I'm not a fan of online literature, and I won't provide the full text of Sikong Tu's Twenty-Four Poem Grades. Sikong Tu was a Chinese poet of the Tang Dynasty. His Twenty-four Poem Grades was a collection of poems that mainly included the best works of Tang Dynasty poets. If you want to know more about Sikong Tu, you can try to search for relevant literature or consult other experts.
The Painting of Twenty-four Filial Piety was a classic of ancient Chinese traditional culture. It described 24 different stories of filial piety, involving parents 'diet, daily life, education, care, and so on. Some of the stories emphasized the importance of filial piety, while others talked about how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety.
The Painting of Twenty-four Filial Piety was a traditional classic in ancient China. It recorded the stories and deeds of twenty-four filial sons in ancient China. This book mainly talked about the inheritance and development of filial piety culture in ancient China, as well as the efforts and dedication of dutiful sons to be filial to their parents. The content of the Twenty-four Filial Piety Portrait included: The story of Empress Dowager Xiaozhuang taking care of Emperor Kangxi The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Meng Zong Crying Bamboo Liu Shuzi's Filial Piety Touched the Ancestor's Story The Story of Burying a Son to Serve His Mother The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven Emperor Wu of Liang was moved by his mother's filial piety story The Story of Li Mixiao's Foster Parents Xue Taoxiao's Story of Touching Grand-Ancestor The Story of Mr. Lu's Filial Parents The Story of Huo Qubing's Filial Parents The Story of Zhou Yafu's Filial Foster Parents The Story of Meng Zong Crying to Save His Mother The Story of Chen Fanxiao's Moved Ancestors 16 packs of stories of midwives taking care of newborns The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Liu Bei's Three Visits to the Cottage, Xiaogan and Zhuge Liang The Story of Dong Yong and the Weaver Girl, the Filial Piety of the White Emperor City that Moved Heaven The Story of Mr. Lu's Filial Parents The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven The Story of Meng Zong Crying to Save His Mother The Story of Zhou Yafu's Filial Foster Parents The 24 Filial Piety Paintings mainly talked about the inheritance and development of ancient Chinese filial piety culture, as well as the efforts and dedication of dutiful sons to be filial to their parents. This book was widely praised and became an important part of Chinese culture.
I can't provide the full text of the poem because this novel isn't presented in the form of a poem. " Ten Miles of Red Dress " was a novel that told a story about the officialdom and family of the Qing Dynasty. If you need to read the novel 'Ten Miles of Red Made', which is presented in the form of poetry, I suggest you look for other resources.
The full text of Full Moon West Tower was as follows: The Full Moon in the West Tower The autumn wind blew, and the waning moon shone in the sky. Lonely deep courtyard, no one to accompany me, I lean on the railing alone. Her thoughts lingered, and she was reluctant to part. Her longing followed her like a shadow. When will we meet again in our dreams? The moon is full at night, and the west tower is empty, sighing. This poem was written by Li Bai, a poet of the Tang Dynasty. It described how the poet looked at the waning moon in the autumn wind and missed his lover in the distance.
The full text of the poem is as follows: Her bun hung high in the sky, shining on her red dress, the clouds on her temples, and the snow on her cheeks. On the night of the third day of September, the dew was like a real pearl and the moon was like a bow. If life is only like the first time, what is the autumn wind sad painting fan? It is easy to change the heart of an old friend, but the heart of an old friend is easy to change. The words of Mount Li are gone. In the middle of the night, tears fall and bells ring. I don't complain. How can it be like the wish of a young man in brocade to be together? This poem described a beautiful woman leaning against the window at night with a smile. Her beautiful makeup and gentle smile complemented each other like a blooming flower. The woman in the poem was not a real person, but the author's yearning and pursuit for beautiful things were expressed by describing the image of the woman. This poem was also one of Li Qingzhao's representative works. It won widespread praise for its poignant and beautiful words and profound thoughts.
"Returning to the Garden" was written by Tao Yuanming, a poet of the Tang Dynasty. The full text is as follows: I plant beans in the grass under the south mountain. The bean sprouts are sparse. I rise in the morning to clean up the waste and return home with a hoe. The road is narrow, the plants grow long, the evening dew stains my clothes. It's not worth regretting that my clothes are stained, but I can make my wish come true. I rise in the morning to clean up the waste and return home with a hoe. The road is narrow, the plants grow long, the evening dew stains my clothes. It's not worth regretting that my clothes are stained, but I can make my wish come true. This poem depicted Tao Yuanming's life in seclusion in the countryside. He made full use of his time to take care of the barren land under the southern mountain. In the rural life, he faced the difficult conditions but did not complain. Instead, he actively faced them and reflected his noble sentiment by returning to seclusion with a hoe. In the end, he expressed his wish that he could always maintain a pure state of mind and not be disturbed by the outside world. This poem deeply reflected Tao Yuanming's love and pursuit of rural life, and it became one of the classics in Chinese culture.
The full text of the poem,"White Sand Dyke in the Green Sun and Yin", is: "Climbing the Liuzhou City Tower." The wind is strong, the sky is high, the apes howl, the white birds fly back to the clear sand of the mournful island. Endless trees fall and the endless Yangtze River rolls down. I'm always a guest in autumn, sad for thousands of miles. I've been sick for a hundred years, and I'm alone on the stage. I'm in trouble, bitter resentment, frosty hair, downcast hair, I've just stopped drinking.
The full text of the Twenty-four Filial Piety Painting is as follows: The Painting of 24 Filial Piety was a painting of filial piety drawn by Zhang Zeduan during the Ming Dynasty in China. It depicted the stories of 24 filial daughters. These stories involved parents 'diet, travel, education, and other aspects to educate people about the importance of filial piety. The full text of the Twenty-four Filial Piety Painting is as follows: Twenty-four Filial Piety Paintings One is filial piety to foster parents, and the other is filial piety to loving mothers. Three filial piety, go out far away, four filial piety, serve parents. The five filial piety left money and goods, and the six filial piety comforted the orphans. Seven filial piety lying in the cold kiln eight filial piety hungry stomach. Nine filial piety, ten filial piety to parents and teachers. The above is the full text of the "Twenty-four Filial Piety Painting". I hope it will be of help to you.
Song of the Lost Qing was an ancient romance novel. The main characters were Gu Qinglan and Sikong Jing. The novel was written by the author, Feng Nao. The writing style was solid and was known as the clean stream of online novels. The story described how Gu Qinglan, as the daughter of a minister, encountered an unexpected predicament on the day of the Emperor and Empress 'wedding. She was surrounded by the royal guards, and the man she loved deeply, Sikong Jing, stood on the city gate tower with a cold and ruthless expression. In the novel, there was also the complicated relationship and blood feud between Gu Qinglan and Sikong Jing. Many readers were full of praise for the plot and style of the novel. However, the search results provided did not mention that the full text of "Song of Mistaken Purity" was restricted.
Li Bai wrote an ode to his mother, which read as follows: The scorching sun burns the heart, and not a single mountain or valley is cold. The eagle flew in the air, but it also felt powerless. The beasts could not find water, and the warriors were as worried as mud. This body wasn't made of iron or stone, but it also felt extremely exhausted. Life is not satisfactory, set up a boat and ride west again. My old friend entered my dream and knew that I was doomed. I don't do it for fame, I only hope that the emperor's grace will be vast. Affectful but always seems to be heartless, only feel the cup before the smile can not be. The candle had the heart to say goodbye, and shed tears for others until dawn.