mainly responsible for editing and reviewing the work, including reviewing the plot, characters, writing, and other aspects of the work to ensure the quality of the work. He would coordinate the work of the editing team to ensure the unity and style of the work. Therefore, the main difference between an editor-in-chief and an editor-in-chief was the scope and content of their work. The editor-in-chief was mainly responsible for the overall planning and planning of the work, while the editor-in-chief was mainly responsible for the editing and review of the work. Although both involved the creation and revision of works, the specific work content and focus were different.
The editor-in-chief of a poetry journal was usually an influential figure in the poetry world. He needed to have high literary attainments and creative ability. In poetry journals, the chief editor would usually formulate a publication plan, select manuscripts, coordinate the work of the editors, and review and evaluate the works. In some cases, the chief editor of a poetry journal might have a certain amount of power and influence, which could guide the creation of poetry and the development of literature.
Yu Feihong played the role of Empress Qingyu Nian.
Yu Feihong played the role of Empress Qingyu Nian.