What kind of song was a rap part with a few lines of poetry from the Peach Blossom Nunnery Song?There was a song with a few lines of poetry in the singing part called "Song of Peach Blossom Nunnery", which was an interlude in "Water Margins" written by Shi Naian, a novelist of the Ming Dynasty. The song began with the description of Lin Chong's experience of being banished to the White Tiger Hall. Brave and intelligent, alone. Bullying the good and fearing the evil, causing trouble. He accidentally entered the White Tiger Hall and was surrounded. With his hair bristling with anger, he leaned against the railing, And the drizzling rain stopped. Looking up at the sky, he roared fiercely. How could three cups or two of light wine rival him? Yan Guo is also sad, but it is an old acquaintance." Among them, the phrase "secretly crossing the sea" was widely quoted by later generations as a classic in rap culture.
What kind of song was a rap part with a few lines of poetry from the Peach Blossom Nunnery Song?According to my knowledge, the Song of the Peach Blossom Nunnery is not a rap song. The Song of the Peach Blossom Monastery was an ancient poem written by the Tang Dynasty poet Wang Zhihuan. It described the poet's perception of the beauty of nature near the Peach Blossom Monastery. Rap songs were generally more cheerful and lively, which did not match the style of the Peach Blossom Nunnery Song.
The content of the Peach Blossom Nunnery SongThe Song of the Peach Blossom Monastery was a Buddhist song composed by the Tang Dynasty poet Bai Juyi. It mainly described the scene and inner feelings of the poet cultivating in the Peach Blossom Monastery. The following is the basic content of the Peach Blossom Nunnery Song:
Peach Blossom Monastery
under the Peach Blossom Nunnery is the Peach Blossom Fairy.
Peach Blossom Fairy Man Peaches
Peach blossoms on the branches, immortals below.
The immortal world sometimes changes
in the mortal world there's nothing to do, I'm happy and at ease.
Listening to music when I have nothing to do
I see immortals in the music.
A fairy song
I sing of the southern mountains.
Singing the South Mountain, singing the South Mountain
I'll sing to the Golden Wheel Temple and go to idle.
Golden Wheel Temple
Strange rocks can be seen in the temple.
Strange steep rock, strange steep rock
He asked the immortal with a smile what he wanted.
Immortals sit outside Gusu City
Green mountains are like black jade, green like green.
Green mountains are like jade, green mountains are like jade
I'd like to be a fish in a stream outside Suzhou.
Stream fish, stream fish, what do you want?
fish swim in the stream, happy and carefree.
Swimming in the stream, the fish are happy and leisurely
I'm willing to be a blade of grass outside Su City.
A stalk of grass, a stalk of grass
Even when the wind blows and the rain blows, they are happy.
Even in the wind and rain, I'm still happy
I'm willing to be a stone outside Su City.
Stone by stone
I'm not afraid of the sun, the wind, and the rain.
I'm not afraid of the sun, wind, and rain
I'm willing to be a speck of dust outside Su City.
A little bit of ash, a little bit of ash
I don't know how to float or sink in the water.
Floating and sinking in the water, unknown
Willing to be a wisp of smoke outside the city of Su.
A wisp of smoke, a wisp of smoke
It turned into a flying butterfly and flew in the sky.
Turning into a flying butterfly, flying in the sky
I wish to be a fairy in the Peach Blossom Monastery.
The immortal world sometimes changes
in the mortal world there's nothing to do, I'm happy and at ease.
There's nothing to do in the world
I'd like to be a monk in the Peach Blossom Monastery.
Ask for the poem "Song of Peach Blossom Nunnery."The Song of Peach Blossom Nunnery was a Buddhist song written by the Tang Dynasty poet Li Bai. It was called the Peach Blossom Journey. The following is the full text of the poem:
Peach Blossom Forest outside Peach Blossom Monastery. Peach Blossom Immortal under Peach Blossom Monastery.
Peach Blossom Immortal planted peach trees and plucked peach blossoms to exchange for wine money.
I sit in front of flowers when I'm sober, and sleep under flowers when I'm drunk.
Half drunk, half awake, day after day, flowers bloom and fall, year after year.
I hope that after a long time of drunkenness, the peach blossoms will still smile in the spring breeze.
The spring breeze is green again, and when will the bright moon shine on me again?
This poem depicted a Buddhist practitioner relaxing his body and mind by drinking wine in a nunnery under a peach blossom forest to enjoy the beauty and peace of life. The poem also mentioned the Peach Blossom Immortal, which was a symbolic image representing the realm of cultivators seeking freedom and transcendence in the mortal world. In the end, the poet expressed his desire to be drunk for a long time and hoped that his life would still be filled with good wishes.
Peach Blossom Camphor, Peach Blossom Nunnery Complete PoetryPeach Blossom Nunnery in Peach Blossom Zhangli
The peach blossom trees in front of the nunnery shade the trees.
Camphor trees surround the nunnery
The sound of flowing water was long and slow.
The Peach Blossom Fairy in the Peach Blossom Temple
Peach blossoms in the fairy land are especially fresh.
Flowers bloom and fade for a thousand years
outside the nunnery, the green leaves on the branches of the camphor tree are immortals.
Peach Blossom Fairy Man Peaches
Under the shade of the trees, I admire the flowers.
The sound of flowing water in front of the nunnery is long
Behind the nunnery, the branches of the Camphor tree are deep with green leaves.
Peach Blossom Nunnery in Peach Blossom Zhangli
Inside the nunnery, the peach blossom nunnery is red outside.
The sound of flowing water is long
The thousand-year-old immortal peach tree gave shade.
Appreciation of Tang Bohu's Song of Peach Blossom NunnerySong of the Peach Blossom Nunnery was an ancient poem written by Tang Bohu, a writer of the Ming Dynasty. It described the scene of him drinking and composing poems in the Peach Blossom Nunnery, as well as his helplessness and emotion towards life. The following is an appreciation of this poem:
Song of the Peach Blossom Nunnery portrayed an open-minded and unrestrained image of Tang Bohu. In the poem, he was in the Peach Blossom Monastery and called himself the "Peach Blossom Immortal". He drank and made merry freely. The Peach Blossom Nunnery that he described was a quiet place with a strong cultural atmosphere. Here, he drank and composed poems to express his lofty aspirations and understanding of life, showing an open-minded and free personality.
The scene depicted by Tang Bohu in the poem reflected his helplessness and emotion towards life. He used the Peach Blossom Monastery to express the loneliness and loneliness in the depths of his heart. In the Peach Blossom Monastery, he was one with nature, but he could not get rid of the shackles of society and could not be truly free. This contradictory mood reflected the depression and hesitation in the hearts of ancient scholars.
Song of the Peach Blossom Nunnery portrayed Tang Bohu, who was full of personality and romanticism, with its open-minded, free and unrestrained poetic style. It represented a kind of aesthetic style and spiritual meaning of ancient Chinese poetry, which provided important enlightenment for later literary creation.
What was the meaning of Tang Bohu's 'Song of the Peach Blossom Nunnery?'The meaning of Tang Bohu's "Song of the Peach Blossom Nunnery" was:
In the Peach Blossom Cove, under the Peach Blossom Nunnery, there is a Peach Blossom Fairy.
Peach Blossom Immortal planted peach trees and plucked peach blossoms to exchange for wine money.
I sit in front of flowers when I'm sober, and sleep under flowers when I'm drunk.
Half awake and half drunk, day after day, flowers fall and bloom year after year.
I hope that flowers will bloom for a long time.
This poem described Tang Bohu's life under the Peach Blossom Monastery and his pursuit of love. In the poem, the peach blossom fairy planted peach trees and picked peach blossoms to exchange for wine money as a metaphor to express Tang Bohu's obsession and pursuit of love.